Chapter 324: The Book of Prophecy

"In fact, you also know that the written books that can be handed down in ancient times are all officially approved, and once certain words are not allowed by the ruling class, any version of it will be wiped out, leaving no trace. In the long feudal society, a word from the emperor can make the offenders of the nine clans be punished, and everyone is dead, where are the books left? Mr. Yuan said.

Lin Xuan understood that the people Mr. Yuan came into contact with in the grotto were all people who avoided trouble, lived in seclusion, escaped, and were world-weaning, and they must have done something that was not tolerated by the royal family before, saw through the world, and was tired of strife, so they lived in seclusion under the Nine Shadows, forever isolated from the outside world.

The same example can be found in the article "The Story of the Peach Blossom Spring" written by Tao Yuanming of the Eastern Jin Dynasty.

Tao Yuanming is the late Eastern Jin Dynasty Southern Dynasty Song Zheng zhì family, the early poet, the Cifu family, the pastoral poet, the poet of the hermitage, after the retreat wrote a large number of pastoral poems, became the founder of the landscape idyll, self-named Mr. Wuliu, born in a dilapidated family of eunuchs, in order to achieve the ideal ambition of "Daji Cangsheng" and continue to try, continue to be disappointed, and finally despair, and finally can only end up in the "retreat" ending.

The article "The Story of the Peach Blossom Spring" tells the story of a fisherman who strayed into a paradise, in which he met a group of hermits who fled the war in the pre-Qin period. There is no oppression by rulers and corrupt officials, and there is no political struggle between flies and dogs, and there is no intrigue.

It can be seen from this that the people who live in the grotto are also otherworldly, enjoying themselves and living like gods.

"I understand, Xu Hongzu has brought the world not only "Xu Xiake's Travels", but also some other valuable articles about the secrets of mountains and rivers and the seclusion of lakes. It's just that those articles have not been published publicly, and they have become secret papers that only a few people have read. Lin Xuan said.

Mr. Hara nodded: "That's right, you're right." ”

Lin Xuan smiled bitterly: "Isn't that exactly 'hiding' in a sense?" In Tibet, the secret books of writing that were first hidden and then unearthed by people are called 'hidden treasures', and outside Tibet, there are actually many such secret books, some of which are the advanced ideas of the predecessors of the wise men, and some of which are shocking martial arts secret books...... Those should also be called 'hidden', right? ”

Of course, he also knows that there are many cheats in the world, some of which are worthless, just like all the antiques in the world, some are priceless, and some are only called "antiques" because of their age, but they are actually worthless.

Only truly valuable Tibetan scrolls can be called "hidden treasures", and all "hidden treasures" must have some kind of mysterious color of reincarnation, which can bring wisdom enlightenment to future generations of practitioners, and once discovered, they will illuminate the mountains and rivers of Tibet like warm sunlight.

Then, no event or figure in history can escape the philosophical truth of "blessing and misfortune depend on each other".

What can enlighten the minds of the people will surely become a great problem for the rulers. There are not a few literati and writers who have been killed because of "writing", and in all dynasties, there have been people who have been beheaded and exterminated by the nine clans because of this.

In the feudal society, especially in the early Manchu Qing Dynasty, the Shunzhi, Kangxi, Yongzheng, Qianlong four dynasties of the text prison is the most fierce, the most famous poem is "Qingfeng is illiterate, why bother to flip through the book" these two sentences, can be called the representative event of the "text prison".

In this incident, the closest statement to the truth is this--the poem is from Xu Shukui's "Chronicle of a Pillar Building", Xu You's name is famous, and he thinks he is the material of the champion, but later he is unfavorable in the imperial examination, full of complaints, and often writes poems to vent his resentment. For example, a pillar building he built hung a purple peony picture, and the inscription poem "Seize Zhu is not the right color, and the different species are also called kings"; In the summer, the wind blows the pages, and the inscription poem "The breeze is illiterate, why bother turning the book"; I saw that there was a Wanli year number on the bottom of the wine glass, and the inscription poem "See the son of tomorrow again in the cup, and put the pot on half of the side"; At night, I heard rats biting my clothes, and inscribed the poem "Destroy my clothes and be all rats, and pound the nest in the Ming Dynasty"......

