The owner of this tomb is Songtsen Gampo.

I don't know much about Songtsen Gampo. The initial understanding began when Princess Wencheng married Songtsen Gampo.

In order to strengthen the alliance with the "vassal" states and promote cultural exchanges, the emperor of the Tang Dynasty married Princess Wencheng to the poor vassal states.

Princess Wencheng brought with her the advanced crafts of the Tang Dynasty and planted cotton and many other grains, which greatly improved the situation of the vassal kingdom.

It's just that Princess Wencheng had a bad life, and when Songtsen Gampo was thirty years old, she died of illness.

For his knowledge, I also know that he married Princess Wencheng, and then died of illness in his thirties. Nothing else.

Who would have thought that the dead Songtsen Gampo would find such a mysterious place, which makes people dumbfounded.

And from Songtsen's mouth, I got to know another Songtsen Gampo.

During the reign of Songtsen Gampo, the people's living standards were greatly improved. The mortality rate of the population has dropped considerably.

He never took the initiative to start a war, but he loved his people deeply, and if a clan member was bullied, he would often personally lead people to crusade, loyal and courageous, respectable and lamentable.

And some time before he died, he discovered this "mysterious treasure". He led his troops on an expedition and learned that this was not a treasure, but a building far beyond the level of the time.

He knew the significance of this place, and once it spread, the Central Plains region would probably invade regardless of Yiqiē.

In order to keep the vassal state, he ordered everyone not to mention this place, and violators were killed, and an army was stationed here to protect it.

Even after Songtsen Gampo died, he took the initiative to be buried here, hoping to protect this place in the hope of the times.

And the first generation of original inhabitants here were the civilians who guarded the tomb of Songtsen Gampo. They have lived here for generations and guard the tombs of Songtsen Gampo.

In order to show their respect for Songtsen Gampo, they named it the tomb of "Tashi Delek".

Tashi Delek symbolizes auspiciousness, and they hope that even if Songtsen Gampo dies, they can still enjoy the glory and wealth of the senior sister below.

And these soldiers all volunteered to guard the tomb of Songtsen Gampo. After their death, the remaining warriors would apply a wax substance to their bodies to ensure that their bodies did not decompose.

And all this wax oil comes from the abyss below the spiral staircase we walked before.

The mystery of this place is much more than I imagined.

I looked at Brother Gao Leng, Brother Gao Leng bowed his head and didn't say a word from beginning to end, and I didn't know what Brother Gao Leng thought.

The ancestor they are talking about should be Songtsen Gampo, and they don't know where Songtsen Gampo's body is, but the two of them must know.

The corpses of these soldiers have not yet decomposed, let alone those of Songtsen Gampo? The thought of seeing the true faces of ancient celebrities makes me feel a pang of excitement in my heart.

I offered to walk around here and get a better understanding of the situation.

Brother Gao Leng finally spoke: "I'll go with you." ”

I am overjoyed in my heart, Brother Gao Leng must be going to tell us some secret words.

And Song Tsensong seemed to know Gao Leng's purpose, and offered to accompany us.

Damn, this grandson is really haunted. There is no way, he is willing to follow, so he can only let him follow.

I asked Brother Gao Leng on the road, why did he find us, why did he think that we were the people that the ancestor was looking for?

Brother Gao Leng told us that the ancestor's testament was to find the upright people in Panmen to protect this place. And they are just for the people who are behind the plate.

In fact, Brother Gao Leng has been eyeing us for a long time, and he has been secretly observing us since we came out of the Jiuli Fantasy Bureau.

Even when Lei Lao Wu and I were fighting against Jiuniang in Niangniang Lake, he was even watching our every move below.

And in the end, it was determined that we were upright in the panmen, and we did not forget our original intention, or when we were enemies with Xia Luan. So Brother Gao Leng began to appear from that time to help us deal with Xia Luan.

Brother Gao Leng said this, which made me feel very surprised, why did the ancestor want the people of Panmen to guard here? Then he should know a lot about Panmen.

Could it be ...... The ancestor that Brother Gao Leng said in his mouth is actually also Panmen?

I hurriedly asked Brother Gao Leng, but Brother Gao Leng gave an ambiguous answer, saying that the ancestor had too many secrets, and the reason why he married Princess Wencheng was another level was because Princess Wencheng was relatively close to a certain organization.

It is not known whether it is the person who is on the door or not.

I thought about it and thought that was the case. From ancient times to the present day, Panmen has served the royal nobility. Princess Wencheng is a princess of a country, so she will naturally have contact with Panmen.

So I think it is likely that Songtsen Gampo had discovered this fairyland when he didn't marry Princess Wencheng.

In order to solve the mystery of this earthly wonderland, they decided to make contact with Panmen.

A barbarian state like them is not qualified to come into contact with Panmen, after all, Panmen is mysterious enough, and not many people know about their existence.

