Chapter Twenty-Seven: Dried Corpses

The man wasn't moving at all, and the part I was shining on was the back of the human body, as if he was wearing golden armor, and it seemed to be covered with a layer of gold paint, but because he was in that corner, I couldn't tell what was going on. Pen % fun % Pavilion www.biquge.info

I was surprised and said to them, "There's a situation over there, it seems that there is a person or a statue standing there?" With that, I continued to stand still, and the light of the flashlight never moved away from the man's body.

When my father heard me say this, they all turned their attention away from the wall, and looked back at the place where my flashlight was shining, their eyes were full of doubts, and Abu thought that he had encountered a zongzi, so he immediately pulled out the paratrooper knife and held it in his hand, while the second uncle and they held the sapper shovel.

"Let's take a look!" The second uncle stared at the golden figure and said, we all nodded heavily, and slowly moved towards the golden figure, as long as I thought of many things I had encountered in the tomb before, my steps were a little heavy, and every step was like dragging a boulder.

As we got closer and closer to the golden figure, my dad added, "Be careful, maybe it's a rice dumpling!" Hearing my father's speculation, I also began to panic, walking slower and slower, and followed closely behind the master.

When we came to the golden figure, we found that it was a standing corpse, wearing golden armor and a dark red helmet on its head.

Abu wandered around the corpse for a while, then pointed to the location on the corpse's stomach and said, "This corpse seems to have been injured before it died!" Look! ”

Immediately, I fixed my eyes and saw that the armor on the corpse had sunk into the body at the position Abu pointed to, as if it had been hit hard, but the wound looked like some weapon had been inserted into it, and the skin and flesh were completely concave.

I looked down and saw that it was a mutilated knife, one handle was still attached to the head of the knife, and the other handle had been broken and placed next to the head of the knife.

Guan knife is actually the Qinglong Glaive knife, this Qinglong Glaive knife is a type of glaive knife, the glaive knife is mainly used to practice arm strength, so powerful generals or soldiers, are used to using weapons with relatively large weight, the ancient Chinese novel "Romance of the Three Kingdoms" is mentioned, it is the weapon used by Guan Yu, so later it was also called the Qinglong Glaive knife as the Guan Wang knife, also known as the Guan knife, alias also called Leng Yan saw.

And the Qinglong Yanyue knife mentioned in this novel is eighty-two catties, which is obviously a bit exaggerated, thinking about the eighty-two catties of weapons in his hand, it is really a bit embarrassing, but on the one hand, it affirms Guan Yu's strength and affection, and on the other hand, it also highlights people's worship of Guan Erge.

This Guan knife is comparable to the Zhangba snake spear, and in addition to the most famous martial saint Guan Yu, who uses the Qinglong Yanyue knife, there is also the "beautiful bearded man" Cen Peng, the beloved general of Liu Xiu, the emperor of the Han Guangwu Emperor in the Eastern Han Dynasty.

Legend has it that the Qinglong Glaive is a weapon with a soul, once he loses his master, he will lose his original huge power, so only with a perfect master, the power of the Qinglong Glaive can be exerted to the extreme.

Therefore, the dried corpse in front of him must have been a man who stood up to the sky and the earth in ancient times, otherwise he would not be worthy of this Qinglong Yanyue Knife

Obviously, the power of this Qinglong Glaive is obvious, otherwise Guan Yu would not have made everyone tremble when he beheaded Yan Liang, and then the later Zhuwen Chou established the status of the Qinglong Glaive Knife, although many novels are made up, but there is also a certain historical basis, so the appearance of the Qinglong Glaive Knife in front of him also shows that many things are not completely apocryphal, but real.

I looked at the Qinglong Glaive Knife in front of me, and couldn't help but look back at the wall, and unconsciously remembered the dynamic picture on the wall, one used Fang Tian's painting halberd, and the other used the Qinglong Glaive Knife, which is a bit like the description of the Tiger Prison Guan Guan Yu in the "Romance of the Three Kingdoms" in the three battles against Lu Bu: "The fierce battle failed to divide the victory or defeat, and Guan Yunchang was annoyed before the battle; The green dragon treasure knife is bright frost and snow, and the parrot robe flies and butterflies. ”

But obviously the picture depicted on the wall should be the fight between the two generals of the Han Dynasty, as for whether it is real or not, the dried corpse in front of him can explain everything, but I don't know who the two people who are fighting.

And the dried corpse in front of us, if nothing else, is the person holding the knife in the wall picture, this golden armor with a dark red helmet, basically nothing wrong, but I don't know where this other person went, it is said that both have been seriously injured, could it be that the other person did not die at that time?

And everything in front of me is too bizarre, I think of the scene of the auction of the Tianlong mono-eared halberd in the Shuiyue Cave Hotel, plus what the master said at the time, every time I look at the master, there will be some inexplicable thoughts popping up, I always suspect that the master is another person on the wall picture, but as long as it is a person, I will not believe this kind of thing, only if you face it in person, you know how difficult it is for you to accept.

We were all very puzzled, why these two men fought in this tomb, and why the other disappeared, it was a mystery, I couldn't think of why, just stared at everything in front of me, one step at a time.

At this time, I saw that the young master was no longer observing the dried corpse in front of him, but continued to walk forward, as if the dried corpse was completely a stone, unable to provide us with any clues, and had nothing to do with him, I don't know what he was thinking in his heart, completely ignoring what we were doing here.

At this time, the second uncle suddenly ran over and caught up with the master, and said, "Master, can you borrow your halberd to use it?" "I know what the second uncle is suspicious of, saying that the master has been like this since he met my grandfather, it is difficult to figure out, how can a person not be affected by the wind and frost of the years, but now the master is indeed like this.

What we know is that the master's grade is only a little older, but the things before the master met his grandfather were told by the grandfather, as for what happened, only the master knows, and there are many things after this that we can't explain, we all know the temper of the master, it is inconvenient to ask more, it is inconvenient to say more.

Seeing that the second uncle was chasing after him, the young master seemed a little puzzled and asked, "What's wrong?" The young master's expression at this time has become a little solemn, and it seems that he is very reluctant to lend this halberd to the second uncle.

The second uncle thought for a moment, probably thinking that he was thinking too much, and said: "Not much, just now I wanted to borrow the master's halberd to try this wound and see if it can be matched." ”

At this time, the master suddenly ignored what the second uncle said, and walked towards the depths of the tomb, leaving the second uncle messy in place, but the master walked two steps and turned back and said, "No." ”

At this time, I looked at the back of the master, and I only felt that there seemed to be an extra layer of mist and gray veil on it, and I couldn't see through it at all.