Chapter 61: The Theater

When I got back to the station, I was finally relieved, but at this time I was really afraid that what I was seeing now was still an illusion. Pen? Interesting? Pavilion wWw. biquge。 info

Xiao Yu wrapped around my neckline and stretched out his snake head and whispered to me: "Don't worry, this time I don't think it's an illusion, although I don't know how to break the illusion, but I can see the illusion, isn't it very powerful?" Mo Lian, tell you the truth, do you admire me very much? You don't have to worship my ......."

I reluctantly tore Xiao You off the neckline, this little guy, his skin is really getting thicker and thicker!

The thief didn't know where he had gone, and the Buddha beads were still in my hand, so I didn't dare to observe it casually this time, so I put it back in my pocket.

All the way back safely, in fact, I didn't really feel relieved until I saw that the same scenes were not on the train. Otherwise, I'm always afraid that I'm still immersed in that illusion.

Back at the villa, the woman was anxiously wandering around the living room, turning left and right.

The woman's name is Xiang Xi, according to her own words, she used to be a famous role sought after by everyone in Shanghai, although most of the actors were men, but her daughter's play was famous in the entire Shanghai market that year.

Those who like to listen to dramas will be ridiculed by others as uninformed hillbillies if they don't know her.

When she saw me enter the house, she hurriedly floated up to me and asked me about Sipa's condition with a look of hope.

I described the scene one by one, even if the Buddhist bead in my pocket made me almost lost in the illusion and couldn't get out, I told her all of it.

The relationship between her and the monk was really close, and when she knew that he was crazy, that kind of sadness and worry was definitely not pretended. Even if I finally told her that he was mostly pretending, she still couldn't change those worries, and even begged me to find a way for her to meet him.

But what can I do? When I went to send Sipa alone, it was because she was a ghost and couldn't stand the Buddha's light, so there was no way at that time, how could there be now?

She held the Buddha bead in her hand as if it were a treasure. It just makes me feel strange that she is not fascinated by the illusion and is still living in reality.

"Thank you, just...... He seems to be really in trouble......" Suddenly, she bowed deeply to me, "Childe, I beg you to help me one more time for the sake of the treasure of the broken bridge?" There's really nothing I can do, and if you don't help, he might really be gone. ”

She pleaded bitterly, no resentment, no hatred.

Soul scattered, to be honest, I really can't stand this word anymore, every time I hear this word, I think of the master who died to protect me, if I can, I don't want to be scattered, of course, except for Situ Kong.

"What the hell is going on?" I looked at her and asked softly.

"Did Childe agree? Thank you to Xiang Xi. ”

She told me about her experience, and I have to say that the life of this drama is really bumpy.

In 1923, she followed the troupe to this bustling metropolis.

At that time, the Shanghai market was already considered to be an inch of land, and their troupe was suppressed as soon as they came, and they didn't even have a decent stage.

In order to set up this theater troupe in this city, everyone devoted themselves to other jobs to make money, hoping that the sum would be enough to buy a house for people to listen to the theater.

There are not many women in the troupe, and in addition to Xiang Xi, there is also a woman named Yuelian. The big and small two people grew up together, played in class, hung their voices together, and practiced those basic skills together.

This time when they came to Shanghai, they were also sent out to make money, except for the old class owner, everyone went out to work hard.

pulls rickshaws, goes to other people's teahouses to sing, and performs on the streets, while she and Yuelian, the two daughters, are forced to make money, and in the end they can only be forced to be dancers by the old class owner.

It's just that they haven't suffered this kind of insult since they were young after all, even if there are only two women in the troupe, those brothers and sisters also take care of them in every way, even if they are actors, they are also clean and self-conscious.

As soon as the two of them arrived at that kind of place, they were forcibly taken into their arms and ordered to drink with them. Naturally, they did not comply, and on the first day, they were arrested by a group of people for beating people.

If it is said that the world is not ancient enough to praise the world, they are dragged down, and the last bowl of drugs is in their stomachs, and they don't know anything.

Xiang Xi originally thought that she would lose her virginity forever when she woke up, but she didn't expect that she would still be the same as before, but Yue Lian was gone.

Running to the west and now the moon is pitiful, but there is nothing, and in the end I can only go back alone with my head down.

Yue Lian's disappearance undoubtedly hit them hard, but no one blamed her, everyone would understand that situation at that time, and after so many years together, they understood her helplessness.

She didn't go out to be a dancer anymore, so she stayed in the troupe to cook and wash clothes for everyone, which was a better life.

A month or so passed, and Tsukiren returned.

She was dressed up in a bewitching and beautiful manner, and she stepped on high heels to follow the man who was going to molest them in the first place.

It's just that she left a sum of money and left with him, Xiang Xi said that that was the most painful difference between her and her friend.

Yue Lian is gone, and she never returned to this troupe, but she has her own future and her own life, which is also good.

The troupe chartered a tea shop, and a stage was set up in it, and the tea was free, and only the money for listening to the play was collected.

That day, that scene, a Huansha Ji, gathered the thoughts of many viewers.

A woman in green clothes, with low eyebrows and a clear stream.

So many Hakka, so much applause She was on the stage, babbling, even if it was over, there would be people sighing, the women's Tsing Yi on the stage brought people into the play so much.

Day after day on the stage, day after day in the tea shop, this group of guests is gone, and there is a wave, everyone has their pursuit, the pursuit of a play that is always looking at from afar.

What you can't see is heartache, and what you realize is sadness.

The fluttering water sleeves are a period of evil fate that starts here.

Chenhuo was originally a monk, and he was also young at that time. He likes to play red dust, and he likes to flout the rules.

He took a pen and half a book, and traveled.

Come to the tea shop, come to the theater.

He looked at the danyi and water sleeves on the stage, watched the joys and sorrows on the stage, walked by, held a teacup, drank tea, tasted, and watched.

Laughing loudly when he was happy, bowing his head and not saying a word when he was sad, he commented loudly on the scene and said loudly about this Huansha Ji.

Only, I didn't mention the Tsing Yi on stage.

The words of the play started, he started, the words stopped, he stopped, he was shouting happily, a group of people looked at him, pointing, the old class owner looked for someone to catch him, he didn't leave, he said, this play is for people to see, how can you not judge?

It's just a circle, and I'm still happily watching this scene there.