So, they moved the idea of marriage and asked Princess Wencheng to draw a line between them and Panmen.

It's just that this fairyland on earth is so complicated that even Panmen can't solve the mystery here, but has been studying here for generations.

Perhaps, when the invading Japanese army found out here, there were still descendants of the people on the "pattern" road of Panmen who were conducting research here, and after the invading Japanese army came, they forced them to serve the Japanese army, and handed over all the research results to the Japanese army.

After thinking about it, I was even more curious about how complicated that behemoth really was.

The ancestor's testament, let the upright people in the Panmen guard this place, could it be that we continue to study that thing? The more I thought about it, the more I realized that it was a possibility.

This place is indeed vast, and we walked around this underground palace for a long time before finally finding a passage.

The passage was artificially carved to a distant place, in the shape of an arc.

Brother Gao Leng told us, saying that this passage is a passage to another underground palace. There are so many of them that there must be more than a dozen underground palaces of the same size, enclosing a circle, and in the middle of the circle is the underground abyss below the stairs we walked before.

I don't know how deep and vast that underground abyss is, but I have a general idea in my heart, and I always feel that the underground abyss is the "dwelling" place of the behemoth.

We walked along the arc passage, and after walking for a short time, we entered an underground palace next to it.

The size of the underground palace is similar to where we stayed before. I shone it with a flashlight, and sure enough, I saw a dense line. The scale is large, the crowd is numerous, and the aura is really like a large army standing in front of you, and the hearts of the people who are shocked are full of fear.

We kept talking with Brother Gao Leng, and Songzansong was also interested in the content of our conversation, and from time to time expressed some of his own clever opinions about this place.

Brother Gao Leng did not continue to walk forward with us, but turned a corner and walked towards the army.

We're interspersed in this team.

The warriors held their heads high, their round eyes glaring, staring at the front, majestic and high-spirited.

It reminds me of the Terracotta Army.

Their posture is also similar to that of the terracotta warriors, and it is conceivable that when they are dying, they are holding weapons. It's just that the age is old, and the weapon has long been weathered, and there is no trace of it.

However, this did not affect their prestige in the slightest, but added a strong sense of the vicissitudes of the times.

Brother Gao Leng led us to the front of the line.

At the front of the procession, there is a chair carved out of stone. The chair is crudely made and should have been carved haphazardly.

At that time, the feudal kingdom was not satisfactory in terms of carving technology, and it should be considered a fine product to be able to carve such an appearance.

Behind the chair, there's a wall. The walls also use simple lines to outline some patterns, and Brother Gao Leng asked us to take a closer look at those patterns.

I look closely at the pattern. These patterns are very simple, separated by a box, and the scenes of these patterns are the same, and they are supposed to depict an event.

I stared at the pattern carefully, and soon I almost understood what the pattern was trying to say.

The first pattern, densely packed with all human figures, are simply carved circles, as well as stretched limbs and heads, which can be regarded as representative people.

These figures were divided into two groups, maintaining a forward and charging posture, which I guess should be depicting the scene of the two armies fighting.

And in the distance above the figure, there was something like the sun, releasing a glittering light. There's even a dotted line behind that that represents a very fast speed.

The meaning of this painting is that when the two armies were fighting, a bright light flashed in the distance and slammed into their direction.

I looked around closely, but couldn't find any other useful clues, so I went to look at the second painting.

In the second painting, there is an army that, seeing that the situation is not good, quickly turns around and flees. The other pair of teams, undaunted, pursued the victory, and at this moment, the light was very close to them.

And the details are very well expressed, here the dotted line representing speed is much longer, and the solid line around the circle representing bright light is also much longer and thicker.

The third painting is a big bang. The powerful explosion blew up the dead bodies of the enemy all over the field, and the ground had been blown out of a deep pit. And the fleeing team also suffered heavy losses, many people died, and there were even lines representing flames on their bodies, and their whole bodies were full of flames, running in pain, shouting.

In the fourth painting, the whole world fell silent, the explosion disappeared, and a large pit appeared. In order to represent the depth of this pit, the lines that represent the pit have spread all the way to the ground.

I was a little skeptical that they were conveying to us the meaning that the hole had been smashed into hell.

And above the pit, there is a mad flame. The flames turned the sky red, and the whole world was in a miasma, and the fleeing teams began to set up camp nearby, waiting for the fire to be extinguished.

The fifth painting is the scene after the flames are extinguished. And next to the font, there is also a traditional Chinese character "thirty" written in Tang seal.

I think this thirty should mean that the fire burned for more than 30 days before it burned out.

This is a bit scary, how big a fire can it take to burn for a full thirty days?

Once the flames were extinguished, the surviving soldiers began to walk into the abyss. And each of them was armed, and soon they went deep into the ground and began to occupy the place.