I said in my heart that the secrets in the tomb of the ancient Shu kings will be related to legends, such as those ethereal myths recorded in the "Classic of Mountains and Seas" in ancient times?

When I was a student majoring in archaeology, I once listened to a lecture by a well-known professor in China, and he joked that some of the things that happened in the "Classic of Mountains and Seas" could be linked to reality. Pen, fun, and www.biquge.info

Because I have always been very interested in these things, although the professor is only empirical, and has not formed any important theoretical doctrines at all, for me, it is still very exciting.

He said such an example, which happened to be the interpretation of Sanxingdui culture. He said that during the excavation of the Sanxingdui cultural site, archaeologists found many well-preserved ivory tusks in a sacrificial pit, and it is well known that today's CD Plain is not a habitat for wild elephants; A lot of jade artifacts have also been unearthed at the site, and the CD Plain does not produce jade at all. If you want to explain these questions satisfactorily, you can find the answers by opening the "Classic of Mountains and Seas".

The Classic of Mountains and Seas? The Middle Nine Classics stated: "Minshan...... Its beasts are many rhinos, and many oxen"; "Minshan...... There is a lot of gold and jade on it, and there are many white mins on it. "Baekmin is a white siliceous rock. This points to the source of the ivory and jade tools in the Sanxingdui site. The bronze statue of the human head bird body unearthed in Sanxingdui is also similar to the "Classic of Mountains and Seas? The image of the mountain god in the Middle Eight Classics is very consistent.

In fact, because of this, I have always believed that Sanxingdui culture is a native Chinese culture, so I don't agree with what Chris said at all, and I just listen to it, even if she says it firmly.

The most surprising thing is that there is an American scholar Mertz, who studied the "Classic of Mountains and Seas", which is difficult for Chinese scholars to read, and based on this field investigation, he proposed that the ancient Chinese had already arrived in the Americas!

Regardless of whether the words of these famous experts are true or not, these things that appear in front of us alone can already shock the entire archaeological community, if I can dig deeper along the clues, I may be able to crack the secrets in the ancient Shu tomb.

Before I could speak, the blind bear came to me quietly, pointed to the mural on the wall and said, "Look at the painting on it, it doesn't look like the big centipede we saw in the tomb of the Eastern Zhou Dynasty in Nanjing?" ”

As soon as I saw his solemn expression, I knew that he might be in trouble, but I didn't know that it was the figures in the mural that frightened him, so I stepped forward and looked carefully at the paintings on the wall.

From the point of view of archaeological excavations, the theme of the murals of ethnic minorities has the characteristics of adapting to the nomadic life and traditional customs, and the early Xirong tombs are mainly based on nomadic life and grassland scenery, with simple layout, simple coloring, and strong decorative meaning. After the middle and late periods, a large number of honor guards, music, banquets, mythical beasts and other contents appeared, which were influenced by the Han culture while still partially maintaining the characteristics of ethnic minorities.

The murals here also maintain the characteristics of ethnic minority murals, and the first half of the tomb murals show the daily life scenes of the tomb owner, creating a more realistic living environment. As the middle part gets closer to the middle part, it becomes more and more complex and beautiful, and images such as doors and windows, tables and chairs, screens, hangers, lamps, cabinets, mirror tables and knife rulers begin to appear on the murals, forming a decorative pattern that combines real life and artistic exaggeration.

Seeing this, the real content of the mural began to unfold one by one, as the bear blind man said, in addition to the owner of the tomb, those who seem to be civil and military officials, as well as the images of the attendants are staggering, they are very similar to the ghost Ding Bashiro in the tomb of the Eastern Zhou Dynasty.

This may prove our idea from another aspect, the ghost Ding Bashiro is not a person, but a race, since we can see them in the murals of the ancient Shu tomb, it is very likely that they are all related to the ghost Ding Bashiro.

Looking further back, the mural looks like a religious sacrifice site, a group of black-faced six-armed ghosts Ding Bashiro carry something like a sedan chair, on which sits an old man, on the mural is slightly abrupt, this old man has a pair of protruding eyes and a very white face.

What's even more peculiar is that he doesn't have six arms, but what makes him different from ordinary people is that he has a pair of thick arms and a huge head, which doesn't look like a human, but more like the hairless Gangla Cangmu I saw on the Xiling Snow Mountain!

I was extremely nervous and said, "No, that's not possible?" ”

The blind bear saw what I had noticed and asked me, "Do you see the problem?" ”

I nodded at first, then shook my head again, and the anxious bear blind man said, "You are nodding and shaking your head again, what is going on?" Not to mention, when the female spy comes in, it will be too late to find the answer. ”

After listening to the blind bear's words, I realized that my idea should be well-founded, and I said to them, "I said that I am afraid that you will not believe it, but this idea has been circling in my mind for a long time, and I think that all these things are likely to originate from the ancient Dongba country in ancient times, and the Dongba script that appeared in the tomb is a good explanation." ”

Several of them listened attentively to me, and I continued, "One of the Dingbashiro people, that is, the ghost Dingbashiro, did not die out in the blending of the peoples, and it is very likely that the founder of the Kaizuka Society is their descendant, or the remnant of the clan. And the descendants of the god of war Ding Bashiro should be the predecessor of the early Huaxia clan, that is to say, most of the stories in the Classic of Mountains and Seas are true, Emperor Yan, Yellow Emperor, Chiyou, and even the barbarians further south are his descendants, so it can also be shown that the silkworm cong is the direct remnant of the god of war Ding Bashiluo, responsible for ruling and oppressing the ghost Ding Bashiro, so that they have no chance to harm the world again! ”

The blind bear looked puzzled, "In that case, what can he have to do with the Yeti Bigfoot?" ”

I said, "I guess the rest is what I'm guessing about, and I think if the theory of evolution can be accelerated here, then it's very likely that the bloodline of the god of war is divided into two branches." One is the Chinese people who take the Yan and Huang Emperors as their common ancestors, and the other is Gangla Cangmu, who sneaked into the snow-capped mountains, isolated from the world, and appeared in the image of a snowman. If the assumption is true, it will also explain why Gangrakangmu is not only not harmful, but also relatively close to humans. ”

After listening to what I said, the blind bear laughed and said, "The ghost only believes you, you kid has changed from an archaeologist to a biologist in an instant!" I think you're confused by this mural, but your storytelling level is still very impressive. If you go out this time, just publish a book and write a novel, you can definitely surpass the third uncle......"