As if the attraction of a big magnet to a small magnet, slowly, the free mirror light in the sky began to converge to my foothold, and gradually formed a divergent large funnel based on my foothold, and the mirror light gradually became rich, and finally formed a ...... A city!

City in the Mirror.

I took a closer look at the top of the light, and it turned out to be a transparent top made of light, and the top was divided into nine layers, shining brightly, which really made me dizzy. It's just that I quickly understood that unless I had the intention of returning to the Overworld from the mirror, there was a good chance that if I walked out of the city, the heavens and the earth would fall apart and fall into chaos forever.

The city wall is a steep cliff, difficult to climb, and on one side of the city wall, there are a number of cloud platforms, sometimes automatically up and down, just like an elevator, just more than 700 meters of unguarded elevator elevator, this world may not have been built.

I rode up on the cloud platform, the earth gradually shrunk, and as far as the eye could see, under the light of the mirror, this city in the mirror was indeed like a boat in the chaotic sea, not knowing where it came from or where it was going.

Further up, the clouds also stepped on the feet, and the cold wind surged in, refreshing the heart, making people feel like they were walking on thin ice in the abyss. At a glance, there is also an inner city in the city, it is a stone city, and the material used is also the mountain stone of the blue-black city wall. The mirror light turns the snow into sand, the sand into the rock, and the rock into the carved stone, so the sand is white sand, and the city is a jade city, and at a glance, the buildings in it are like obsidian, dark and shiny.

When the gimbal rose to the top, and without waiting for it to drift to the shore, I gently crossed the five-meter void and landed lightly on the inner city.

Did I end up in a gravityless fantasy, or did I get what I wanted in the virtual world?

There is a city in the city in the mirror, and the tower is a cone-like structure. The inner city is quite smooth, I am afraid that the last visitor came at least a thousand years ago, here is spotless, the floor is as smooth as a mirror, comparable to the polished natural marble floor today. Moreover, there are countless stone furnace lamps in the city, and I am afraid that at night, the city is full of golden splendor, reflecting the light of the mirror in the sky, and it is as bright as a crown mirror. But now, there is an inch of dust on the inner city, and none of the stone furnace lamps are bright, and the whole city is five points more calm and three points desolate under the light of the snowy mirror.

I saw a few lines of footprints on the inner city, and at a glance, I recognized that they had been peeled and eroded over time, and there was no entry or exit. The brow is slightly frowned. It seems that although most of the people who lived here were mortals, the people in charge were non-humans, and exploring this kind of ruins is a bit cross-layered for ordinary people like us. To put it bluntly, if there are mechanisms here, many of them cannot be solved by people like us who only have ordinary means, and it is too dangerous.

As I entered the city, I saw many traces of rough looting. This is roughly consistent with the description in the relevant materials recorded by Mr. Liu. Since his father and son were able to enter here unintentionally, then for hundreds of years, I am afraid that this place has been looted, and it is estimated that the last and most thorough, everything that can be seen has been looted. All that's left is pots and jars and stuff.

I looked around, I didn't feel tired, the inner city was also in order, the outer city was divided into four districts, the middle city was two, across the stone steps of 300 steps to the middle city, and across the 300 steps into the palace city. As soon as I entered the palace city, the dark clouds in the sky covered the moon, as soon as I jumped up, I went to the top of the city gate tower more than six meters high, as if stirring up smoke and dust, nothing, the sound of the wind in the air, nothing abnormal, no demons, no ghosts, no demons, not even the slightest unclean breath. Coming out of the city gate building, flying up, the scarf flying, and falling lightly on the ground of the palace city, not alarmed.

The innermost palace is the palace, for many frescoed statues, and in the center there is a lotus monster tower, which occupies a large area, and the center of each one in Tallinn is like a tower, but only one floor can live in people. I looked closely at the top of the tower, and there was only a small hole left there, which was indeed hollow and divided into rooms, but the space was so small that even a short dwarf would call such a room, and there was no other entrance at all. There are some vents around, but not even rats think it's a door. But the tower is 100 feet high, and the bright mirror surface seen before is the light top of this tower that is cross-linked by the phase boundary.

