, Don't be too miscellaneous, just like science fiction works are better not to be combined with martial arts, those martial arts science fiction comics that are full of fragrance are the most failures. Because they insist on balancing martial arts and science fiction. Every novel has its central theme, science fiction is science fiction, martial arts can appear in it, but the role is insignificant, because it is science fiction as the theme, then everything must be explained from a scientific point of view, not science and martial arts. ”

You need to be able to accurately depict the scenes, so that the characters are believable, and they go about their daily work in their own senses of sight, sound, smell, touch and taste. —Ravel #8226;

Is there a moving car on the road that is clicking? Is there the sound of children playing in the yard next door? When the water on the stove boils, does it jingle? How hot is the water? Did you tell the reader the temperature? Does the heroine of the novel put a cup of iced tea or iced coffee next to the kimchi jar? The quarrel ends with the man going out in a rage, but the problem is not resolved, at this point, does the heroine pick up the cup, drink iced coffee, feel that the coffee is bitter, and then make a grimace? As you can see, it is possible to evoke all five sensations at the same time in a plot like the one described above, but in order to be able to do so, the plot must be carefully arranged. Most plots can't use all five senses (especially taste is the most difficult to write), but you can easily evoke four senses in the reader, and in most episodes, at least three senses. When you doubt the truth of the novel's dialogue, read your dialogue aloud, pretend you're an actor, and say your lines in the kind of tone you need on the movie screen and on stage. If it sounds blunt and unnatural, it needs to be revised. Don't forget that the thoughts that people express in words are always unpolished, so keep the words of the characters short. People ask questions one by one, and the characters in your novels should do the same, especially when they get to know each other. People often sigh, laugh, scratch their heads, puff out their cheeks, and examine their fingernails in conversation, and you want to make the characters in your novel do these actions and let people continue their conversations while they do their work.

Sixth, the most important point is 'taste', don't follow the trend, write whatever books are affected by popularity, cultivate immortals and write about immortals, and write about the Three Kingdoms in the Three Kingdoms, and now these two kinds of books are in addition to a few old works, I believe most people have stopped at it. Creation, creation, the so-called creation is to create. An author should have self-confidence, not be influenced by the theory, but know what the reader likes to read, not what he wants to write. Old authors will feel that although there will be a market in this way, it cannot fully meet the needs of readers, so that changes and novelties will be lost. Hence the need for taste. Just like the day family, the more you have contact with art, you will naturally have your own taste for beauty, and it will get higher and higher. I don't think I'll be interested in ordinary martial arts authors for long-time readers on the Internet. Because there are too many books in contact, a single one cannot meet what you want. Therefore, people with taste can write good works, and to have taste, you must read 10,000 books, now it is the world of the Internet, and the meaning of these 10,000 books can be extensive, not only refers to the history of China, but also needs to understand the history of the world (recommended Roman history), not only the politics of China, but also world politics, many things can be found on the Internet. Therefore, the reader's insight has become wider and smarter, and the author is facing it with a narrow view of knowledge, which cannot keep up with the times. So increase your own horizons and opinions, otherwise others can't do it, why should you ask others to read your books. You must know that there are tens of thousands of authors on the Internet now, not less than 100 novel authors in the whole country combined. Taste, which only people who have read a lot of novels, is the difference between good and bad books, and old readers understand that at the beginning everything is good, and gradually they start to become picky eaters, hey! Finally, as an author, you should try to be as neutral as possible. It is necessary to favor the protagonist without making the protagonist smooth sailing; We are not gods, we can't be realistic, but we must try to give readers a sense of "truth" is where success lies.

When the plot is tense, use short and concise sentences, use short words in the sentence, use less concluding sentences, and write suddenly. When you do that, tension can set in. In contrast, in a more dreary plot with a dull atmosphere, silence and tranquility are everywhere, and longer sentences, longer words, longer paragraphs, and more conclusions are used. Doing so will naturally ease tensions. When you're conceiving a novel, you need to be realistic. It is only by observing and thinking that you can accurately depict scenes and make the characters believable. They carry out their daily work with their inherent senses of sight, hearing, smell, touch and taste. Well, as I said earlier, taste is the hardest thing to write into a novel, but it's not bad to have four out of five.

