Jerusalem Central Control Room.

The superintendent and staff worked in an orderly manner.

The match in the arena has entered its final stage, and all the stats are as usual. The director no longer has to sit in person, he is now sitting in the rest area outside the "second ring", leisurely sipping a cup of pure karak tea, with two or three dates scattered in the small metal plate in front of him.

The layout of the central control room is centered on the central hemispherical holographic console, and the workbench of ordinary staff is arranged in two rings, which are called "one ring" and "two rings" respectively. Beyond these two rings is the lounge area, where there is an Arabic-style coffee table, sofa and meal tea for the staff to rest and relax.

If you only look at the lounge area, you may mistake it for a circular revolving restaurant. Because beyond the lounge area is the large floor-to-ceiling glass window in the central control room, and the director now sits by the window and looks out of the window to see the whole of Jerusalem.

Jerusalem was shrouded in clouds and mist, the sun was shining, and the two continents in the distance were slowly rising and falling in the clouds, changing their relative positions, the heavenly rails and the bridges were connected in an orderly manner, and the streets were full of people, bustling and bustling, like busy bugs.

The director's gaze wandered through the crowd and eventually landed on the auditorium of the arena. His identity gives him a unique perspective on data, allowing him to easily distinguish NPCs from visitors. At the same time, he can also see the "little worms" on the ground, like holding a magnifying glass, their lives at a glance.

The spectators watched the players in the arena, and the director sat here to watch the spectators.

The superintendent likes to see the arena from this perspective, rather than from the data console in the center of the central control room. The data console's floating holographic screen has the most detailed parameters that allow him to understand everything that is happening in the field, but the data is cold, far less flesh and blood than what is seen from here.

Nor do the data tell the full story of the achievements of the Founders of Jerusalem.

Jerusalem, a miraculous city, a city that does not exist in the real world at all, exists in the minds of all those who have been here. He remembered the pre-apocalyptic definition of the state as a community imagined by a group of people.

Jerusalem, then, is the imaginary community of the able, the country of the capable.

When they come here, it's like they've found their home, and they don't have to worry about persecution anymore. It is a safe haven for them, and a place for them to learn and improve, where they can become teachers and gain greater ability and freedom.

It's a miracle.

What's even more amazing is that every brick and tile here, the light and water flow, the complex rule system, the telekinesis, and those "NPCs" that operate autonomously are all creations of telekinesis.

God said, Let there be light, and there was light.

Is there any other possibility than God who can create all this? Only the supreme power can create this heavenly world. It is only this kind of power that can illuminate all living beings and free the struggling people in the world from the sea of suffering.

The power and glory of the five new gods who created Jerusalem reborn the world from destruction and the old gods that were worshipped before the end of the world were eclipsed.

The director watched the magnificent city come alive and couldn't help but admire the new gods. Every time he sat here, overlooking the city, he would feel this admiration in his heart.

At this time, in the director's headset, the assistant's call interrupted his train of thought:

"There was another negative battle in the arena, and the only three people left were divided into two teams, but neither of them could find each other. Please advise on how to deal with it. ”

The director picked up a toothpick, pricked a date, put it in his mouth, glanced leisurely at the restless audience in the arena, and said lightly: "Simple, poison." ”

"Got it!"

Separated by two circular work areas, the director glanced at the data display screen floating in the center.

The rules of Jerusalem are the result of a myriad of different telepathic forces, and this display shows the reality of how these relationships work in the form of data. Only professionals can see these data, although these data are often expressed in the form of unrecognizable words and numbers, but in fact they are not numbers in nature, but as thin as a gossamer's mind, like radio waves, will be received by specific people, and the director is this kind of "specific person". The data flowed quickly before his eyes, and the director already knew the situation in the arena.

As the assistant said, the three people in the arena are still in a stalemate, and the dead are entering the resurrection process one after another.

But at this time, in his perception, a trace of special data suddenly appeared, it was a seventh-level error, which was an endless loop in the arena's field stacking configuration system.

The highest error level is level 1 and the lowest level is level 7, so this is the lowest priority and threat error. Although it is called an error report, in fact, the error report below level 4 has little impact on the normal operation of Jerusalem.

The arena stacking configuration system is a system that coordinates the call of the arena scene, and it often has some small initialization errors when calling a new arena scene, which is a common thing, but it is still relatively rare to appear in the arena operation.

This was most likely caused by a staff member misstep, and the superintendent did not pay much attention to it.

His gaze looked down through the glass window again, and in the audience in the arena, the girls formed three cheerleading squads, cheering for each of the three people in the arena. From this point of view, their hot bodies are full of youth, especially when they are beating, they are simply choppy and have their own charm......