"Is it the resting place of the Yin God?" I can't figure it out.

I walked calmly, looking as I went. On the palace castle with the four gates facing each other, there is a rectangular pool as a moat, the pond is one foot deep, and the pond is paved with glazed bricks, if the water is clear, reflecting the blue sky and white clouds in the sky, the buildings at the end of the pond and the palm trees on both sides, the scenery can be described as beautiful. But now the water is as black as ink. The deeper the water, the darker the color, but the water is not as deep as the zhang, and it is not normal to have such a color. What's even more strange is that the water in this pool seems to be a light-absorbing cloth, and it is difficult to reflect even the moon in the sky.

According to ancient books, the color ink is silted, and the evil and poisonous water is suitable for raising evil insects. One level higher as a whole, and it can become a poison -- or rather, a poison. "Xuanzhong Ji" recorded: "Shoot people with air, go to people for thirty steps, and shoot their shadows." Middle-aged, dead sixteen or seventeen. "Chronicle" cloud: "In the spring of the second year of Jin Xiangong, King Zhou Hui lived in Zheng, and Zheng people entered the palace to take jade horses, and the jade turned into a snake to shoot people. (Out of the "Induction Sutra"), "Sou Shen Ji" and "Hongfan Five Elements Biography" said that the snake shot was born in the south, and it is called the short fox. Nanyue Yidi, men and women bathe in the same river, mainly women, so it is said that there are many dragons. Born of the chaotic spirit of the stinger woman. (Out of the "Induction Sutra")

Ancient texts record that the snake shot was born in the south, and people called it the short fox. In the minority tribes of South Vietnam, men and women bathe in the same river. It is bad for morals and customs, so it is said that there is a lot of confusion and confusion that has turned into a curse. It can shoot people with breath, and if it is thirty steps away from people, it can shoot people's shadows. Whoever is shot will die six or seven times out of ten. According to the "Chronicle", in the spring of the second year of Jin Xiangong, King Zhou Hui lived in Zheng State, and a person from Zheng Guo entered the palace to get the jade horse.

According to Shi Lingren's explanation, one of the major transfiguration characteristics of the ghost is the metamorphosis, which does not refer to movement, but refers to the vitality of the person, who cannot see through the spell, and will find that the transfiguration creature is no different from the real one, with a heartbeat and body temperature.

I subconsciously avoided glancing at the waterhole, and the shadow was cast on the water, and immediately countless waterlines appeared and moved towards the shadow, followed by, boom! The pool is surging and rolling like boiling water, and the center of the boiling is where the shadow is located, and the shadow is actually struggling desperately in life, occasionally revealing the body of the water, you can see the black water snakes crawling with thick wrists and meters long, these snakes without exception have angular heads, more like the heads of lizards, and the teeth are not two sharp fangs, but two rows of dense nail teeth up and down, which are extremely sharp.

Finally, boom! There was a muffled sound of water, and the shadow turned into a blazing white light scattered in the pool, and in the light, the water snake hissed and screamed, like the branches of rotting wood, dense layer. But it didn't take much effort, so he turned over the direction and slid away into the depths of the pond.

Frightened, I didn't pay much attention to it, and followed a few lines of footprints on the ground all the way inward. Footprints show that the last group of visitors had been here and lingered for a while. I can tell from the spacing of these footprints, the degree of virtuality, and other details that nothing happened to them here.

Continuing deeper, at the end of the pool, on the steps and platforms, there is a row of stone spire-shaped altar-like temple buildings, one main and two secondary, connected side by side. In the middle of the main hall, facing the door is the wall relief, the two sides of the hall are divided into strange black and bright stone statues, there is no Buddha I know. I found that the forerunners stayed here for a longer time, and depending on the situation, they had searched carefully before and after the stone statue, probably trying to find the prayer box, the secret grid or something, but they looked at it.