Eighth, the most taboo in the article is to make the protagonist become a human being overnight, in addition to following the trend. The protagonist encounters an adventure and gets unexpected abilities, yes! But he gets strong power overnight, and the power after the fact is not strong, so how do you write to the end. ”

So when you sit down to write, remember that it's not "a drink" but "a martini"; Not "a dog" but "a poodle"; Not "a bouquet of hua" but "a bouquet of roses"; not "a skier" but "a young girl with buds"; Not "a hat" but "a high-crowned corner hat"; Not "a cat" but "an Abyssinian cat"; Not "a gun", but "an o." The new automatic pistol of the 44 caliber "is not "a painting", but "Manet's" Olympia ".

"How do you make things seem real?" When a writer is asked this question, it's actually a compliment to him. If someone further says to him, "I feel like I'm there, I can hear, smell, feel these places, it's like walking into the pages of a novel," then what he is giving the reader is truly extraordinary. When I was asked the same question, my answer was, "With the help of the five senses." Some writers don't realize that the reader's five senses should be used to get a sense of reality. It's common to take advantage of the reader's visual senses, but how many times have you used the reader's senses of smell, hearing (except in conversation), touch, or taste? I started writing in 1976 and still have five words on the walls of my office: see, hear, feel, taste, and smell. Whenever I write, I refer to this chart and consciously write something with a smell. In fact, some disgusting things have a miraculous effect when they create a sense of "realism".

No one has said better about the taboo generalization of writing than the great Russian writer Chehev. In one of his letters, he admonished a writer friend to avoid generalizations and generalizations: "I think that the true description of nature should be rather brief and relevant to the subject matter. Cliché depictions should be avoided, such as, 'The sunset is bathed in the waves of the black sè sea, and the golden light of the purple sè pours down' and so on. When depicting nature, it is important to grasp the details and to the point where you can still see the scene you are describing even with your eyes closed.

Third, you can choose to skip things that you are not good at, stop at the point, and bring it over lightly, without describing it in detail. If you really have to write, then you can check the information, but there is no information to check in love, so I advise you who have no love experience or only understand love from comics and novels not to write hard, it will only make the rice stick to the flies.

The first taboo: no matter how beautiful the writing is, don't let the description bring your narrative to a halt.

Second, avoid 'me' "Not much to say, for all writers, writing in the first person is a big taboo"

That moment came to me, and when I began to believe that what I had written was nothing more than a mess, I lost interest and confidence. So I simply started reading from the beginning and worked my way to the point where I got stuck. However, they were much better than I expected, and ha, I was refreshed and kept writing. Now that I've gone through this browsing, I have a better understanding of the characters. This happens a lot in the process of writing a novel.

Apply these five senses and use sentence structure to create a slow or tense atmosphere so that the reader of the novel you write can't leave it behind, because it's so true.

For novelists, the greatest reward is to always grasp the magical excitement. —Fritz *#8226; Whitney is not opposed to writing about women, but I would like to ask you how much of your own love experience you have? Where did you come from? What did you learn from various comics and movies? Or is it your own life experience? Is it a love that is true and touching to the heart? Or is it a love that you don't know what to call a mí love? If you know love. Then you must understand that it is very difficult for a girl to fall in love with a boy, and there must be a reason. Young and ignorant little girls, they have a love-first mentality that is influenced by graphic novels and so on. These girls generally just like the appearance and pay attention to the inside.,I think you've all noticed.,A lot of the heroines of the female xìng comics are of this kind of goods.。 So young girls don't have much experience in falling in love and getting along with people, they do whatever they want, they don't know what to hurt others, the world revolves around them, men are born for them, this kind of girl is very difficult to get along with, so mature men will only play with young girls and will not choose to fall in love, because they are too young to take into account men's feelings. When the girls are rolling in life, hurt in their feelings, and mature in their life experience, they gradually understand how naïve it is to pay attention to appearance, and countless injuries make her put appearance in a secondary position, and two kinds of women are born. A kind of pragmatism, they pursue wealth and scheming, they don't care about the appearance of men, they only pay attention to men's family property and money, and hope that one day they can climb the branches and become phoenixes. The other kind of woman is virtuous, they are only attracted by gentle or capable men, and appearance is still secondary. But no matter what kind of female xìng, male xìng must have their own capital to attract them. The most natural cost, the protagonist himself in the book can't see anything to attract female xìng. The author of the Demon Thief is well written, he describes the attitude of each female xìng clearly, he does not make all the women fall in love with the protagonist's naivety, some are for the sake of profit and the protagonist ang, and some are forced to have hatred. And the female xìng who fall in love with the protagonist has their own different reasons, and those reasons are fully explained in the plot, the main thing is this, because the readers recognize that their love is reasonable. Love at first sight may exist, but how many do you see in this Du Hui where interests are paramount? Don't vent the unwelcome depression, the novel should be objective, it is a kind of art, only by respecting it can you write well, and it is better not to write it if you spoof it. Only those who regard words and novels as a hobby or profession can write good works, because they are serious, and seriousness makes them progress. There is a book about a girl who takes the protagonist out of the car and into the hospital, so she cries guiltily next to the main character. The first time we met, I accidentally put a boy I didn't know into the hospital, and then I felt very guilty and sad for him. Hmph!Do you believe it?A ten-year-old girl is still crying at this age?Have you ever seen it?For a boy who meets for the first time?Hunting Yan xxx,yínxxx,Erotic xxx,Merry xxx......

