The little clay figurine's body was so resilient that it stopped bouncing and nodded at me.

This action made the three of us laugh, and it was also a sweep away the embarrassing atmosphere just now, and then the little clay figure jumped towards the nine coffins.

This little clay figurine, which is only more than a palm high, really looks like a Q version of a zombie. It's cute and cute.,It's a pity it's a puppet.,If you really have independent thinking.,But you can raise one or two.,It's absolutely fun.。

When the little clay figure jumped to the first pure gold coffin, it knocked on the coffin hard, and there was almost no sound on the coffin, because the coffin was too stocky, and the clay man's physique itself was not hard, so it couldn't make any sound.

When the clay figure jumped to the second silver coffin and the third black iron coffin, still unable to make any sound, I thought to myself: Could it be that these coffins are solid? All of them are big iron bumps?

Then it's not necessary, right? Who would be so idle and idle to do anything about the iron lumps that cast gold and silver and black iron into coffins?

When the clay figure jumped to the fifth clay coffin, there was a slight thump as he tapped the coffin board. It is clear that from the fourth coffin, the material is not so hard.

Then there was a slight noise from the fifth chalcedony coffin and the sixth coal mine coffin, and it can be concluded that these coffins must have been empty.

Especially the chalcedony coffin, you can vaguely see the figure lying inside.

By the time of the seventh, eighth, and ninth coffins, the little clay figure followed my orders, as if knocking on the seventh, white bone coffin, and the coffin was very strong, not as vulnerable as I imagined. The clay figure struck hard several times, but the overall structure of the coffin did not move.

When it came to the eighth coffin, the clay figure also reached out and picked at the shells on the top, but the shells did not know how they were connected to each other≤ they were very strong. The clay figurines didn't pick it off.

The last ninth coffin is the big head.

I don't know why this coffin made of leaves is standing like this, maybe there is something else wrapped under the leaves, even if it is wrapped in some branches, enough to dispel my doubts. So now the key is to pull off the leaves and see what's inside.

"Do it!" I shouted loudly, and the little clay figure looked back at me, then jumped to the side of the leaf coffin, stretched out his hands and grabbed a leaf hard, looking at its cute appearance, and pulled it back fiercely. The whole body is tilted at a forty-five degree angle to the ground.

But no matter how much the clay figure pulled, it could not be pulled off, and the leaves seemed to be glued to it, and it was very strong.

Now it's a problem, people don't know what to do, and I don't know what to order. The clay figure stood in place, like a remote-controlled car without power, motionless. To enjoy the brother.

"Go around the back of the coffin and see what's inside, and try to see if you can pull a leaf out of it." I commanded the clay figurines.

Because these nine coffins are lined up and placed on our way, if we want to walk through this area. We have to go through this lined coffin array, but we won't rush into it until we find out what's inside the coffin array.

The little clay figure jumped and ran towards the inside of the coffin array, and when he got inside, he didn't know what the little clay figure saw, so he turned his head and ran out in the blink of an eye, and this time his bounce speed was much faster.

When you go, you can describe it as jumping, and when you come back, you can definitely describe it as fleeing.

I didn't give the clay figure an expression, and we couldn't tell anything from its one-eyed face, but judging by its reaction, it was definitely something horrible to happen.

When the little clay figure jumped back, it stood beside me, shaking its body and jumping around me, no matter what orders I gave it, it never moved anymore, just hiding next to me and not daring to move.

The tower and the policewoman looked at me, overwhelmed. I sighed and said: the puppet is broken.

The two were surprised, and the policewoman said: This is ...... This puppet technique was broken without moving?

I said, "There must be something strange behind the coffin array, and that thing definitely has a strange power, otherwise it would be impossible to break the puppetry."

Seeing that the little clay figure was circling around me, and no matter what orders I gave it, it no longer obeyed the command, and I knew that this puppet technique was no longer good.

And the use of puppetry also requires a time limit, it is not unlimited, it can be used casually, it is not so exaggerated, and there is a degree to everything.

The crux of the problem now is that if you don't step on the landmines, you have to step on them, and it depends on who steps on them.

I glanced at the policewoman, then at the tower, and before I could speak, the tower took the lead and said: Boss, you are waiting for me here, I'll go over and take a look.

I hurriedly stretched out my hand to stop the tower and said, "Don't worry, I have my own tricks, I'll go over."

Immediately I rushed to the front of the tower, and as soon as I took two steps, the policewoman said to me: Abu, if there is danger, you can show me your face, and I will quickly exchange places with you, so that you can save your life.

I nodded, but in my heart I would never let the policewoman switch places with me, and I would carry the danger myself. Even if I die, I have ghost eyes.

As long as this guy is interesting enough, I can be resurrected, and if I follow the old path again, I can know where the danger is in advance, but if Ghost Eye is not interesting enough and leaves me alone after I die, then it's all over.

At that moment, I cautiously walked towards the coffin array, these nine coffins were different, so that I really walked on thin ice, and I had to be especially careful with every step, for fear of encountering some sudden danger that could not be handled.

It doesn't matter if I die, if I die with the tower and the policewoman, then I will feel guilty.

And just as I was about to walk to the other side of the coffin array, suddenly the puppet technique that had just failed, that little clay figure turned out to be healed again! It was bouncing up and down towards me, and when it reached me, it reached out and grabbed my trouser leg and pulled it out and down the way back.

My trouser leg was pulled again and again, but the little clay figure was so weak that it couldn't hold me. But the motives are clear to me. It didn't want me to see what was behind the coffin.

But the more this is the case, the more I want to see it, I don't mean to have nothing to do, but this coffin array is blocking our way, if we want to go to the next level, looking for the Nine Dragons Golden Tripod, we must pass by this coffin array, otherwise? It is useless to spend it in vain.

At the moment, there is a bit of a dilemma, on the one hand I have come here, and I have to do it. On the other hand, the clay figure who had already investigated the scene behind the coffin array just now was pulling me to the ground and not letting me move forward, what should I do?

The policewoman said, "Abu, come back quickly, don't go there for the time being."

The tower also said: Don't be reckless first, see what else this little clay figure wants to do?

This is also reasonable, and immediately I squatted down and asked the little clay figure: Why don't you let me pass, the back is very dangerous?

The little clay figure nodded, and I was excited, thinking that it would be nice if I could communicate, even if the little clay figure couldn't speak, at least nodding or shaking his head would tell me a lot of information.

I asked: Is that kind of danger capable of killing people in an instant? Is it something like a trap?

The little clay figure nodded first, then shook his head, which should mean that the thing behind the coffin can kill people instantly, but it is not a hidden weapon.

I asked again: Is that witchcraft? Or maybe it's a ghost?

The little clay figure was stunned this time, not knowing how to answer, not knowing whether to nod or shake its head. I smacked my teeth, and it was at this juncture that a lightning bolt struck my brain, and a good idea came to me.

"This time, I will explain to you an important matter on behalf of the country, and you must do it well, understand? No matter what you see, don't run around! I spoke harshly to the little clay figure, and then took out the small fist-sized mirror of the baby that I had brought with me from my pocket, put it on the clay figure's hands, and said, "Go, jump to the back, and raise the mirror in front of me."

When the clay figure jumped to the back of the coffin array, raised the mirror and used the reflective principle to let me see the scene behind the coffin array, I screamed in fright and squatted directly on the ground......