Passing through this hall, there are steps, platforms, and then upwards, and the second into the hall, or the hall corridor. As I got used to it, a mural appeared in front of me, in the form of a human being! It's all humanoids! I was so amazed that when I looked around, the walls were full of patterns depicting human-like life, just like in Dunhuang or inside the pyramids!

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"This is ......" I gently touched the wall with my fingers, where peasant women picking fruit and men driving cattle to plough the fields were depicted very realistically, with colorful metal powders painted very gorgeously. Looking along the wall, the hall is a large square corridor, in which a large number of paintings of people and animals appear on more than 70 murals. It is full of relief murals, which are delicate and expressive, and the style of the murals is obviously different from the murals in the outside area. Not only are the murals widely distributed here, but they also occur and become popular for a longer time. It is worth noting that many of the frescoes are not painted on the walls of the palace, but in the hidden places of the mountain rocks in the open air. The murals are mostly painted, and depictions are rarely seen. Where exactly does this art come from? What does the creator convey to us through these mysterious and ancient murals?

But I focused on the "people" in the paintings, and the paintings were usually monochrome, with red and black rarely, focusing on the vigorous and combative forces, such as a hunting mural with a running animal running through the air with its hooves outstretched. On the other side, a hunter shoots a bison with a bow and arrow, and the enraged bison rushes at the hunter, who flees. In terms of the portrayal of the characters, it is also full of movement and speed. In particular, the warrior with a bow and arrow is the darling of his creative theme, and the most important feature of the mural in the Mirror City lies in this, that is, the detailed depiction of the human body, the archer stares with bated breath, waiting for a decisive moment. This kind of picture brings a tense atmosphere to every viewer, and there is a feeling that "silence is better than sound at this time". In addition to this, the murals also show a high degree of stylization, mainly in the distortion or exaggeration of certain parts of the humanoid. The humanoid body, for example, is often too thin and long, sometimes resembling a straight or slightly curved stick, and the waist is so small that it seems to have been truncated. In stark contrast to the thin waist are the carefully drawn and oversized legs and head. The calves are thick and protruding, and the head is drawn round and large. With the exception of the head, the rest of the body is replaced with thin strips, which may be a reflection of the aesthetic style of that ancient era. Of course, there are some more realistic images that conform to the normal proportions of the human body, and the differences in these painting styles do not have a continuity in time, and their local differences are more obvious.

In addition to the military aspect, everyday life has also become one of the themes of the murals in the City in the Mirror. It is clear that the women of the humanoid tribe were mainly responsible for the daily affairs of the day-to-day life, such as gathering strange fruits, gathering grain, sowing seeds, taking care of children, running household chores, chatting, participating in festivals and religious activities, and so on. The paintings reveal the status and role of women in society and hint at certain changes that are taking place in the human way of life. One of the interesting depictions of women collecting honey shows a young girl climbing up to the treetop and fetching honey in a small jar, but this action alarms a bee-like swarm, which highlights the strange bees flying out of the tree and trying to attack the girl.

At the same time, the man under the tree was climbing upwards. The artist has achieved just the right results in capturing the most encompassing moments and reproducing vivid scenes of life. With a panicked expression, the swarm flew out of the window and disappeared into the forest outside the mirrored city. Further on, there are numerous scenes depicting wars between humanoid tribes. War is a manifestation of human cannibalism, and when conflicts arise between tribes in order to possess the living environment and wealth, resorting to force is often the last resort to solve the problem. However, the murals do not mention the cause of the war, and the author's intention may have been to show the wisdom, courage, and strength of non-humans. In the murals of war scenes, there are battles between two tribes with different costumes and hairstyles.

From these images, I can surmise that the people of Midtown were at war with the other Mirror tribes. One mural depicts five valiant warriors with bows and arrows, burly figures, and delicate hair ornaments. This painting, like other war scenes, confirms that the society depicted in the mirror already had strong soldiers and a relatively tight military organization. However, the outcome of the battle may have been unfortunate, as the people of Mirror City were eventually driven into the mountains by the other tribes who occupied the borderlands, cut off from the outside culture, and their survival and development remained at a standstill for thousands of years.