A word of advice to authors, authors nowadays generally have a few bull's horns, and if you want to write like this, think about it before you say it. God: Many writers don't know what influences them, and they use human form to describe God, why does God have to be like a human? And why are angels! God! Demons! Must have human feelings? Without these, you can't write? Why does the protagonist have to fall in love with a certain woman? Why can't the protagonist be disdainful of women like the protagonist in the peerless double pride? Why do men have to be good to women? I remember that some women are worse to her, the more they worship you, and of course men must have the ability to be proud. Why can't the protagonist be as ruthless as the protagonist of 'Riding and Shooting'? Why does the protagonist have to have feelings? Why can't the protagonist be a subjective life like the protagonist in 'Demon Star'? Why does the protagonist have to be a human? Is it because you are not a human being that you can't describe the relationship between women and women? Why does the protagonist have to be a magician or a samurai? Why can't the protagonist be a pharmacist? You must know that if the pharmacist has a history of harm, then he can be a master of using poison, At the same time, dispensing medicine can also bring him power and money. Why does the protagonist have to be very powerful? And can't he be like Wei Xiaobao in the Legend of the Deer and Ding without the strength to fight the chicken? Do you think that no one reads it? Why does the protagonist have to cultivate immortals? Why can't you cultivate magic? Why do you have to cultivate magic and magic from the same source? Why do you have to cultivate magic and martial arts? Is it that the protagonist is not strong enough to write something? Why is it that in urban novels, in addition to cultivating immortals, it is martial arts? instead of learning from Western black magic? Why do you have to drill the horns of the bull?—— This is a big bull's horn.

When I flipped through the finished section again, I felt a sense of joy again, and I wished that a reader could share these beautiful words with me. I don't expect a lot at once, but I do expect to be praised and affirmed, even though I know I'm the worst judge of these works, because I'm so caught up in the creation that I can't see its shortcomings at all Novelist David. Rogie once declared, "A description in a good novel is more than just a description." The danger of most background depictions is that a flurry of beautiful declarative sentences and interruptions in the narrative push the reader into a state of stupor. Remember Roge's adage and type it on a slip of paper and stick it in front of your computer or typewriter: "A description in a good novel is more than just a description." ”

The fifth overhead and military, pure military books will not be read by too many people, from the beginning to the end, how many readers are so single like blood. The most important thing in the overhead book is to describe the strength of the country, because we are dissatisfied with the reality, so don't be mistaken, the protagonist is insignificant in this overhead book, like the Three Kingdoms of Commerce, his YY lies in the strength of Qingzhou, and the comparison between Qingzhou and the lives of people in other places has become his selling point. Therefore, the most taboo thing about the book is to always revolve around the protagonist, and should use all techniques to describe the improvement of the people's lives, the strength of the military, and the people's sense of self-esteem, which are the selling points. There are also people's livelihood, politics, science and technology, diplomacy, military, etc., don't just in the military, we prefer to see how the people's lives are improved, how a great harmony will be. Military affairs are only put at the end, and I get tired of reading a book from the beginning to the end. And another selling point of the overhead is diplomacy, a strong country, the contrast of the Mingming, and the pride of the nation.