The "Qing and Ming" in these poems were reported by people with ulterior motives, saying that "Qing" was "Qing Dynasty" and "Ming" was "Ming Dynasty".

Qianlong was furious and ordered the coffin of the dead Xu and his son Huaizu to be dissected, his grandson and the editor of the poetry collection were beheaded, and a number of officials such as the Jiangsu Domain Division were dismissed.

"Donghualu" records: Qianlong's edict in October of the 43rd year of Qianlong is the official record, but when he convicted Xu Shukui of the "crime of great rebellion", he quoted two other sentences - "During the Ming Dynasty, Zhenxi went to the Qing capital in one fell swoop." The edict believes that this is obviously a reference to the "dynasty" of the "dynasty" by the "dynasty" of "morning and evening", and does not say "to the Qing capital", but rather "to the Qing capital", which is precisely to reveal the meaning of opposing the Qing Dynasty and restoring the Ming Dynasty.

These things have become history, looking at history and knowing the present, Lin Xuan can think of what is hidden in Xu Hongzu's words, it must be about the change of dynasties and the reincarnation of history.

Xu Hongzu once compiled a book entitled "Persona of Mountains and Rivers", which spread wildly in the south, southwest, and northwest, and the manuscript even spread to India, Nepal, European countries, and North African countries in the past, which can be called the Chinese version of "The Centuries". Among them, a large number of pages reveal the ubiquitous ancient Tibetan prophecies of the southwestern frontier, which are exactly the same as those engraved here. In the past, although he did not have a camera when he traveled around the world, he had excellent drawing skills and was able to depict the words he saw meticulously. Therefore, he has long known that there is such a place as the 'axis of the earth' in the world, and in his later years, he lived in Gansu and Qinghai for a long time, looking for traces of the 'axis of the earth'......"

It can be seen that Mr. Yuan admires Xu Hongzu very much, after all, hundreds of years ago, all kinds of information means and transportation conditions were not developed, and it must have been very difficult for Xu Hongzu to seek the truth with his own strength. If it weren't for the perseverance, it would not have been possible to do such a thing.

Nostradamus, who wrote The Centuries, wrote his will on June 17, 1566, and his death was just as he himself had predicted, "lying stiffly between a chair and a bed." He was buried in the walls of the Franciscan church in Salang, his wife Annu erected a monument to him in the finest marble, and his writings were recited by readers all over the world as one of the most classic texts of all time.

On the contrary, Xu Hongzu, who is also a prophet and explorer, except for a copy of "Xu Xiake's Travels", has no other written books, and all his talents have been wasted.

Similarly, there are also "Ten Books of Prophecy" in Chinese history that are comparable to "The Centuries", but few of them have really been handed down and have had an impact, and they have almost been forgotten by modern people.

The ten books are "The Song of Qiankun Ten Thousand Years", the author Jiang Taigong; "The Lesson Before the Horse", the author is unknown; "A Hundred Years of Wuhou", author Zhuge Liang; "The Prophecy of Master Buxu", author Master Buxu; "Tibetan Head Poems", author Li Chunfeng; "Pushing Back Pictures", authors Li Chunfeng and Yuan Tiangang; "Poems of the Yellow Tiller Zen Master", author Huang Bai Xiyun; "Plum Blossom Poems", author Shao Yong; "Song of Baked Cakes", the author is unknown; "Jinling Pagoda Inscription", author Liu Bowen.

The above ten books embody the essence of Chinese culture, which is better than the Western "Centuries". It's just that under the pressure of the imperial power in feudal society, ten books that can make people open their minds and turn against each other have been put into the list of "**", and they will suffer if they are touched.

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