While I can't find a definitive answer to the abandonment of Mirrordale, something is certain - man is the creator and the bane of everything. I can see that the artistic image in the mural of the City in the Mirror has an internal dynamic, that is, the dynamic activity of the image makes one feel that it comes from the image itself, rather than from the outside. Many of the images may seem simple on the surface, as if they were not carefully composed and designed, but they are expressive. Unfortunately, though, people can build cities and create civilizations; It can also destroy cities and bury civilization. When a group of people helps each other and works together, people can create outstanding results and splendid civilizations, but once they turn against each other, war will destroy everything, and all the fruits of labor will disappear in bloodshed and curse!

If it is really humanoids who single-handedly buried the civilization of Mirror City, then what kind of shame should people be when they stand in front of the carved railings and jade of those temples again! I regret that due to the limitations of living conditions and lifestyles, the authors of these murals have no interest in natural landscapes, they are dismissive of the environment around their figures, they rarely want to represent plants, and they always give projective outlines to the animals and human figures they depict, and even some of them are similar to stick figures with thick lines. After understanding the general situation of the murals in the Mirror City, the deep connotation of the murals in the Mirror City became the focus of my thoughts. Moreover, these murals are concentrated in one place, and they are overlapped; Some of them painted new colors on the old outlines, indicating that this place was indeed unique at the time, and it was probably regarded as a sacred place by the people of Mirror City. And according to the occult view, a particular image has a specific witchcraft effect.

Countless occultists have analysed the principles of thought on which witchcraft is based, and have finally found that they can be boiled down to two aspects: first, "the same kind of coexistence" or the same cause; The second is that "once objects come into contact with each other, they will continue to interact with each other over a long distance after the physical contact is interrupted". The former can be called the "law of similarity", and the latter can be called the "law of contact" or "law of touch". The wizard derives from the first principle, the "law of similarity," that he can do whatever he wants by imitation alone; Proceeding from the second principle, he concluded that he could exert influence on a person through an object, as long as the object had been touched by that person, whether or not the object was part of the person's body. Spells based on the law of similarity are called "simulated witchcraft". Spells based on the Law of Contact or the Law of Contact are called "Contact Sorcery".

Many studies have shown that people with high anxiety show a more common "synergistic bias", meaning that they are more likely to associate causal events. For thousands of years, people have actually had a deep-rooted idea in their hearts, that is, they think that their will can completely dominate others, as long as this person has some contact with themselves, such as curses, Gu casting, and superstitious actions such as stabbing villains...... This principle can be applied to many things, such as deism, such as animism. Since all things are animist, the wizard blindly believes that the same principles he applies when casting spells can govern the workings of the inanimate natural world. In other words, they assert that this law of "similarity" and "contact" is not limited to human activity, but can be applied universally. Don't think that this is the self-talk of witches and gods, all the folk rituals that can be seen everywhere such as the Lantern Festival lanterns, religious ceremonies such as the sacrament and Sanskrit singing, and even unconscious nursery rhymes and proverbs, all have historical origins.

The Chinese occult summed up the five arts-mountain, medicine, life, physiognomy, and divination, among which the spell technique belonging to the "mountain" is the most controversial, and it is the most impossible to explain the truth and falsehood of existence in a scientific way, and it is impossible to prove whether its function is large or not. Therefore, there is a clear barrier between believers and unbelievers, and there is no intersection and it is very difficult to communicate. Those who believe deeply regard it as a treasure of life or a magic weapon in the world, and are sincere and sincere, and pursue the spirit of unkindness and sincerity. Those who do not believe are denounced as absurd, blind superstition, ignorance and foolishness. However, the half-believers are probably the majority, and they are the most suspicious, and if there is a need to use spells, most of them will have the mentality of "I'd rather believe what they have than what they don't" and occasionally try it. According to the research of the Taoist Fu Seal in the domestic folklore circles, and applying Fraser's theory, the Taoist Fu Seal is a kind of imitation witchcraft that is abstracted by using symbolic words, which is essentially still an imitation of the law of cause and effect in natural motion, that is, a strengthened version of psychological suggestion. The frescoes in front of us, although they vary in their presentation and theme, there is no doubt that all the scenes and images have a witchcraft and religious significance, almost as mysterious as the familiar animal figures.