Taste is very important to a writer, and I can't say what taste is, but it is an experience gained after reading thousands of books, which represents the author's knowledge and reading ability. The higher the taste, the more you have a deep understanding of the quality of the book, and this kind of person can see the potential of the book at a glance, which is usually only qualified by those who have been on the Internet for more than four years. It's like in the 80s, there was no animation to watch, only Mickey Mouse and Morphed Steel, so for children at that time, as long as they walked the animation, it was good-looking. But now, looking back on the design and plot of the deformed gold steel, it really feels a bit naïve. That's because the taste has improved. Novels are different from comic books and movies, comic books and movies are expressed in pictures, and the impressions of the characters are directly sent into the reader's mind, but for the novel, even if you carefully describe a person's appearance, the reader will not remember what this guy looks like, for reading, the appearance of the protagonist in their minds is always vague, and the rest is a few subjective impressions. For example: the protagonist is handsome, the protagonist is cowardly, the heroine is cruel and quiet, these things can not be explained in one or two words, only kao slowly planted into the reader's mind with writing in the long plot, and only those who understand this can write at all. Therefore, as an author, you must have taste, but your taste cannot be narrow, like some authors, their life circle is only that town, sitting in a well and watching the sky.

Use closing words to create imagery. Consider the following two examples: "You never liked my mom!" Laura exclaimed. She put the kettle down with a "bang". "You've never liked my mom!" Laura jerked the kettle down. The second sentence adds to the tension and allows the storyline to move forward more quickly, cutting out superfluous words that imply rather than tell the reader that Laura is yelling. This is the sweet spot of the principles I mentioned, and it is by these principles that I measure all my work. The words used in tense moments should be few and fine. I learned this from my English teacher. When I was writing my second book, there were a few episodes that I couldn't write down, but I couldn't find a reason, so I gave the manuscript to this teacher and asked her to criticize and suggest it. When she told me about this rule, I applied it to my novels, and as a result, everything became clear at a glance.

Think of the smell of rotten fruit when one opens the refrigerator; When a man skins a bear, the rancid fat; When a fù woman refuels a gas tank at an unmanned gas station, her hands will smell of gasoline. It's not enough to mention the flavor at the beginning of the story, you have to refer to that table repeatedly when narrating the plot. Let's imagine a man and a woman arguing about something, and the man rushes from the door all the way to the kitchen, yelling at the woman: "I can't stand your mother living with us any longer, the old lady must move out before I come back, or I'll leave this house!" "In setting up this scene, I could have the woman bake the pumpkin pie (sweet, hearty, and reminiscent of a happy Thanksgiving day), but when you add the smell of pickled spices and vinegar, the scene takes on an allegorical meaning. I will at some point have the reader imagine the smell: "I solemnly warn you, Laura, with her without me, with me without her!" He said, it was as sour as it tasted in the kitchen. Don't forget that during the argument, Laura was still filling the jar with kimchi. When she is arguing loudly, she may burn her hands and then reach into the cold water to rinse them. Of course, she could also be pouring salt water into the kimchi, spilling it on the floor, and then wiping it clean. She also dried her hands on a cheesecloth apron. She can wipe the sweat that runs down her forehead (hot, itchy), she can shout while waving the spoon in her hand (hard, wooden-handled) and throwing it at the man. These enhance the visuals. What might you hear when the argument gets more intense? Did a dog sneak in and drink water from a tin pan?

Now, I no longer have the luxury of hoping that the extreme excitement will continue forever, I know that it will reappear, which makes me excited, and encourages me to continue to move forward. You know, a few hundred pages of stories are not enough for kao to hit the wave of excitement once. In the process of writing, some brilliant new ideas will turn my peak and write unexpected turning points, leading me to the top of excitement again. Novelists should be emotional people, and if our writing becomes a conscious movement without jī feelings, the novels we write will definitely be unremarkable.

The Writer's Twelve Commandments: Let's analyze the three kinds of "exuberance" situations that are often encountered in novel writing. The first is the most important, the author's euphoria for the story he is going to describe; The second is the experience of the characters in the novel when they play a special role. If you can manifest the motivations that motivate the characters to be excited, you have reached another level of excitement. The third type of exuberance is about the reader. If both you and the characters are in high spirits, then readers will also get satisfaction from your story.

Hunting xxx, yínxxx, erotic xxx, romantic xxx......

There are many exhilarating moments in a writer's life. If these moments are after experiencing rejection and disappointment, then it will be even more joyful. I will never forget those moments, the first time I heard the words of encouragement from my editors, the first time I saw my words printed, or the ecstasy of holding my first novel in my hands. I firmly believe that for any novelist, the real "peak of excitement" is everywhere. And it keeps coming on and on because we learn how to jī it. I mean the wonderful moment when a new novel is conceived, when the first flash of light comes to mind. When the initial idea of a new story (or novel) keeps flashing, the author has a dazzling feeling that we usually feel that it will be the best work we have ever written.

