"Tell me."

"You don't need to check the matter of the dead ghost 'running away from home' -- he should have died a long time ago, but in the past five years, since he left, our life has been much more stable, I eat fast and chant Buddha every day, practice virtue and accumulate goodness, and the neighbors have forgotten all kinds of evil things about the dead ghost."

"Whether Che Rengui should die or not, it has to be decided by the law, and it shouldn't be the death method of 'running away from home'." The old man's attitude surprised Ouyang Ping and his comrades. Ouyang Ping vaguely felt that the background of Che Rengui's murder case was complicated.

Ouyang Ping didn't say a word about Che Rengui's murder, and the old man seemed to have known about the man's murder, at least from her words.

When Ouyang Ping and his entourage returned to No. 157, there were four people sitting in the living room, they were Che Huating, Master Zhao, Aunt Li, and Master Cao. The four of them are admiring two mock-up portraits that have not yet been finalized, and two painters are sketching the lines of their facial features with pencils on their easels. These two young painters were invited by Liu Dayu from the technical department of the Municipal Bureau, one is named Zhang Chunsheng and the other is Sheng Meiling, and these two painters are best at using computers to make simulated portraits of people based on human skulls.

Two simulated portraits, a man and a woman, needless to say, everyone must know that they are the simulated portraits of the Ma couple.

Based on the memories and narratives of the four artists, the two artists first sketched the contours of the faces and facial features of the subjects, and then repeatedly revised them according to their specific descriptions of the parts. Due to the timely and full communication between the artist and the narrator, the simulated portrait is closer to the real person - or more realistic.

In the simulated portrait of a woman, Aunt Li and Master Zhao gave more advice; On the simulated portrait of the man, Che Huating and Master Cao gave more opinions.

When Ouyang Ping and his entourage returned to No. 157, the two simulated portraits had changed drafts several times, and in the end, they were recognized and nodded by the four people. After the painting was finished, Ouyang Ping also asked Liu Dayu and Han Lingling to hold the simulated portraits of the two people for Master Jiang and Xiuqin to identify, this is what Zhang Chunsheng and Sheng Meiling thought of, two simulated portraits, only four people at the painting scene to recognize it is obviously not good, because their judgment will be influenced by the painter and each other, so the subjective color may be more. Comparatively speaking, Xiuqin and Jiang Crooked's judgment will be more objective.

So, the result?

When Han Lingling showed Xiuqin a simulated portrait of a woman, she said this: "This-isn't this the wife surnamed Ma?" Yes, that's her. Long hair, melon seed face. ”

When Zuo Xiangdong showed Master Jiang a simulated portrait of the surname Ma, he said like this: "This is the one surnamed Ma." ”

This is a simple test, but the significance of this simple test cannot be underestimated. Only when the two simulated portraits are very close to the real people can Xiuqin and Master Jiang connect them with the information in their memories.

So, Ouyang Ping immediately sent Yan Jianhua and Zuo Xiangdong back to the city bureau to make twenty copies of the two simulated portraits.

The first person to see a simulated portrait of a woman will be Lin Fengyan. Although the last time Lin Fengyan saw Chen Tianjiao was when she was fifteen years old, a woman, if her body shape and face have not undergone fundamental changes, those who were once familiar with her should be able to recognize her.

When Liu Dayu and Han Lingling returned to No. 157 from "Ke Changlai", they met Lin Fengyan who came in a hurry in the alley.