Of course, it is not excluded that I have a glimpse of the leopard, these murals were just a way to record historical events at that time, and had nothing to do with religion and witchcraft, or the creators themselves did not intend to do so, but simply "graffiti" created art that has been passed down for thousands or even tens of thousands of years. After all, art is constantly changing, and change gives it new vitality and room for creativity. The same is true for the City in the Mirror mural. At the end of the development of art in Mirror City, there was a tendency to become more abstract, the image of the work was completely lacking in expression, and it no longer represented events but became a simple symbol, and the figures gradually tended to be illustrated and simplified, becoming some kind of incomprehensible symbol, and the creative style was greatly changed. In particular, many human-like "statues" are even more prosperous and majestic.

All these show that the tribe that built the city here must have been a tribe with a fairly developed culture and superb numeracy skills. The figures are stylized: the torsos are triangular, and most of the silhouettes are not outlined, which may be a true account of the conquest of other indigenous inhabitants by the people of the Mirror City. The question is, how can bees be so delicately outlined? My thoughts diverged, my fingers pointed at the statue, suddenly I felt a little itchy, there seemed to be a faint breath with my fingertips, I withdrew my hand, but saw that there was gradually a blue light condensing on the statue, a humanoid statue was originally slightly closed eyes, now there is a touch of blue on the eyelids, and then open the eyes, there is a cyan light in the eyes like lightning.

I was stunned!

My still awake consciousness was taken into the fog of a void space, and countless images began to flash before my eyes. I felt like I was out of my body, but I couldn't resist the tremendous force at all, and I felt like my consciousness was being pulled out of my shell little by little. Finally, I suddenly felt that my whole consciousness was suddenly withdrawn from my body, and I looked down on the battle between humanoids and humanoid soldiers on the murals from a high altitude, and the never-ending cruel killing scene in front of me seemed to have become a silent movie, although it had a clear sense of picture, but the shouts and screams seemed to be far away, and the soldiers who kept charging seemed to have become symbols, and there was only one word left in my heart: kill!

It's a conscious invasion of the statue!

Actually, I don't want my consciousness to be invaded by others. One is unwilling, and the other is that consciousness is invaded is a terrible thing, who has nothing to do with wanting other people's consciousness to burrow into their brains. However, the so-called wrong step and wrong step have an impact on one's own spiritual world, which has begun to be unbalanced, and then leads to the existence of a little normal suspicion in the end, which is infinitely magnified, which is caused by labor, tiredness, restraint, weakness, confusion, entanglement, depression, mourning, self-compulsion, and insensitivity...... The negative, negative consciousness of the infinite human being is concretized in the ugliest, most distorted way. I can't help but feel hatred and resentment towards myself, knowing that this is wrong, and I am extremely hateful and repulsive in my heart, but I can't help it, and as the consciousness in my mind is triggered, the most ruthless and direct strong ridicule is formed.

I looked at the silent picture in front of me, and felt that my consciousness was blown by the sun wind, constantly drifting towards the sky, getting farther and farther away from this bloody battlefield, as if I was disgusted with this ruthless killing, and when the wind blew lightly, my consciousness was about to be blown away like smoke and dust, and my spirit suddenly blurred, as if it was going to dissolve with this wind. The situation of the mountains and rivers was in front of me, and the confrontation with the stream of consciousness and the mind caused my consciousness to be divided into countless chaotic fragments of time and space, and all I could do now seemed to be to give up the exploration and escape from this subconscious level. Otherwise, it must be followed by this subconscious in the faint mind. Once this subconscious is destroyed by the stream of consciousness, although my life will not be in danger, it is certain that there will be no mental trauma.