The writer has twelve precepts and one precept, avoid following the trend, "Don't write about the truth if you don't cultivate the truth, and write about the Three Kingdoms if you look good." ”

The fourth taboo is: don't generalize, be specific.

On the other hand, in many works, the author stands too clearly on the side of the protagonist, and writes about serious wars as awkward, like child's play. "Ahh Whoever killed them all, leave a little for me!" "You good boy, you have defeated all the enemies, so what will I fight? "This is like what a soldier should say! Soldier ~ the major event of the country, the place of life and death. How can the relatives and friends of these protagonists be allowed to do whatever they want; , where did military law go. Make the battlefield like a child's play. - Commenting on the gains and losses of writingCommenting on the gains and losses of writing first, for a writer, many novices like to use me to write books, or the first person, I don't understand why they think this way. Like Inhuman Proud World, the Three Kingdoms of Commerce and the like gradually switched to using him in the end, the third person. Because of the many disadvantages of this writing technique, anyone who has traveled online knows that in general, you will never write a good book with "I", especially for novices. Therefore, many readers do not have a good impression of the author who wrote the book 'I', and they don't read the first page after reading it, unless they are in the VIp or something and expect him to improve in the future. Therefore, it is better not to use me to write a book, Jin Yong has never used this writing technique, Huang Yi has used it once in the Great Sword Master and then no longer uses it, and the authors actually ask themselves that they can be more powerful than these two grandmasters, I really admire.

Fourth, what should be written in detail and what should be simple, if it is empty, then it is mainly to describe the strength of the empire that has been established. As the saying goes, it is the YY of a country, not the YY of the protagonist. In my opinion, the difference between military and overhead is only historical facts and non-historical facts.

Fifth, avoid the article is too short "Don't write a book in a way that cheats the click-through rate, a chapter should have at least four or five thousand words"

The third taboo is: don't waste the reader's attention on an inconsequential matter. This is the most common mistake beginners make.

Usually the readers I choose are well-versed in the rules, and they will give me encouragement and gentle advice so that I don't get fluttery. Sooner or later, I'll re-read the first chapter to see if I can change it for the better after thinking about it. For those who are new to writing, it is dangerous to ask for criticism too early, and it can easily extinguish the initial excitement. It's safer to wait until you're done writing before asking someone else to read and judge.

So, I wrote them down. I'm always happy to write the beginning of one story after another, but only occasionally finish a full story. I was so anxious that I was so anxious that I realized that I had just started the story and had to move on with it. The magic was gone, and I kept giving up on the stories.

I envy the kind of writer who can follow the original idea and turn it into a novel. But I can't do it overnight, so I have to be clear about the direction of my writing before I start writing. I've found some proven ways to protect those original sparkles and keep them shining or reappearing. Now, when I write about 3o pages, if I can still maintain the initial state of excitement, my interest will be highly aroused until the work is completed.

What kind of objective work can such a person write? But we can't travel thousands of miles to see everything. So what to do, that is only to read, reading is very miscellaneous. I am afraid that before reading the history of Athens, you must have thought that the United States was the first "people" in the world, and then you must have thought that the "people" was the most perfect politics in the world. I thought so before reading the history of Rome and Athens, but unfortunately I was wrong. After reading these histories, I realized that the whole "people" of many novels is simply a fart and an unrealistic delusion of some people, because I understand that the conditions of the "people" are very strict, and it will only be bad to force the "people" without these conditions. I recommend Roman history and Greek history as a must-read, because their histories have tried almost all the political systems in the world, and after reading them, the authors will understand what it means to be naïve. Therefore, I suggest that an author can read comics, but don't think that he can write down the things in the comics, let alone the plot of the soap opera, and look at the Western Thunder Shadow, Egyptian history, and Rome, see various civilizations, and understand current events and the political system of other countries (which is very important).

Eleven, don't say "As an author, you should try your best to stand in a neutral position to see and write, so please don't write the full name of the horn sè in the article and call her Xiao xxx in order to save trouble." The article must give a neutral, cold feeling. And the name is a title that replaces the name for the sense of closeness between relatives and friends, and I have never seen those who are highly literate use these nicknames instead of the name of the horn sè. What are you the author doing with your own horn sè la intimacy?"

