The yellow light emitted by the flashlight is now indescribably weird, because the combination of the flat stone wall and the transparent sea water is equivalent to a mirror, through the refraction of the water, it actually illuminates this passage, and I see that as long as we can see, all the dense coffins are dense, even on the surrounding walls, and I have not let go.

Looking at the coffins with thousands of mouths, in addition to being shocked, I also found that something was wrong, these coffins were all suspended out of thin air, without a trace of external force, just floating quietly in this circular passage.

I swam to the nearest coffin and found that it was really just like what I saw, there was no rope, no external force, I gently pushed it with my hand, and the coffin did not move, it was like an invisible nail nailed into the water.

I don't give up, I don't believe that so many people are buried here at the same time, look at the attention of the coffin here, it is not very strict, because on this coffin, I did not find the coffin nail, I pushed it with my hand, the coffin lid was opened, I was about to stretch out my head to take a closer look, suddenly, a fist hit me, I was caught off guard,

I was beaten right all of a sudden, and I just felt that my eyes were hot and painful, damn, who is this, who actually hit me in the eye.

When my eyes were better, I saw that the coffin in front of me was closed again, and my grandfather was right in front of me, and he made a silent gesture at me, meaning that I should not ask anything, and then he pulled me away from the coffin.

At this time, the little uncle also swam over, I saw that he looked panicked, as if he had seen something, and before I could ask, the little uncle pointed to the coffin on the stone wall for us to see.

I looked in the direction he pointed, and suddenly I saw that behind this coffin, there was a wet lady lying on her stomach, I don't know if it was a psychological effect, I actually saw it smiling at me.

I shuddered, a layer of cold sweat appeared on my body, at this moment the grandfather suddenly tightened me, quickly swam up, I was shocked, although I didn't understand the grandfather's intentions, but I knew that the wisest way at this time was to escape from this land of right and wrong as soon as possible.

Because of the fear at the bottom this time, the speed of the three of us was much faster than just now, and we were afraid that something would happen again, so we didn't touch these coffins of unknown origin again, and we always carefully bypassed the coffins that stood in the way.

I estimated that after about twenty minutes, we swam out of the coffin field, and I estimated that according to the distance between the bottom of the sea and the surface of the sea, our position should be beyond the sea level at this time, and even if it did not exceed, then our position should be outside the passage at this time, and when I came, I did not dive so deep.

I looked up and saw that it was still water except water, and I had to face the reality that we had lost our way at the bottom of the sea.

Now we don't even have time to catch our breath, and the little uncle still insists on going upstream, but I stopped him, I compared my thoughts with my hand, but he shook his head helplessly.

I was about to call my grandfather over to discuss, when I suddenly saw him staring at the wall on the side.

Oh no, it can't be a wet lady.

My uncle and I were frightened and rushed over immediately, and before we arrived, we found that the walls were carved with dense murals from now, and the grandfather was now in front of one of them to take a closer look.

The mural has no color, it is not corroded by the seawater, but it is not colored at all, the carving technique is very superb, the two main carving techniques of yin carving and yang carving are adopted, some parts are still hollowed, the whole mural, one after another, convex and concave, the characters and scenery inside, lifelike.

When you look at it at a glance, he gives you the feeling that the scenery is moving, after looking at it for a long time, you will find that this painting is mixed with a trace of wind and water, and you seem to be the protagonist of this painting, which shows how superb the craftsman's carving technique is, and even the artistic conception has been depicted.

There is a very domineering man in the painting, this man is majestic and majestic, he has no clothes on his body, and the muscles and lines on his body are perfectly presented through a small carved brush.

The content of the painting is very simple, the man is standing on a boat, on both sides of him, all the ordinary fishermen are kneeling in unison, and on everyone's boat, there are fish piled up high in the water.

The next picture is about the picture of this man fighting on the battlefield, a large number of fishing boats appeared on the water, looking at the dress of some of them, it seems that they are from other tribes, and then look down, it is this part of the people who were beaten and defeated, throwing away their armor and fleeing.

The third picture is about a group of monsters appearing on the sea, and this man is leading everyone to resist desperately.

The fourth and fifth are no different, they are all about some inconsequential trivial matters of life, except that the armor is drawn by the craftsman, but the face has not changed.

I wasn't very interested in the fact that these paintings didn't reveal a lot of information, but what really cared about me was the sixth picture.

On the sixth pair of these, a crooked moon is carved, and below the moon is a private house, the windows of which are wide open, and in the room, there is a man and a woman who are having intercourse, and next to the man and woman there is a hanger with a pair of armor hanging on the hanger, and I didn't notice any difference when I first saw it, but this

The painting uses three carving techniques, and it was this inconspicuous accident that made me can't help but look at it twice, and it is these two eyes that make me see the difference.

In this painting, I found a strange problem, the woman in the painting turned out to be the man in the first five murals, because the house is carved with cutouts, so the walls of this house block most of the woman's body, but his face is exactly the same as the first five, because, in all the murals

Among them, this man has one of the most important characteristics, that is, there is a mole at the center of his eyebrows, and this woman actually has it.

A trace of doubt flashed in my heart, could it be that the craftsman made a mistake in carving, but then I realized that this was simply impossible, because all the murals did not have the slightest carving mistake, and this small mistake of no distinction between men and women, the craftsman would definitely not make it.

The seventh and eighth paintings are to be read together, and the painting depicts that one day, there was a great flood here, and the man and the villagers, including the mountain on which they lived, all sank to the bottom of the sea, and the craftsmen made great changes to the flood, so that the craftsmen's carvings were beyond the scope of normal murals......

The whole passage is full of frescoes, and there are as many murals as there are coffins here, but there is only so much I can understand, because the other frescoes have been corroded by the sea, and all that is left are the traces of broken carvings, and only these few are well preserved.