No, it's too late! When I finally tried to get out with one heart and one mind, I found that the confrontation had shattered my consciousness and plunged into boundless darkness. However, the strange thing is that unlike the ignorance and ignorance when I am unconscious, in this dense darkness, I can still feel my presence, but everything is pitch black, I can't think, I can't think, I can't move, I can't escape, I can't see, it's just my own existence, but I can't touch anything. Running through the past, the present, and the future, beyond the constraints of time and space, the consciousness of mixed frequencies runs in parallel at countless time and space points at the same time, but the situation of empathy and concentricity makes me feel relieved, and I wonder in a daze, what is the feeling? Is it entity or consciousness?

As we all know, our nervous system cannot directly process the physical and chemical energy input from the outside world, and these energies must be transduced by the senses before they can be converted into neuroenergetic energy or nerve impulses that the nervous system can accept. This process is what we call feeling. From this perspective, the feeling is a string of computer codes that converts one energy into another, or one symbology into another.

This is not my speculation, the 19th century German physiologist Müller has long proposed the 'theory of special energy of nerves'. It is believed that the various sensory nerves have their own special energies and that they are distinct from each other in nature. Each sensory nerve can produce only one sensation and not another. Depending on the nature of the senses, the energy of the sensory nerves is different, and the sensations caused by them are also different. In his view, sensation does not depend on the nature of the stimulus, but on the nature of the sensory nerves. Different nature of sensation has different neurons to transmit information. Coding is caused by the pattern of activation of the entire group of neurons, except that one neuron is more activated and the others are less activated. The more general significance of bioelectricity lies in the conversion, conduction, transmission and encoding of information. For an organism to sustain its life activities, it must adapt to changes in its surrounding environment. Due to the complex and changeable factors and forms of environmental changes, such as changing light, sound, heat, mechanical effects, etc., biological organisms must quickly transform various stimuli into the same form of information, that is, nerve impulses, and make timely responses through conduction, transmission, analysis and synthesis. Higher animals have a variety of receptors with a fine division of labor. Each receptor can generally only feel a stimulus of a particular nature. Receptor potentials occur when sensory cells in receptors receive stimulation and use it to activate neural tissue to generate action potentials. As a result, different stimuli are all driven by the same form of nerve impulse. Nerve impulses are "all or nothing" in nature, that is, information in the form of "on" and "off".

Of course, in politics classes, the evaluation is that this theory denies that sensation is the knowledge of the objective world, which is epistemologically wrong. But now I need this the most. I took the "extraordinary times and extraordinary measures" approach, so I relaxed my mind and "put" the stream of consciousness into it and then converted it into coding and reprogrammed it. Although the personality subconscious is almost completely wiped out by the stream of consciousness, there is a slight instinctive subconscious, hidden in the source of life, supporting the monotonous programming process. When nerve impulses take the form of frequency changes, messages are transmitted to the central nervous system. The central nervous system analyzes, synthesizes, and encodes information, and transmits the information of the simultaneous response to the peripheral effector organs in the form of nerve impulses. The conduction of action potentials is extremely rapid, so organisms can respond quickly to changes in the surrounding environment in a timely manner. This series of information transmission is done by the occurrence of various forms of bioelectric changes.

I don't know how long I was confused, a second before my consciousness was overwhelmed by endless tiredness, suddenly my consciousness was expelled from the door by an inexplicable force, I seemed to be in a gravityless space, surrounded by some ancient style palace gates, each door presented a different scene, or light, or darkness, or happiness, or despair, but without exception are illusory and unpredictable colors.

My awakening consciousness was struck by the slightest sound, a thin, almost inaudible voice, and I listened intently, as if a groan of pain, one after another, overshadowing the silence coming from next door.

If you don't die, you don't need to reply.

I began to search for more than a dozen streams of consciousness in my memory, and in addition to the luck, I really had a bit of excitement to pick up treasures in the treasure cave, except for the repetitive ones, I probably obtained one or two complete spells based on the "mirror world", two sets of non-human fist techniques, some techniques similar to exorcism, and the biggest and most useless harvest is the method that some non-humans call 'spiritual magic', and the requirements for its cultivation are too complicated and strict, I don't think I will practice it.