Sixth, don't be too trembling" It's okay to drag the play, but you must have skills, and you can't drag it out indefinitely. Try your best to explain some useful things and foreshadowing, and lengthen the length of the article on some words, but don't force it if you are not skilled enough. It's not okay if the article is too short, and it's not okay if it's too long. Be moderate. ”

"Anxiety" is one of the most effective ways to take advantage of it, but I don't advocate this method with negative effects, it's just a way. We can use various ways to convey the excitement to the reader, and make it constantly enhance to maintain the initial flash of thought. For novelists, the greatest reward is to always grasp the magical excitement.

Combining the description of the four taboos with the golden and jade words of Chehefu, we get a rule that all good authors should follow when describing: be specific!

My own approach is to read books, and I communicate with novels. My purpose in reading novels is not to imitate or get new ideas, but to show a certain emotion. My attention wanders from page to page, and when something suddenly touches my emotional strings, I can continue writing because I can already convey that emotion to my characters. I rewrote the dry love scene, and this time it worked out great. I've also come up with a way to deal with the loss of interest: give your head a new sustenance.

Suspension tension method in novel creation: fourth, no plagiarism "at least to copy so that readers can't see that it is copied, and some people's works know that they are copying the plot of Qin Ji at a glance"

Second, women, I don't know how much love experience these authors have, or the ratio of men and women in the current market in China is too outrageous, so that the protagonists in the book have lost the character and self-esteem that a man should have, and let women be beaten and scolded, it seems that as long as there is a girlfriend, it is enough, even if the girl makes any mistakes, I can't see the protagonist get angry or anything, this is too saintly. There are many of these protagonists, and then these protagonists have lost their xìng character. Especially in some books about kings, kings will never let anyone threaten their authority, they must be ruthless, sometimes they must give up their beloved women, and they are extremely cold-blooded, but many authors insist on writing perfect love stories. Neither reality nor fiction is ever perfect, because the reader himself does not believe in the existence of perfection, doesn't this clearly tell the reader that this is just my delusion? Also, I am a man, and 90% of the readers on the Internet are men, if the authors want to write about love and love, they can consider writing about lovers who don't think that the factor of love should not appear in male readings, but I see that many people have adjusted the proportion of love in novels to a ridiculously high level. Obviously a king-type novel insists on having a relationship with love, and the iron-blooded one has to be like a family, and it seems that women are more important than the country. The so-called fish and bear's paw cannot be both. Sometimes you have to choose between a woman and a country, but many authors insist on writing a perfect ending, okay! The sentence of only loving beauty and not the country is classic enough, it is a satirical portrayal of these readers, and it is impossible to write it perfectly. And in many books, the protagonist is too soft-hearted, at least I haven't seen a person kill a woman, no matter how bastard and arrogant that woman is. Alas, Wu Zetian's world is over.

It is also unwise to wait for a sudden burst of inspiration. When I can't write, I often ask myself: What unexpected action might the character take in such a situation? What kind of plot is both logical and unexpected? I live the movie in my head, and let the fire of inspiration keep crashing.

The writer of the novel must keep this in mind: don't overdescribe anything, whether it's the Teton Mountains, the sunset, or the zebras on Waikiki Beach. Otherwise, the strength of your narrative will suffer, and you will leave a dangerous gap in the reader's attention. Remember Ellemo. Renard's golden words: "I always try to get rid of what the reader will skip over. "Readers do want to skip what doesn't work.

The second taboo: Don't waste too much time describing unimportant environments.

The author's goal is to let the reader and the characters breathe and share the same fate. But it is not easy to keep the author's emotions high and make it take months or even years to complete his novel. Getting bored with what is written and not having a long-term plan is the main sticking point. In order to keep my writing fresh, I set a rule for myself not to look back too much at what I have done. When I start writing every day, I only read the last few pages, and it gives me a sense of motivation to keep writing. As much as I wanted to know what had been done and see what it was, I would never allow myself to go through more than 5 pages, even for a short time.

How long the initial excitement lasts varies from book to book. I spend some time designing characters in my notebook, collecting bits and pieces of the plot to figure out where I'm going, or jotting down what comes to mind until the moment comes when I have to write. That moment always came before I was fully designed, and I never turned down that push, at least I could start my story first. To reward myself, I usually start with a few pages, which is good for the continuity of the writing, and it helps me to get back into the idea of the characters and plot at any time.

This wonderful feeling may come in a moment, and I will carry it with me for days or weeks. The flashes of light in these thoughts gathered so many strange brilliances that they seemed to flicker constantly by some kind of magic.

