Chapter Eighty-Four: Chapter 11: The Last Secret Passage
R heard it right, it was Lu Emei's cry for help, a voice he was all too familiar with, because for many years, he was surrounded by this voice every day. Pen @ fun @ pavilion wWw. ļ½ļ½ļ½Uļ½Eć ļ½ļ½ļ½ļ½
Although she is not the love of her heart, she is like the dearest sister, so R did not consider the danger at all, and took the lead in rushing into the space that had been enclosed in it and finally escaped.
The two men walked one after the other, passing through the hallway, stepping over the corpses, and as they passed by the living room, R accidentally glanced at the mantelpiece, paused instantly, and almost fell.
G behind him stopped after overtaking him and asked, "What's wrong with you?" Don't waste time, Emi is in danger of being killed at any time. ā
"Look," R said, gesturing to the mantelpiece diagonally across from him, "someone has moved here again." ā
With R's finger, G looked over, his eyes full of doubt, and at this moment the crying from upstairs continued.
"Leave this alone, Emi is dead, and you will regret it for the rest of your life!" G reminds R.
"Hmmm! Wait a minute, let's go! ā
The two men continued to quicken their pace.
I don't know why, now all the barriers are open, and there is no barrier.
R and G did not choose to go up the stairs in the corridor on the first floor, but chose a more hidden path, more accurately R's choice. The road leads straight to the red room on the second floor.
This is what R accidentally discovered when he was rescuing L. Of course, he also told G in advance. (For the passage where R rescues L and discovers the final secret passage, see Chapter 50, Bait Plan 4 and Chapter 54, and the second half of Chapter 55.) ļ¼
The reason why I didn't choose to enter the stairs in the corridor was because I thought that maybe the blockade above hadn't been lifted yet, so I would run around in circles. Moreover, too much use of axes to chop will also cause the murderer to go even more crazy.
R's hand tightly holds the weapon left behind by Mina, hoping that this time he can face the murderer.
The mechanism of the vase on the mantelpiece is actually very simple, it has to turn clockwise, what does it mean?
The first time R used the vase was because G confessed something to him, adding some speculation.
At that time, the state of the vase was that it was rotated half a turn counterclockwise, and the effect was to lock the secret passage, and when R found it, he was not sure whether it was G or the prisoner who moved.
The secret passage in the living room is located on the left side of the living room, under the large sofa on the east side.
The four legs of the large leather sofa are actually connected to the square carpet underneath, which looks fluffy, hairy, and thick (most of the carpets in the Roquehouse look thick).
The carpet, which looks thick, is also partially attached to the floor, when the vase on the mantelpiece is turned back to its normal angle and then rotated twice clockwise.
The sofa and the carpet below the upper floor will move open, and the reason why the carpet is thick and hairy is to hide the subtle difference in height above the floor.
When you open the secret passage, you will find a narrow wooden staircase exactly like the basement, and a secret passage carved out between the rocks.
At that time, when R discovered this secret passage, he had a little thought: (Here you can refer to Chapter 54 Bait Plan 5, the mental activity at the beginning of the section, to be read in conjunction with what I have written below.) ļ¼
First, the little selfishness that G's words retain is that he not only committed a well-known attempted murder when he first arrived at the Arrowhouse, but also participated in a secret activity before the Birdhouse.
Although he was not deeply involved, whether voluntarily or forced, he didn't want everyone to find out, so he concealed his knowledge of the secret passage here.
Second, R thought of the things that G might be hiding, and although not all of them were correct, he felt that some of them were beneficial to him and his sister.
(Please refer to Chapter 54, Subsection 7 of the first half of the fifth half of the Bait Plan) In order to avoid the hard work of everyone, I will repeat it here:
'Happy because Luo Yifan thought of the benefits of this matter for himself, if Jiang Xinglong told himself, it meant that the two of them shared the secret, he knew what he knew, and he knew what he knew. But now it's different, what he knows he knows, and what he knows doesn't he know......
In this paragraph, 'If Jiang Xinglong tells himself, it means that the two people have shared the secret' refers to the secret that G is unwilling to reveal, which is what I mentioned in the first point above.
'He knows what he knows, and he knows what he knows' means that if G shares the secret, it means that G's sins are known to R, and G will understand that he has a handle in R's hands and will be in danger to R.
Now it is different, he knows what he knows, and he does not know what he knows. This was R's mental activity at the time: R guessed G's secret, but G didn't know that he guessed, so G wouldn't be a danger to R, but R would be a threat to G.
Whew~ Seeing this, everyone should understand who R and G are! Perhaps smart readers have known for a long time.
R-Roy-Roy
G - Gamble (Gamble) - Jiang Xinglong (English name is taken from its homonym: finally understand love)
At this point, the secret passage under the sofa was still open, and no one had closed it, and the vase on the mantelpiece had been left untouched, so Roy felt very strange.
He has always had a keen reflexes and thinking skills, and, no matter how urgent it is, he will not go crazy for anyone other than his sister Xiaoyun.
This is also one of the great characteristics of Roy.
Now, Roy and Gamble have entered what is arguably the last hidden secret of Roy House, but will they be able to rescue Lu Emi and the people who help her?
Is the person upstairs helping Emi alive or dead, and who is it?
And will our suspects turn around?
In the next chapter, I'll tell you about them one by one.