137. Surprising short stories

It's a lot of tears, but when Tu Tu saw the short story painted by the author of Yu Liang, he couldn't help but have a feeling of brightness.

The first thing that catches people's attention is the cover of the comic, which is like a human face, which is the first impression to the reader. Liang Yu has been in contact with painting for more than half a year, although she still has little confidence in her painting skills, but in fact, from the perspective of an ordinary person, Liang Yu has been among the best in painting, but all around her are like Chen Nan, Tao Meihua, Xiao Lin and Bai Ya, whose painting skills are ridiculously good, so Liang Yu is dwarfed.

But at this moment, once you put it into this feeling that countless elementary school students are bending their waists, and Tu Tu sometimes feels that a certain author may be drawing with his feet in a webtoon, Liang Yu's sense of existence is reflected.

After all, in the webtoon, the water is very deep, and some people may copy a cover according to someone else's illustration, so it is not uncommon to see works known as cover killers here.

The editor took her eyes off the cover, and then glanced at the title of the comic, and couldn't help but feel a little disappointed, which confirmed her conjecture just now, only to see that the red text in the title column showed two untitled words, which naturally Liang Yu did not enter this intentionally, but if he didn't fill in the name when he released the comic, it would become such a result. But for an author who wants to develop on the comic network, how can he be so sloppy, which also makes Tu Di's expectations drop greatly.

She already wanted to close the point, but the editor's responsibility still made her click in, and when she was thinking about how the content inside would collapse, something incredible happened, and Tu Tu found that the content inside was the same as the cover, and finally it didn't evolve into an inhumane tragedy like a photo of a goddess on the face of a 200-kilogram fat girl.

"It's so nice." While clicking the mouse, Tu Tu couldn't help but feel it.

Tu Tu's emotion couldn't help but arouse the reaction of other editors in the same office, all saying that women should be more eye-catching than men at all times, and this is more applicable in the workplace.

"Tu Tu, what good things have you found, are you secretly looking for something on the Internet?" One of them quipped and gave him a blank look.

Tu Tu didn't rush to explain anything, after all, the screen is so big, everyone has their own eyes and knows how to see by themselves.

"Oh, that's good, this author." Dong Wei is also one of Tudi's suitors, but compared with others, he is often praised by leaders for his business familiarity, and now he is on the rise in his career.

It must be said here that because Liang Yu is not familiar with the application of painting software on the computer, her paintings retain the characteristics of hand-painted to a large extent, and in the background of a large number of outlets, where software can be easily done, she also relies on stroke by stroke.

Although it takes a lot of time, it does have a strange beauty, just like the oil painting that is painted will always make people feel clearer and more moving and happy than a simple photo.

And with the click of the page by page, this colorful world depicted by the popular author of Fantasy also reveals its full picture and reality little by little. As I have said before, short works are limited in length, so it is impossible to depict the story in detail or slowly, so they often start from a fragment, a small thing, and gradually move from the field to the depth, reflecting the whole situation with the part, which is where Liang Yu is good at.

The story revolves around the love story of two people, of course, Liang Yu is so powerful that she didn't say anything at the beginning, so the reaction they saw at first glance was only the impression that Liang Yu's painting style was good. The scene begins with an old-fashioned bicycle, with the male protagonist carrying the female protagonist and two people, driving through a long ramp against the backdrop of a lake, and the train passing through the bridge hole below them, and there is only a peaceful tranquility in the sunset. As the night deepened, the hero sent the heroine not far from home, but did not go deeper, he watched the heroine get off the back frame, and then turned around and walked towards the end of the dark street, he hesitated, but still opened his mouth to stop her.

The heroine's footsteps stopped, she turned her head, nodded softly, and then turned her head again.

The actor held the bicycle and silently watched her figure melt into the darkness.

Pushing open the door, the lights in the living room are on, and when the heroine takes off her shoes, there is a reprimanding voice. The stern father walked out of the living room with a newspaper and reprimanded him with a slapstick on his face.