In the real world, my physical energy has also been greatly consumed, but fortunately, the stream of consciousness cultivation method I just obtained has a method of simply using the stream of consciousness to adopt the external magnetic field power, although it is much slower than the physical body adoption, but it can still be used to replenish some of the energy consumed. This method is used to replenish the power of the magnetic field during long-term travel of the stream of consciousness.

By the time these energy bodies were absorbed and condensed, my stream of consciousness had reverted to a white half-body. From a microscopic angle, the light band passes through this very small void to reach a large void. Behind is a piece of energy bodies of non-human statues, and in front of them are several energy bodies that do not merge with each other, I am happy, why?

Because it is obvious that no other people have cultivated here since the residents of Mirror City were built, and the energy bodies of the residents of Mirror City should have fusion, and these energy bodies that have not been fused should be left by the former powerhouses of the residents of Mirror City, maybe Old Man Liu encountered them back then. Sure enough, the stream-of-consciousness costumes that appeared inside were older than the other, and the images in the annexed memories were not ordinary murals, but ancient hieroglyphs, of course, because this time I took the initiative to directly memorize and copy the reason, now I have these words as simple as reading simplified characters, and I can't imagine that I have inadvertently become a super expert in ancient languages in another world, haha.

I cleaned up the statues one by one, and probably swallowed up nearly fifty streams of consciousness before I found a new stream of consciousness, and nearly forty of them were the forerunners of the residents of Mirror City, and their spirits were immortal, and they were really a powerful clan. There are also a dozen or so older half-entity streams of consciousness, according to the inhabitants of Mirror City, who are qualified "psychic judges" who have mastered the ghost-eating and ghostly powers.

Human beings generate superpowers by observing their own brains to generate consciousness, and at the same time cause changes in the original quantum energy state, which is called quantum resonance or quantum entanglement. According to the six perceptions of the human body, sight, hearing, smell, taste, and touch, plus a consciousness image, six kinds of extrasensory abilities can be derived, which are not eye sight, non-ear hearing, non-nose smell, non-tongue taste, non-body touch, and non-heart sense, which is commonly known as consciousness induction. In Buddhist scriptures, it is called the Six Senses.

According to my personal experience, if perception is what people often call psychology or spirit, then the super-perception I have is the three souls and seven spirits recorded in ancient books, and as for the "Yin God" and Light Man that I have obtained through special transformation...... I guess that the enhanced purification of perception after transformation gave birth to the "Yin God", and my light man is the result of the materialization of the "Yin God...... The legendary Yang God, as for the cultivation method of the Buddhist scriptures, I can't learn it, I can only guess that Jindan and Yuanying are already energy fields and energy bodies with their material foundations, so with scientific explanations, it is a strong observational energy body, the elementary particles that make up it, and now I know that the inhabitants of the city in the mirror are called 'spirits', the 'spirits' of all things animist! And the dwelling of Mirror City uses such supernatural powers, contrary to humans, which is devouring, or cannibalizing. After communicating with the 'Ghost City' and obtaining the power of 'Ghost Energy', you can devour the floating aura and become powerful...... Until you break through the "energy level" or die!

Every resident who has the potential to be a quiet priest has the opportunity to 'awaken' three times in his life, and every awakening is an opportunity to 'pass through the shadow' and a chance to dance with death, with a pass rate of only a few percent. Because the power comes from the ghost city, although the ability of the Shadow Priest is wide and varied, it can basically be classified into several categories. The five most prevalent types of judges are: manipulating biological energy and physiological processes with the power of their consciousness, shaping and influencing their own physical forms, those of allies, or those of enemies according to their own wishes. The unusually sharp, unstoppable Blue Devil Judge, the most spectacular and destructive Red Tooth Judge who seeks to understand the hidden past of the world in the mirror and knows the way of what will happen, explores the distorted flow of strands in the ghost city, searches for the answers they want, and even influences the development of fate itself, the most spectacular and destructive Red Fang Judge, who masters ice and fire, and can create scorching flames and snowflakes from thin air, manipulates the material world with their consciousness energy, converts pure consciousness power into physical power to whip enemies, Erect an invisible shield to protect oneself, and even tear apart the structure of the real world itself, the black killer who eats human flesh like a black hole, and the innocent judge who uses the invisible ability to push and influence the thoughts and actions of others based on consciousness control, and can catch the enemy off guard with just one thought.