One of the tricks to attracting readers with a small amount of space in a miniature novel is the clever use of "suspension tension" in the description. "Suspension tension method", also known as suspense, "selling guanzi", "setting buttons", "tying burdens", etc., is a common and very important technique in novels. In the preface to his novel What to Do, Chernyshevsky uses the "suspension tension method" - he says: "I invoke the common trick of novelists: what to do if I take a few deceitful scenes from the middle or end of the novel, put them at the beginning, and put a layer of M on them, and write about Ropukhov's disguised suicide at the beginning, so that the treatment causes suspense, and then recounts his past relations with Vera and Gilshanov to explain the reason for his fake suicide." In fact, "suspension tension" can be used not only at the beginning, but also in the middle, and even at the end. For example, in the movie "The Gunshots of the Secret Bureau", the ending scene is Chang Liang accidentally shooting and killing the head of the secret service team, rescuing Liu Xiaochen and A Ji, and then following the fleeing national army - who Chang Liang is, the film does not explain until the end. This kind of "suspense" generated at the end will inevitably cause all kinds of speculation and associations from the audience. The content of the "suspension tension method" can be divided into two categories: one is that some characters in the work have "numbers" in mind, but the reader is completely "in the dark", leaving the reader to judge and guess the progress of the plot for himself. For example, in "Borrowing Arrows from a Grass Boat", Zhuge Liang had already predicted that there would be fog in the sky, and he could "borrow" 100,000 arrows within three days, but the reader was completely unaware and anxiously worried about Zhuge Liang's fate. One is that the reader already knows most of the plot, but some of the characters in the work are "méng in the drum" and leave the reader's eyes wide open to see how these characters will act. For example, in "Fifteen Runs", the reader knows that Lou Arat stole the money, and the characters in the work don't know anything except Lou Arat, so the reader looks forward to it with concern: How will this unjust case be handled? When using the "suspension tension method" in a longer novel, you can tie a small "burden" in the big "baggage", tie a small "burden" in the big "button", and tie the small "button" one by one, one "suspense" after another, and push the contradictions and conflicts to the total. The miniature novel is very short, it often only sets up a small "suspense", and when the description is completed, it suddenly shakes off the "baggage" to surprise the reader, so as to receive good results. The use of the "suspension tension method" should pay attention to its "true" and "real", both "suspended" and not "mysterious", that is, it cannot pretend to be mysterious, destroying the artistic "truth" of the work; Second, we should pay attention to "suspending tension" around the theme, if we "suspend tension" in the branches, it will only weaken the theme of the work.

10. "The subject setting is always for yourself, don't force it in the article, the reader is not interested in reading your setting, which is like saying the ending of a book in advance, so that people lose the taste of reading." "For example, the author of the Demon Thief didn't have any setting when he wrote the Demon Thief, and when he first looked at it, he thought he was writing a story about an aristocracy in the Middle Ages. Finally the magician suddenly appeared. I realized that this was a fantasy work. It gave me countless surprises, and the author did not appear more magicians for a long time then, so that the reader was interested in reading further, and the dragons and other things slowly appeared at the end, one by one, rather than one at a time. In other words, the author has only made me understand what the world is like so far, (the dragon has only appeared twice now, and the fairy has never seen it) in my mind to build that world in my own mind with a long writing pen to this day, and this is where he succeeds.

9. Don't have too many names" Readers will not have the patience to memorize the names of the places and celebrities you have exemplified, and can only explain them slowly (very slowly and slowly) in the article, so that readers can digest them slowly. If the author is in too much of a hurry, it will only make the reader dizzy and turn into a running account. ”

Grasp the excitement point:

Twelve, avoid confusion in the relationship between the upper and lower levels" There are many works, and the protagonist is trying his best to have a relationship with the corner around him, just like: When the protagonist orders the eldest brother around him to go to something, he says this: "Brother so-and-so, go and help me knock down what is so." Instead of: "So-and-so listened to the order and beat xxx down to me." "Gong sī can't be public, the relationship between the top and bottom is chaotic, you see which army in the world will fight, this is the tone of the workplace. This can only show the author's lack of social experience.

3. Avoid running water tents" The article is too simple, there must be a lot of dialogue in the text, and the description of the environment and the description of the characters "The Knights of the Shenmu showed great respect and patience for the East China Sea Fleet, which was almost overwhelming. It's not like the rebellious knight that Chen Yi is familiar with.

At 22:25 in the evening, Chen Yi waved in the dark, took a deep breath, and dived 3 meters underwater.

No more, no less, exactly three meters.

In this way, underwater sonar cannot detect them, let alone radar, and the most threatening human eye surveillance will not work.

