After a night of investigation, the power supply of the flashlight was exhausted, and the situation of the seven rooms was not optimistic at all, and the poisonous erosion of the previous bones did not melt, and there was a touch of purple between his lips.

"You..."

"It's okay, I guess the toxicity is about to attack, and it can last for three days at most." Ignoring his physical symptoms, his condition is worrying.

"I'll take you to see these sculptures." The tone was very light, and Zhu Beichen knew that Qijian must have discovered something.

Standing in the mountains in the middle of the day, the square is so large that it looks decadent and desolate, except for the huge sculptures, which are so barren that there is not even a trace of dust.

As soon as they finished packing, everyone silently followed behind Qijian and enjoyed the mournful scenery along the way with strong curiosity. Seven empty right arm sleeves flicked with the pace, the figure looked extraordinarily tall and majestic, he pointed to the continuous surrounding mountain terrain and said: "The location of the ancient city seems to be exquisite, looking around the mountains on all sides, the pattern is like a giant dragon coiled around the body, called Fulong's Cave, the terrain is dangerous and easy to defend and difficult to attack, build the city here..."

Speaking of feng shui, Zhu Beichen also learned a lot from the Yin Fu Sutra, but all the acupuncture points with the dragon character are rare feng shui treasures for thousands of years, but the Fulong acupoint is a special case.

Zhu Beichen said suspiciously: "Wait, Fulong's Cave? This is an extremely dangerous pattern contained in the Yin Rune Sutra. "The so-called dragon's lair is not a treasure of feng shui to occupy the aura between heaven and earth, used in the tomb, the bones of the ancestors because of the so-called dragon energy of the geographical convergence of mountains and rivers and the fortune will be passed on to the descendants, so the dragon lair is buried, and the descendants are not the emperors who are extremely rich and noble in the world. But Fulong's cave is just the opposite, the dragon is trapped in the mountains and rivers, living in the place where the dragon is imprisoned, the dragon's energy is exhausted, and the yin and evil converge, it is a place of unscrupulous death. The ancestors here were not crazy to build the city here.

None of the others knew Feng Shui, and listening to the conversation between the two was very vague. Qijian is an old Taoist Taoist priest, but Zhu Beichen's set of theories has attracted the attention of Jiang Erye, I didn't expect this kid to understand feng shui, what he just said is not bad at all. And what Zhu Beichen wanted to ask was exactly what he was puzzled about, it stands to reason that this should be where a large dragon vein is located, gathering the spirit of the three rivers.

After listening to this, Second Master Jiang glanced at Zhu Beichen and asked, "Yin Fu Sutra?" I can't imagine that you are still a descendant of Yin Fu, and there are not many people in this world who know about the Fulong Bureau. There are few records in the feng shui numerology of all dynasties, and I have never seen this kind of dragon's lair. The Yin Fu lineage has disappeared without a trace since the late Republic of China, and I can't imagine that they still have descendants to pass on the Taoist system. ”

Qijian didn't answer, and didn't pay attention to Jiang Erye and Zhu Beichen, just looked at the mountains in the distance in a daze, and faintly felt that this ancient city was more complicated than expected. I can't figure out why the people who built this place chose the site this way, hiding the place where they lived in a dead hole.

"The art of feng shui in the world is broad and profound, and what we learn is just scratching the surface. Do you still remember the Ice Yang that doesn't turn into bones? Isn't he just an outlier, metaphysics pays attention to comprehension and talent, the two poles complement each other, the adversity is in the good situation, and the extremely dangerous situation depends on each other. Everything is in flux. July, who had been silent for a long time, expressed his opinion, and although what he saw was a dangerous feng shui pattern, there were no immutable acupuncture points. Perhaps this is Dawu's personal understanding of the changes in the natural world.

……

……

There were no words all the way, and the morning breeze carried a chill, and they walked for about an hour before they came to the foot of a giant sculpture.

The huge sculpture is placed on a triangular base, and in addition to the height of more than 10 meters at the base, a sculpture is in a cross-legged posture and the height is more than 100 meters high. When I looked closely, I found that the carving was not a god or Buddha, but a human statue, and the facial features had an obvious Western Regions ethnic style. The figure's face was solemn and serene, his hands were marked with some kind of religious mudra, and the surface of the sculpture did not feel as rough as stone, but rather dull and smooth to the touch.

"This is the first sculpture I saw last night, and if you look at its expression, not every sculpture has the same facial expression. At the other end, there is a sculpture with a much more hideous expression. ”

Seven nights did a lot of things, counting all the giant human sculptures here, including facial features, finger stamping techniques, and the straight-line distance of each figure. Although there is no precise measuring equipment, it is estimated that the distance between each figure is equal based on the stride length, and if you use a sophisticated measuring equipment to map and map, you will definitely find that the distance between them is not more than one centimeter.

What role did distance play between these giant figures, and did the ancients have any special meaning for erecting them here? Generally speaking, the sculptures have a strong religious color, but the behemoth in front of them is not in line with any known religious culture. They were most impressed by the sculptures alone, and the bright sky, whether the ancient city made of dots and lines in the display really existed.

"Whew, what a magnificent wonder of the world." Jiang Erye was also attracted by such artistic treasures, both in terms of carving skills and scale, which are unparalleled in the world.

"If only it could be shipped out and sold." The fat man's voice suddenly appeared, and a few people on the side couldn't help but feel a burst of shock, and it was better to dispel his obsession as soon as possible when they contacted the trouble he had caused along the way.

"You can take one of the statue's arms out and you'll have to worry about it for the rest of your life." Zhu Beichen said.

"Okay, you guys help me install the equipment, I need to measure the size of the statue, the exact distance between the two statues." The existence of the ancient city is like an illusory screen, and the human sculptures in the square are the only clue at present. Jiang Erye knew that all ancient buildings were precisely measured at the beginning of their construction, just like the precise 52-degree cone angle at the top of the Egyptian pyramids, and every measurement scale of the building had practical architectural significance. He hopes to solve the secrets of the entrance to the ancient city from the numbers, and finally pry open the gate of the sand-buried ancient city.

Zhu Beichen was surprised: "What, you have to measure precise data, do you know how big the distance is in the four directions of east, west, north and south here?" How long will it take you to get results? He had already noticed that Second Master Jiang wanted to use the data to analyze the architectural mystery of the sculpture and find the connection with the ancient city, but the workload of just a few of them was not too much.

At this time, Shichima suddenly said: "There is no need to measure, the length from north to south is about 20 miles, and the distance from east to west is the same." There are a total of 80 similar sculptures here, which are regularly distributed, and the distance between each sculpture is exactly 4 miles, and the height of the sculptures is about 119 meters. ”