In the next panel, the clock on the wall has been greatly advanced by one square.

The girl was lying on the bed with a pillow, a tired face, when she raised her head from the buried pillow, and caught a glimpse of the covered photo frame, she hesitated, reached out to help up the covered photo frame, and an old photo fell into view, at that time she was still a little girl, and her father was also very young, obviously it was a yellowed memory, but the two people on the frame were smiling very sweetly.

There is a close-up here, the heroine purses her lips, and then she reaches out and closes the frame again.

As the night deepened, the female pig's feet hugged her knees, sitting on the floor of the room by the window, a ray of moonlight shining in the window fell on the photo album she flipped in her hand, which was a photo album with precious memories, recording the heroine's growth over the years, from junior high school admission, graduation, high school admission, graduation, and then to college, her father appeared less and less often, on the contrary, another important boy appeared in her world.

She was immersed in the sea of memories and couldn't extricate herself, but in the living room downstairs, the ringing of the old-fashioned table clock on the hour pulled her thoughts back to reality, she closed her eyes, put down the photo album on her lap, and then picked up the duffel bag beside her.

Tiptoeing through the empty aisle, the living room, towards the entrance, when she was full of nostalgia to look back, the light in the living room suddenly turned on, she was a little panicked, the duffel bag in her hand hit the cabinet next to her, making a noise, when her father looked at her with a surprised expression, she panicked for a moment, quickly put on her shoes and opened the door and rushed out.

But she suddenly heard a dull sound behind her, and the panicked and noisy voice just now suddenly turned into a low **, she turned her head and found that her father was curling up, holding his heart with one hand and falling to the ground in pain.

The picture flows, returning to the perspective of the male protagonist, at this moment he is carrying a duffel bag, sitting anxiously in front of the station platform, he puts his hands in his pockets, raises his head, and glances at the time of the clock hanging on the wall of the station, and in the distance, there seems to be the sound of an ambulance.

At the same time, staring at the clock, there is also the heroine, who is sitting at the door of the emergency room at the moment, the consultation room in front of her is lit with a red light, and she is the only one in the empty corridor, waiting anxiously. Here, Liang Yu gave the two protagonists a close-up, as well as the time they spent staying with each other.

The picture is cut to pieces, and all that remains is a close-up given by Liang Yu, the moving clock dial, the male protagonist looking around anxiously, the crowd moving with luggage in front of the male protagonist, the train entering the station, the figure of the male protagonist with his head in his pockets, and finally he stood up......

As if with some kind of premonition, the heroine suddenly glanced back, the corridor was dark and dark, and in the distance, the sound of a train horn was heard, and when she turned her head, the lights in the emergency room finally turned on.

Time passed, and the morning light fell on the shoulders of the heroine sitting in the chair, and she woke up faintly, and then saw her father lying on the hospital bed looking at her. She opened her mouth to ask something, and her father's eyes looked at the ceiling, and for a long time, he also said something, and then, his eyes looked at the heroine, and said something.

The heroine's tears finally fell, she looked at the old but resolute father, hesitated, and finally covered her mouth and stepped away. The father looked at his daughter's back as she left, withdrew his gaze, and then turned to the sunny window, and then showed a smile that had not appeared in a long time.

In the train station, the heroine appeared in a hurry, but when she looked anxiously, she found that it had already been empty, and the train station in that era had poor facilities, only a shuttle bus for a fixed period of time, and the waiting position had lost the figure waiting for her.

The tears could not be stopped any longer, and she began to cry loudly in pain, and cried at the invisible distance where the train tracks led, but at this time, a figure appeared behind her, and the heroine heard his familiar voice, and was stunned, and when she turned around, she found that he was still standing there, with a smile on his bewildered face, greeting her.

The picture becomes a freeze frame, and the luggage falls silently, with only local movements and close-ups of faces.

The last scene is the end of the two embracing each other in an empty train station.