Shadowborn

Category: Humanoid intelligent creatures

Home planet: Setopia Galaxy, 196b Spiral (Inner Bayki)

Overview: Neiyabaiki, which means "scorched black" in the language of the filmmaker. www.biquge.info It is unbelievable that this harsh dead planet can give birth to advanced intelligent life, and its star is the faintest of the red dwarfs, emitting a faint low-temperature red light and emitting feeble heat. The organisms that live in it take on a sickly white color due to the lack of radiation.

The Nayabaiki volcanoes are all over the place, and frequent geological activity has left labyrinthine fissures, and geothermal water rich in chemical elements seeps out of the crevices. The Shadowmen grew up in such an extremely harsh living environment, because of the weakness of the stars, the Shadowmen dug a network of crypts in the extinct volcanoes, and in order to make the most of geothermal energy, they drove giant probes into the magma canyons, and they were able to condense volcanic magma into various shapes. The filmmaker was able to do all this, thanks to the ancient colonies of Neyabaiki.

Early History, Religion and Ethnicity:

The origins of the Shadow Man are full of accidents and the malice of nature, but even so, this graceful and strong species with pale skin survived the terrible conditions and pioneered its own science and technology.

Although the filmmakers in their early years could only retreat into the dark underground, the filmmakers unexpectedly had quite good artistic attainments, and the harsh environment inspired the filmmakers to love the beauty of life, which can be glimpsed from their architectural and engineering styles, but the filmmakers only regarded art as a means to inspire each other, rather than as a pure pursuit, which cannot but be said to be a pity and waste.

After experiencing primitive hardships to survive, filmmakers gradually realized that if they wanted to survive in a harsh environment, they must not rely on plunder...... Whether it's the other side or the fragile planet itself...... This desert of life can no longer withstand the destruction. Only by uniting with each other and working together can filmmakers survive and grow.

The Shadowmen have an aversion to life-destroying behavior, and their faith is an animistic religion that believes in the spirituality of all things and their close connection to each other. The harsh environment contributed to the development of this sect, strictly speaking, this belief called the Shadow Spirit Sect does not explain the afterlife, the pragmatism of the Shadow Soul Sect makes the Shadow Men not believe in things that are too far away, the Shadow Spirit Sect focuses on maintaining the harmony of reality and guiding the people to work together, and the advocacy of non-violence has profoundly shaped the racial character of the Shadow Spirits.

Filmmakers who know that fighting each other is meaningless maintain a high level of internal unity, their non-violent tendencies and love for the beauty of life make them very friendly, but on the other hand, filmmakers are also a race of extreme realism and frugality, and they value efficiency above all else, so they rarely pay attention to the emotional aspect of cultivation, but once you have established a good relationship with a filmmaker, or made an important contract, then congratulations, Filmmakers, who regard vows and relationships above all else, are definitely your closest and most faithful companions

appearance

Although it is difficult for scientists to explain, the shadow man does look very much like a human.

They have paler skin, slender limbs, and larger eyes than humans, and scientists believe that the lack of radiation allows them to exhibit such qualities, but other than that, the Shadowmen are not identical in their internal anatomy with humans, but for conservation purposes, the Federal Medical Academy, which is responsible for medical work, refuses to disclose more of the physiology associated with the Filmmakers to non-related personnel and other Federal citizens other than the Filmmaker.

The filmmakers are more elegant in appearance than humans, but they are also less emotional.

Outer Colonial History, and Accession to the Commonwealth:

After the Filmmaker's technology developed to a certain extent, the depletion of the Shadowman's star system and the Shadowman's home planet also began to accelerate, and in order to keep the race alive, the Filmmakers made great sacrifices, mobilized all the resources they could mobilize, and launched a large number of colonial arks into outer space to explore the way to survive.

Many colony ships have disappeared, and some of the ships that have been lucky enough to build small colonies are no longer able to return to their home planets, and it seems that the end of the shadow people is getting closer and closer...... That is until a traveling Federation patrol ship stumbles upon a Shadow Colony ship and sends personnel aboard it.

The colony ship's life-support system was already in a dangerous state, and the crew was in poor physical condition, so federal medical personnel began emergency relocation and thawed it out of the cryocompartment, and soon the crew members were restored. Perhaps mistaking the Federation people who resembled the Shadow Man for the Shadow Man, the Chief Director of the Colonial Ship sent a distress message to the Federation crew, and the Federation patrol ship immediately reported the discovery of a new cosmic civilization.

The discovery of a new civilization was quickly reported to the Supreme Council as an event of the highest priority, and although the World Council had not yet reached a conclusion, the Supreme Council approved an executive order for humanitarian relief of the Shadowmen, and after reaching a consensus with the Shadowmen authorities, a total of 163 engineering ships and the first rescue teams of 36 Eco Arks were escorted by the 694th Patrol Fleet to the system where the Shadowmen's home planet is located.

The rest of the story may be nonsense in the galaxy, but in Setopia, it is a real reality, while the Federation began to rescue the Filmmakers, the Filmmakers also have a high level of goodwill towards these aliens who came from another part of the Star Sea, there is no doubt that the Federation has no intentions for the Filmmakers, but only with good intentions to help. During the Tyranid Wars, the Federation's fleet fought fiercely between the Vortex and the Tyranid fleet, but never took a step back, and although he hated violence, he remained firmly on the side of the Federation in the face of the ruthless Devourer, and used his unique technology to decipher the Tyranid swarm and provide support to the Federation.

After the end of the Tyranid War, the Filmmaker joined the Federation as an independent state, and was guaranteed a high degree of autonomy, although he also considered changing his home system, but the Filmmaker finally rejected the Federation's proposal, and chose to stay in his home system, in order to continue to remind himself of the difficulty of survival, and use the gradually recovering homeland to commemorate the glory and luck of the Filmmaker as a member of the Federation.

Technology: The Filmmakers' technology is closely related to the microbial community of Inner Abayki, and it can even be said that their industrial system is based on the study of these archaea. The extreme environment of Inner Yabaiki has given birth to a large number of archaea and can be found everywhere in the highly salinity lake water, in the extremely hot and acidic environment. The Filmmaker found an archaea from the Sea of Death that resembled the Earth's hydrophilic bacteria, and developed a cell-reproduction gene therapy implanted in the body to quickly regenerate damaged cells, which not only improved the race's physique, but also significantly extended their lifespan. The same is true in other industrial fields, where microbial production methods account for a large proportion, bacterial leaching, and desulfurization of petroleum and coal. A variety of thermophilic fungi are used in high-temperature environments such as compost, haystacks, and wood chips, and filmmakers take advantage of the degradation of some of their organic matter. The use of thermophilic bacteria to carry out anaerobic treatment of wastewater waste can improve the reaction speed and eliminate pathogenic microorganisms in sewage sewage. Industrial raw materials are extracted from seawater and sulphur lakes.

Filmmakers often have this semi-biological trait in their mechanical tools, such as their space battleships, although these life forms are merely carriers and organs, and do not possess intelligence or mind. These things are genetically modified, organs transplanted and mechanical controls and a large symbiotic microbiota are added, and then space-adapted radiation and nutrient indoctrination are carried out. Eventually, these biomechanical hybrids like aquatic plants are formed. It is precisely in this way that the various tools of the filmmaker have the characteristics of symbiotes, and there is almost no synergy disorder when used, just like a part of the body.