I subconsciously looked around, but I couldn't see any sign of the corpse. Where we are now, it's hard to compare to the waterhole we passed before.

However, if what Lin Xihui said is correct, then it stands to reason that those numerous corpses will now block our vision from the bottom up, but why can we see those stone balls in the waterhole from here now? If we were obscured by the hanging corpse before, we should see the hanging corpse at this time, and we should not see those stone balls.

The more I think about this problem, the more I feel that something is wrong, and I always feel that when Lin Xihui said: "Zhuyi" mode of construction, there is something hidden from us, and it is not explained.

Maybe Lin Xihui just gave me a general idea, and did not explain "Zhuji" in more detail. So at this time, I asked Lin Xihui again, what is the wonder of this building?

Unexpectedly, Lin Xihui didn't speak yet, but Team Zhang opened his mouth and said that buildings like "Zhuyi" can not only be built in water. It's just that Lin Xihui used the Yellow Emperor's water platform as an example before, and the waterhole we are passing through now, so it is easy for us to have a preconceived illusion, thinking that the architectural mode of "building a tower" is to form a building with the effect of reflecting each other on the water and underwater.

In fact, the fact is that this kind of construction mode is almost very rare when it is used in water. Because the construction of a building in the water requires not only a high degree of craftsmanship from every craftsman, but also a suitable location, because the "dividing line" of the building model building that Lin Xihui mentioned before is extremely difficult to find.

In Team Zhang's view, the "dividing line" explained by Lin Xihui is, to put it bluntly, a medium. Through this medium, it is possible to make the upper and lower buildings appear to be connected together, that is, through the action of this medium on light, the two buildings can see each other.

Team Zhang particularly emphasized. This medium will not only refract or reflect the light, but also lengthen or shorten the distance of the light, so that the visual distance between the two is greatly deviated from the actual distance, the purpose of this is to form a virtual image in people's vision, so that people feel that what they see is not a real building. Rather, it is a kind of "reflected" image.

Whether it is the runyu of the water platform or the 10,000-year-old ice here, it is definitely not an ordinary thing, because the medium of intermediate imaging is not all substances can be used. In addition to the smooth and visible surface of this medium, which can transmit light, it also needs to be on the surface body, with countless intersecting dark edges. The interlacing of these dark edges allows the light passing through the medium to be constantly refracted and reflected. Thus achieving imaging bias. It is almost an illusion that such a medium could be created by hand, because no matter how delicate the handmade product is, it is impossible to have countless dark edges that reflect light while keeping the surface smooth and transparent.

So this medium can only be a natural substance. Only the magic of nature can create such a medium. Runyu is like that. The same is true of the 10,000-year-old ice here. All of them seem to be smooth, but in fact, there are countless dark edges on the outside or inside.

I didn't understand and asked Team Zhang, who was both smooth and needed dark edges that reflected light. How can these two be in the same thing, which in themselves are extremely opposites?

Team Zhang asked me rhetorically, "Now you understand why that medium is so hard to find, right?" It's because of the question you asked. It is indeed not easy to integrate the two seemingly contradictory. There is a certain rule in the staggering of dark edges, which does not affect the smoothness of the surface of the dark edges, or the dark edges are inside the medium, and after the surface of the medium passes through the light, the internal dark edges will continuously refract the light, so that the light changes after irradiating through the medium. ”

Hearing Team Zhang say this, I looked down at the ice under my feet, Team Zhang immediately understood my thoughts, he immediately patted me on the shoulder with his hand, and said to me, "Xiao Li, don't look at it, if the dark edge is visible to ordinary people with the naked eye, do you think its surface can still be smooth and clear?" It won't work as it should. Therefore, the dark edges in the medium are not visible to the naked eye. ”

Later, Team Zhang further explained that it is precisely because of the difficulty of building the mound, in addition to the medium mentioned above, the two buildings are symmetrical with each other, which has high requirements for the structure and stability of the house.

However, there are still a lot of records of building tui on land, such as the Afang Palace of King Qin, the Lingxiu Palace of King Wu of Zhou, etc., which are all recorded Tui buildings. But very few are widely known to posterity. Most people only know who burned Afang Palace, but they don't know that there is another mystery under the main palace of Afang Palace, but everything was turned to ashes with the fire.

"Who the hell are you? These things you know will never be known by an ordinary person. Lin Xihui asked Team Zhang cautiously.

Lin Xihui's question is also a question I have always wanted to ask, since we came to Tassi, I always feel that Team Zhang is weird, but I can't say what is strange, I just think Team Zhang always gives people a mysterious feeling. And after he came to Tassi, he was completely different from him usually.

Team Zhang still didn't answer Lin Xihui's question, but simply said, "There are some things I never want to mention again, but now it seems that "it" is back." When we leave this place, I'll tell you what you want to know. I now have some understanding of what the coffin of the legendary Taihao period is all about. ”

After saying that, Team Zhang asked us to speed up. None of them asked, just followed closely.

"Why can't we see the hanging corpses we saw in the tower waterhole before? It's not caused by tsukito, is it? I asked Lin Xihui puzzled. Lin Xihui spread her hands helplessly and told me that she was also wondering about this matter.

At this time, I suddenly remembered that the behemoth we encountered chasing us in the waterhole in the fairy mountain before. Since you can see the waterhole at that time here, could it be that the "black shadow" that Lin Xihui and Team Zhang saw just now was the big thing that chased us all the way in the darkness before? Thinking of the special architectural style of the tsukuto, I felt a tingling on my scalp, if a few of us were not dazzled just now, then what was under the ice was probably the behemoth we encountered in the waterhole before! (To be continued.) )