Each category has unique properties that are reflected in its abilities. Some of them specialize in one discipline, honing a few abilities to the exclusion of all others. Others showed a much wider range of classes and abilities - in this case, the Scribes were able to generate abilities from several classes. The process of awakening is not public, so no one else knows what abilities each of the Shadow Priests has produced. It may be that the two Scribes are using the same discipline, but their abilities will manifest themselves in unique and peculiar ways. For example, a red-toothed clairmaster might shoot a fiery fireball in the shape of a vengeful double-headed eagle; the other may cast a large multi-colored thunder fire; Or spew out clouds of billowing green flames. In some clans, a Scribe will have a special ability or set of abilities, which will be clearly recorded in the chronicle of the respective clan. Otherwise, a psychic judge will usually randomly generate abilities from the categories he knows. Usually different Scribes in the same clan have the same abilities. Those basic abilities are so intrinsically close to the quality of the class that the tribesmen can imagine that anyone who uses the class can master it. After generating an ability, the Judge can immediately choose to replace this ability with the basic ability of this category.

And in the memories of these Hidden Judges, I found that there is a method that instantly transmits the stream of consciousness back to the body, but it requires a lot of energy. Now I don't have to worry about how to go back. After a comprehensive analysis of the situation, I found several situations: the stream of consciousness here is at least above the late stage of the second awakening of the stream of consciousness; Only three of the Judges' streams of consciousness have memories of magnetic field reactions; The more capable the stream of consciousness swallows something, the more complete it is; The two late ones have broken through to the outside world, and the memory pieces are powerful. The harvest is as follows: the residents of Mirror City have three awakening spells or two spells, and there are a lot of other categories of knowledge, but there is no record of "energy level". I strengthened my memory, and at the same time cut off some useless trivial pieces and began to replenish energy. It wasn't until most of the surrounding external energy was absorbed that the stream of consciousness returned to the silver entity Light Man...... Or the state of the yang god.

There is no sun and moon in the mirror, only the mirror is bright and dark, and every twilight night I study until midnight and then set up a hut with stones, although the effect is poor, but it can prevent other creatures from entering the cordon. And I studied math in the hut. And use the magnetic field reaction to replenish energy for Sanda, although the form of magnetic field energy here is different, it is not much worse than the outside world, it is much stronger than in the city, it seems that the environment also has an impact on the magnetic field energy. Originally, the study was peaceful, but then another incident happened. The other day, I used to study some fugue techniques in the hut with the Yang Shen out of my body, or use the Yang Shen to replenish my energy. That night, after I separated the Yang God, I found that the alien ownerless Yin God that I hadn't found for a long time came out, and it turned out that they sensed my Yang God and came over.

The stream of consciousness I've seen in the inner sanctum is many times stronger than theirs, so now I don't care about these little things at all. Self-managed absorption of energy, the energy here is already less, and the absorption with Yang God is even slower, slower than the level of upgrading in online games. Watching the little yin god floating around me, I suddenly remembered the story of the awakening of the previous judges. My heart moved, and a thought uncontrollably emerged: these are just ownerless yin gods, they should also be magnetic field energy, why don't I try to take them for myself, anyway, I won't take away the ghost energy of living things.

I struggled with my thoughts, and finally my curiosity and confidence in myself got the better of me, and I decided to give it a try.

This book has been put on the shelves, I hope you will enter the "Pretending to be a Gentleman" Panda Reading Book page after reading the chapters to give support, every click, every collection, every monthly pass, every comment, every subscription is a great support for "Pretending to be a Ghost", and it is also the motivation for the author Potemkin to write.