Volume 5, Chapter 43: The Girl in the Painting

I looked around again, and I found a lot of patterns, but there was not a single text. Pen, fun, and www.biquge.info

In the history of mankind, there have been many languages, but not many words. Many languages can only be transmitted orally.

From these murals, I can roughly see it.

There really was a very developed civilization here a long time ago, but I don't know why it fell.

It should be said that this place has quickly developed to the extent of a "country", although it is not as large as the ancient Yaro country in terms of scale, but it is also quite large.

After hundreds of years of prosperity in history, Koyoro was sunk in the ocean of history, and the reason for its destruction is unknown to future generations, leaving only countless mysteries for archaeologists.

How was it destroyed?

I can't really guess!

There are countless civilizations destroyed in human history, and not every civilization will be recorded in historical records. One of the most puzzling and confusing is the disappearance of the Yama civilization.

I continued to look along the vertical wall of the staircase, and on the lowest staircase, I suddenly found a very strange painting.

The painting is rather ugly, and it is clear that it was not the work of a professional artist.

But what surprised me even more was that this painting was not painted with professional paint, but with charcoal, like a child's graffiti.

This...... How can it be? Where the ancestors stayed, how could such rough paintings be allowed? This is a very serious place, and this kind of painting should not appear.

Could it be that there is something hidden in this? What does someone want to express with the help of this painting?

Or rather...... This was painted later?

I became interested and crouched down to take pictures of the painting.

The charcoal painting is not very clear, and fortunately the place is dry and bare, otherwise it would not have been recognizable after being covered with lichen.

The charcoal painting depicts some crooked people.

There is a very large altar in the middle. Although the painting is rough, I can still see that there is a stone statue on the altar, which is the "Nuwa Statue" outside the temple!

A little girl stands in the middle of the altar.

I couldn't help but shake in my heart, and the story of the witch fish legend began to linger in my mind. Grandma's, it won't be human sacrifice again, right?

Looking closely, it was obvious that there was a woman beside the little girl, and she was standing on the altar with the little girl.

There are some people scribbled underneath.

Oh! It's not a human sacrifice, it's supposed to be a ritual! I just can't understand why the protagonist of this ritual is a little girl.

The next painting shows only a few houses, and there is not a single one in it! All the houses were empty. On the screen, there is also the stone statue outside the ancient temple.

This should be a true portrayal of this civilization.

But what makes me wonder is why not draw people?

The whole painting is empty. Despite the scribble, even though it was a painting, I still felt a deathly silence!

Why are people gone!

Wrong! There are people! In the upper left corner of the painting, I saw the little girl, who was snuggling up in a woman's arms...... Is it her mother?

It's just that compared to the previous painting, this painting has changed very significantly! That's how that woman draws!

When the woman stands by the altar, the figure is drawn directly with thick lines, but when it comes to this painting, the woman's shadow appears very blurry, and it is outlined with dotted lines. There were also several drawings of the little girl and her mother, all of whom were drawn with dotted lines.

Why is it painted like that?

I looked at the clumsy drawing and suddenly understood. These charcoal paintings were drawn by that little girl!

What is she expressing? They didn't have words, and the only way to record anything was through drawing. What kind of consideration did she have in mind when she drew her mother as a dotted line?

Could it be that her mother is a big blister? So to draw a dotted line?

It's just impossible to think about it, why don't you use the dotted line painting in the front one? Is there any difference between a dotted line and a solid line?

In terms of art, it seems to make no difference, but in engineering drawing, the dotted line usually represents the invisible outline, and the line of sight represents the visible outline. Could it be that her mother could not see it?

No way! What age was that, and how could this little girl think about this?

The most bizarre thing, of course, is why this painting was painted with charcoal. I don't rule out that it's graffiti, and it seems to be a human nature that children love to doodle.

What I don't understand is that if this little girl can walk on the rooftop accompanied by her mother and be visited by a large audience, then her status must be very high, and even if she wants to graffiti, she will not use charcoal to doodle.

The most important thing is what kind of place is this, how can she be allowed to come here as a little girl to scribble?

Wondering!

Wait a minute! I wonder if the question is crooked.

We came here just to find Ah Xue, how can we care about this little girl?

But I couldn't resist reading the last painting.

In this painting, there is still no one, all the houses have collapsed, leaving only an ancient temple.

Towering trees are everywhere, and a path stretches outward. There was no shadow of the little girl, only a slim girl, who carried a backpack on her back and walked on the path, leaving only a back.

When I saw this, I was suddenly stunned. This painting is no longer charcoal, it should be made of some kind of ore, so it is still very clear. The drawing method is not as clumsy as the previous one.

Is that little girl growing up?

But why aren't there any other people on the painting?

I stared at the girl, but I couldn't see anything, and although it wasn't as clumsy as before, it was still not very good.

I touched my chin, who the hell is this person? Won't it be...... Xue right?

Phew! How can it be? I can tell from these ruins that it was only a few hundred years ago that it was destroyed. How could Ah Xue be this little girl.

I got up and was about to look somewhere else, when I suddenly felt that something was wrong with the atmosphere.

It's so quiet!

There was not a single sound.

I was stunned. The biggest fear at this time is that there is no sound.

When I looked up, I saw that no one was gone.

No way? Damn, these guys aren't going to leave me here alone, are they?

I jumped in front of the altar and looked around, but there was still no one.

But I saw a door on the right side of the cave. Wouldn't they have entered from here?

I walked over, and suddenly I saw Qian Xinyu running out and making a gesture to signal me not to speak.

I can't help but feel a drop in my heart.

There is a case!

The nerves tensed in this moment. I tilted my ears to catch the sounds in the cave.

A few faint breaths did come from behind the door.

I followed Qian Xinyu in. It was to see Li Yiqi, Lao An, and Xiao Mo with tense faces.

In their hands, they all raised their guns, and the muzzles of the guns were pointed at a coffin in the corner!

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