Seven people followed the movements of dolphins or seals, kicked tuǐ, and slowly approached the largest destroyer.

This is a Luyang-class destroyer that has been in the water for less than three years, and the new mess is exactly the "golden ship" as the news says. It has 16 ship-to-ship missiles with a range of 12o km, 2 close-in defense artillery systems with a range of more than 5ooo per minute, an automatic main gun with 9oo mm per minute, 2 anti-submarine torpedoes and 6 depth charges, any of which will not be good for the Divine Knight.

But the Southeast Fleet has no information about the Divine Knights at all. They didn't have observers on the side of the board, they didn't install anti-osmosis security, and they didn't pay attention to anything as big as a person.

Some people may think of stealing things, but in fact, gold is really a difficult thing to steal.

1 ton of gold is really 1 ton of weight, and there is no way to carry them in an alert way.

In the eyes of the fleet commander, in addition to normal protection, he always needs to pay attention to other ships and fleets.

Chen Yi took the lead in climbing onto the side side, Yinsen flew up with a "volley flight", and Yinsen Yong followed.

The remaining four Wizards were attached to the side of the ship, waiting to be answered.

Yinsen Guan said without swimming: "We have completely become decorations? ”

"It's nice." Ginsenpi enjoyed the feeling of lying on the side of the boat, but he really didn't want to get on the boat. It was a vomit maker that was countless times more terrifying than a horse-drawn carriage.

Chen Yi and his entourage slipped into the bottom like a well of skating meteors.

Yinmori listened attentively to the voice, gathered his divine power into the ears of the other two, and said, "How about using the phase gate now?" ”

Long before swimming on the shore, he wanted to use the magic technique "Phase Gate", but the location of the target was unclear.

Chen Yi still denied it, and said: "We have to use normal people's methods, and we can't show it too often." ”

"Seven people infiltrating an army is not something normal for people to do." Yin Mori Jin looked around. He spent most of his time on Earth after becoming a Divine Magician, so he was not a "Divine Knight" enough.

Of course, Wizard Knights don't usually need to infiltrate this method. Once revealed, the danger is too great. A war often ends with the death of a knight, so why send the winner to the arms of the other side?

The three of them talked and laughed and entered the bottom warehouse, and found that the dense metal where the vault was located was easy to channel divine power, and it was easy to appear.

"Unleash your powers." Chen Yi said a word, and began to surge a large amount of divine power.

"A fountain of energy! What a waste. ”

"Let the divine power mess up a little and generate as much magnetic field as possible."

Around the same time, the ship's cameras failed.

The alarm of "Didi" sounded in an instant.

Chen Yi casually threw out a few defensive grenades, and after blowing up the stairs, he began to place D again.

He buys a lot of ammunition, which can be stored not only in the space storage ring, but also in the pocket magic subway.

A rumbling pop resounded through the ship's rest.

The 6ooo ton destroyer is about the level of the world's top 1ooo Dana ship, and the sailor 1o gold ship that accommodates it "has a platoon of special forces on it, that is, the scale of more than 4o people, ran out of the cabin like crazy, and before he could see Chen Yi, he was blown back by the impact of divine power.

Three seconds later, C4 "pried open" the last layer of steel plates.

The yellow, orange and orange gold bricks could be seen in the smoke, as if they could glitter in the dust.

Monitors, motion sensors, and several high-tech gadgets that can only be seen in movies are installed in it to prevent thieves from stealing.

Chen Yi is still a bomb.

Two grenades were thrown in, and all equipment was blinded.

Chen Yi looked at the time, and the difference of 2o seconds was 22:3o.

Take advantage of the last time to load 5 bombs, and the pocket magic subway will be turned on. Chen Yi stuffed the gold into it in one go.

Two minutes later, 12oo tonnes of gold and platinum were lost to history.

Chen Yi laughed three times.

Yinmori Yong cooperated with the wolf roar of "whoa".

This is a signal that there is no need to go to other ships to blast. The four magic knights outside pressed the remote control indiscriminately, using bombs to make countless holes in the destroyer's exterior.

The large amount of water did not sink it, but it was enough for the officers of the fleet to scramble.

And in the bridge of the flagship, there are countless tensions in the busyness. 12oo tons of precious metals, it's enough to buy a fleet.

"Catch them, submarines, send submarines for gold, and release the crickets too!" The staff officer's voice was hoarse, and there was no longer a gentle gentleman's style. a。