Genius, real genius. Pen? Interesting? Pavilion wWw. ｂiquge。 ｉｎfo

This is the only evaluation of Shiichi Asakawa about Chen Yu at the moment.

After watching "My Youth Love Story", Asakawa Shiichi only had praise for Chen Yu in his heart.

The two books "My Youth Love Story" and "Magic Forbidden Book**" can be said to be two completely different themes, one is daily life, the other is fantasy, two different themes, in the hands of the young man in front of him, but perfectly expressed.

Whether it is the unique insight of the protagonist of "My Youth Love Story" into love or the combination of technology and mystery in "Magic Forbidden Book**", Shiichi Asakawa who has read it is deeply fascinated.

That's not the point, the point is that Shiichi Asakawa saw in these two handwritten novels that the writing made people not jump out of anything wrong at first glance.

What do you say about writing......

In the current popular novels, the requirements for writing are not too high, but for real traditional literature, the requirements for writing are very high.

In order to meet the requirements of publication, the content of a novel or traditional literature published in general must be revised countless times to meet the requirements of publication.

And the two novels handwritten by the young man in front of him can fully meet the kind of writing required for publication.

No, the writing expressed in the novel even far exceeds the publication requirements.

After all, Shiichi Asakawa is the president of the magazine, and even though the magazine is about to go out of business, he still has some insight as the president of the once glorious Dengeki Bunko Magazine.

From the initial indulgence in the world of the novel to the later reminiscence of the world described in the novel, the two are different and bring different feelings.

But what is the same is that both of them give Shiichi Asakawa the feeling that he can't jump out of anything.

Whether it is plot control or character building, the young man in front of him has almost reached the point of perfection, and there is no problem for such a person to write traditional literature completely.

But why did he come to write novels?

Shiichi Asakawa was a little puzzled by Chen Yu.

"Teacher Chen Yu, I want to ask from your book that you have a very solid skill in writing, and writing traditional literature is not a problem at all, right? But why did you come to write a novel? ”

To be reasonable, it's easy to get started with novels, but it's hard to be really famous.

Besides, don't think that writing novels and writing traditional literature are both writing, but the difference in status between them can be very different.

If a traditional piece of literature is well written, not only will it make you a lot of money, but it can also bring you a lot of fame. As for novels, at most, it is income, and as for reputation, in the eyes of traditional literary writers, these reputations are all despised by them.

"I'm sorry, please don't think about it, I'm just curious."

Seeing Chen Yu's frowning appearance, Shiichi Asakawa hurriedly explained.

Now he wants to cooperate with Chen Yu very much after reading "Magic Forbidden Book**" and "My Youth Love Story True***".

Now he is completely in a respectful attitude towards Chen Yu.

A genius who can bring new hope to the depressed world of fiction, a genius who can bring his soon-to-be-disbanded magazine back on the right path, and may even surpass the glory days of the magazine, how could Shiichi Asakawa offend him.

"President Asakawa you seem to have misunderstood something, I'm not angry, I'm just thinking about how to answer your question, President."

"What should I say, I guess you know some things after reading the two novels in my hand."

After listening to Chen Yu's words, Shiichi Asakawa nodded thoughtfully.

In some ways, neither of them is a rookie who doesn't know anything, especially Shiichi Asakawa, as the president of the magazine, he has reviewed many novels, and he can roughly judge whether a novel can make the magazine lose money or not after it is published.

After all, novels are only an amateur sector in the former denok library magazine, and it is not that the once denki bunko magazine has not published novels, but the income from those novels is not very large, and even some of them are still in a state of loss.

But in front of these two books, Shiichi Asakawa dares to guarantee that as long as they are published, they will definitely be big sellers, and the novels that can conquer him, what reason is there not to conquer others?

And part of what Chen Yu said, in Asakawa Shiichi's opinion, is nothing more than that Chen Yu already knew that he saw the very good writing from the novel, so he asked such a question.

Writing, how to put it, is not very important for novels, but it is a crucial and indispensable factor for traditional literature.

You can write a novel without writing, but if you want to write traditional literature without writing, it's very difficult, and you can't even get in.

The biggest gap between fiction and traditional literature is the writing.

"The main reason for writing light novels is to fulfill my dream, I want to describe the story in my heart and show it to everyone to watch and recognize."

Once a street writer,Chen Yu wrote novels before the crossing.,These novels are not original.,It's a fanwork based on the second creation of the drama.。

But it's these fanworks that make Chen Yu himself want to read it.

The reason for this is nothing more than the unsightly writing.

After writing the novel, Chen Yu regretted that he did not learn the Chinese well when he was in school, which led to the scarcity of vocabulary in his stomach, when writing the novel, he obviously wanted to express a lot of things, but because of the relationship between the vocabulary, he couldn't express it at all, and even, because of the relationship that could not be expressed, many times he himself would fall into a tangled state of 'knowing what to write but not being able to write'.

With the help of wonderful writing, Chen Yu wrote (copied) the two light novels "Magic Forbidden Book**" and "My Youth Love Story Sure Enough***", which can be regarded as fanworks to be precise.

Although the characters and plots of the two light novels are roughly the same, Chen Yu has made a lot of changes in the details, and the reason for the changes is due to the influence of his previous identity as a homo writer.

The biggest difference between this time and before the time travel is that the two 'doujin' he wrote this time are completely read, and even he will have the obsessive state that Shiichi Asakawa revealed after reading "Forbidden Books of Magic" at the beginning.

This state is the charm brought by good writing, which can also be said to be the charm brought by words.

Most of the writers who enter the novel industry initially write with the mentality of wanting to write about the world they have in mind for everyone to enjoy, and the rest want to make money through fiction or want to become famous because of it.

As for Chen Yu, the original purpose was to reach the point of fame through this path, but later after seeing the two light novels he wrote (copied), he found the feeling that he had wanted to get back many times.

This feeling is that he wants to write his thoughts and opinions after watching the dramas he has watched, so as to be recognized by others.

In this way, Chen Yu was almost bored at home for a week, and he was completely living a squatting life at home.

This week, Chen Yu spent all the time writing except for the dinner and rest meeting, and he was eager to express the world in his heart.

In total, he slept no more than 35 hours a week.

If you look at Chen Yu's face carefully, you can faintly see the dark circles in his eyes.

Once, because of the relationship between writing, Chen Yu couldn't write a light novel-style fandom, but now he has the opportunity to accomplish it, and it's not an exaggeration to say that it's his dream.

"Dream ......"

Shiichi Asakawa didn't expect Chen Yu to answer like this.

He thought that the genius who could write such a novel should have great ambitions, such as leading the trend or something......

But he didn't expect that this real genius would write for such an ordinary purpose.

As the president of Dengeki Bunko Magazine, Shiichi Asakawa once asked the fiction writers who submitted their manuscripts what the purpose of writing was, and most of the writers replied that Chen Yu said something similar.

If it was changed before, for Chen Yu's answer, Asakawa Shiichi may have been a little disdainful.

In the line of writing novels, it is completely possible to use the words 'ideals are very full, and reality is very backbone' to describe the cruelty in the industry. (To be continued.) )