The fat man didn't dare to do anything to the mirror, so he had to go back the way he came. However, things didn't go as smoothly as he thought, and he walked all the way back for hours without finding an exit.

The tunnel, which was originally very stable, could not be completed no matter how he walked, no matter how he ran. No matter how much he yelled, there was always a dark tunnel in front of him.

His feeling at the time was. The tunnel is alive, and it can change its form at will to tease the people in the tunnel, and it may be that their actions have finally angered the tunnel, and the tunnel wants to make him die in despair in this way.

Until a few hands were about to run to despair, the fat man suddenly saw a rescuer. He saw the pit that he had blown up on the stone wall in front of the tunnel.

He remembered the location of the pit, which should have been on the mouth side of the tunnel. The tunnel is diagonally inserted into the mountain, and the rock on this section of the mountain wall is not hard.

At this time, the fat man exerted his ruthlessness, and he divided all the explosives on his body into ten parts. I want to blow up a way. He blew it six or seven meters deep, and although it didn't blow up the path, it blew up the shadow of a man in the rock.

He remembered our experience in the cave at that time, and directly smashed the stone skin outside, smashed the stone man to death, and then squeezed the person in the stone into the gap of the stone man's activity, crawled all the way, and climbed inside for several days, and found a way out. But he didn't expect that the exit was so small that he couldn't squeeze it out, so he had to wait in that place, and it took four days for us to appear.

After listening to the fat man's narration, I couldn't find the north a little, and besides, I had an extremely uncomfortable feeling from the bottom of my heart.

It was a chill, a chill of excess.

I know deep down where this chill is coming from. The fat man's overall narrative, including all the details, gave me a sense of déjà vu.

It's not just déjà vu. Or even backwards.

All the experiences of the fat man in this cave are too similar to the experiences of the third uncle in the submarine tomb, they are exactly the same.

The third uncle was at the bottom of the sea. He also entered a very strange situation, and then he fell asleep. He found that all the people had disappeared, and that the place he was in had changed. He also noticed a strange phenomenon, and then left the place by himself.

I was a little flustered because I didn't know what to do, but one thing I was almost certain of was that the style of the "traps" was very similar, whether it was in the Catacombs, in Genting Heavenly Palace, or here.

Follow the previous survey. Almost all of these techniques originated from the ghost hand craftsman Wang Zanghai.

At that time, Wang Zanghai first repaired the Genting Heavenly Palace. Then he built himself an undersea tomb, and finally, almost the same technology appeared here again.

I have a lot of small judgments in my heart, and I don't know if Wang Zanghai is the source of these technologies. If so, this person is really amazing. But at the same time, it is also possible that he was a very talented craftsman himself, and he was helping the Tangut people to repair the imperial tomb. I learned a lot of the structural design in the underground imperial tomb back then, and then used it in the construction of my own ancient tomb. Wang Zanghai can't live until now, has his technique been passed on to the Zhang family, or has it been passed on to Style Lei?

Geographically speaking, the Zhang family is said to be a mysterious ethnic group in the northeast. It is geographically close to Genting Heavenly Palace, and the Style Lei family is located in the east. It is geographically close to Xisha Islands.

There are two possibilities for this. The first is that when Wang Zanghai was active in Dongxia, it was due to an accidental opportunity. These techniques have been left behind or passed on. Another possibility is that these technologies were passed down to the coastal people when Wang Zanghai was building a huge treasure ship of ancient tombs under the sea.

I'm more inclined to the first one, the Zhang family people use these techniques near the Zhangjia Ancient Building, which is obviously more in line with the whole background system. As for the style of Lei, all our clues so far are just that they designed this Zhangjia Ancient Building, and we only found a large number of architectural pavilion samples, and did not find any mechanism patterns, which is very revealing.

If you don't go back to that moment. No one can know the truth of history.

I thought about the Stuffy Bottle's extreme knowledge of mechanics. There are all kinds of strange associations in my heart, and when I say this, I already have a very certain intuition that the structure of the mechanism here must be huge and integral. This is also the reason why the stuffy oil bottle did not find the mechanism. Again, in the submarine catacombs of the year. The whole room moved as a whole, and the stuffy oil bottle was not found.

But I'm almost sure that to stuffy the oil bottle IQ. Even if he couldn't feel the mechanism behind it, he should be able to guess the general situation based on the experience in the submarine tomb.

But why didn't he say it then?

He has always had his own. Yes, that's the key, I think he can even guess the general mechanism of the mechanism, and he proposed to look for it in the cave outside, because when he saw the cave, he already knew how to crack it.

And he is a person who will not save people when they see death, he must have come back to save everyone and brought them to the ancient building. However, instead of taking the fat man away, he sent the fat man to another place. What is the purpose of this?

He sent the fat man to a place where he could be seen so that the fat man could know that they were still alive. Is this for the fat man to convey the message?

There's no reason for that. When the fat man conveys this message, we will definitely save him even more. But if that's the case, the stuffy oil bottle shouldn't be so "two", and he should at least leave a clear text message.

I can't figure it out. This information gave me the feeling that it was purely to prevent the fat man from entering the ancient building. It's a pretty bad feeling. The only possibility that the stuffy oil bottle would not let the fat man enter the ancient building should be that he clearly knew that this was a journey with no return. And with the skill and courage of the stuffy oil bottle, he decided that there was no return, and basically there was really no chance of a turnaround.

The stuffy oil bottle thinks they're dead.

But Mrs. Huo and the others were brought in, did the stuffy oil bottle think that Mrs. Huo and her men could die? He and Mrs. Huo have a lot of past events that I don't know, and the old woman in her nineties is still here to toss, it seems that their respective problems have become so big that they must be solved, and it doesn't matter even if they die. (To be continued)