The fat man was in a hurry, and he was worried that he couldn't get rid of it, so he chatted with Ding Shengwu about the things of the Di people, and Zhang Ruoxu was also dumbfounded when he heard the thrilling part of the sermon, and finally of course he didn't forget to package himself, he added fuel and vinegar to make a good skill, how he solved those Di people, and how he escaped.

Zhang Ruoxu said: "I know that since the Western Zhou Dynasty unearthed documents, this Di people have disappeared from the tribe, "Shang Shu Pastoral Oath" mentioned the end of the Shang Dynasty Zhou rate "Shu Qiang Wei Lu Pengpu people" cut down merchants, there are Qiang and no Di, probably from that time, the separate Di tribe has been and the Qiang people as one, the stone brother this can not be found, about the Xian Di things on the market is rare and important. ”

This Cha Wenbin and Feng Qiyun have been waiting on that cliff for a day and a night, during which countless times Cha Wenbin has been checking back and forth like a fat man, and he is looking forward to Ye Qiu being able to fly up from below in the next second.

During the day, the appearance of the ancient city of Beiyu is also revealed, which is about the size of a natural village now, and it takes three hours to walk around.

The lonely city is located on this huge stone pillar, if there is no bridge, no matter how strong the Zhou people of the year are, they will not be able to attack it.

Therefore, Feng Qiyun believes that Liu Fayu, the grandson of the Sun Gong back then, was not for this city, it was like a castle in the air, with neither military nor economic value.

Therefore, he believes that the biggest reason why Sun Gongliu cut down this Beiyu is the treasure of the mountain recorded in the "Biography of Mu Tianzi".

He analyzed: "The word is very interesting in itself, it is a verb, it means to put something on a stone mortar to pound the shell of the grain, if we look at this pillar-like mountain as a huge stone mortar, then what do you say can be placed in it?" ”

ps: 舂 [chong], the second tone.

Cha Wenbin is a thorough farmer, in the past, there was no rice milling machine in the countryside was not so popular, most of the farmers used their own stone mortar rice, he was very familiar with that thing, so he thought: "If you want to say that there must be a stick in the rice, you say that this stone pillar mountain is the stick or the stone mortar." ”

"It's all possible, King Zhou Mu is both civil and military, and even the queen of the Western Queen's Mother Country fell in love with him at first sight, and the literary style is excellent."

He turned back to the huge bronze tree and said, "Do you think this thing is the legendary Fuso Sacred Tree?" ”

The Fusang tree is one of the spiritual places in Han mythology, and it is said that on the eastern sea, the Fusang tree is composed of two large mulberry trees that support each other.

The sun goddess Xi and the great god for her son Jin Crow to drive up from here.

It is also said that it is the connecting gate of the divine realm, the human world, and the underworld, but it is only when Hou Yi stands on it and shoots the sun and breaks it, and it is difficult to contact the three worlds of man and god.

Cha Wenbin said: "I really don't know how those ancestors poured such a big thing, the legendary Fusang tree is nine branches, this thing is complicated and troublesome, I counted dozens of them." It is not surprising that you said that this was once the ancestral land of your Suiren clan, who were famous for drilling wood for fire, and that they worshipped trees. ”

"It's a mess,"

The bronze tree was already covered with a thick layer of patina, and there was a thick layer of ice and snow on it, and I don't know which dynasty and which generation made such a strange thing, Feng Qiyun walked under the tree with some curiosity and kicked it twice with his shoes, and found that a stone slab was exposed at the root of the tree, and some strange patterns were painted on it.

"Brother Cha, come and see, what is drawn on this picture?"

Cha Wenbin looked over and saw that the stone slab depicted a scene of people kneeling down to worship the tree, and there was a lying person next to him, and some other people were gazing and praying in the distance.

He hurriedly cleaned up the surroundings with Feng Qiyun, and gradually more and more murals began to appear, and through these simple thick lines of murals, they gradually read some information.

The man who was lying down in the original painting must have died, but in the second painting the man appeared again under the tree, and after a short time, all the oil lamps on the sacred tree were lit, and after a few more paintings, a man who was obviously much smaller appeared in a fruit on the trunk of the tree.

The fruit fell in half, and the man came out of it, and the whole process was so vivid that it was not difficult to understand.

The painting is that the Beiyu people believe that people are reincarnated after death, and that after worshipping this huge bronze tree, people after death can be reborn through the method of fruition.

Inevitably, Cha Wenbin began to think of a myth and legend, which is like this: It is said that in the barbarian era a long time ago, there was a country called Suiming in the far west.

This place is so remote and remote that neither the light of the sun nor the silver light of the moon shines, so to speak, and it can be said that there is no daylight, day and night.

There is a big tree in Suiming State, called "Suimu"

。

This tree is really unusually large, its branches are very tall and long, the area of the canopy alone is 10,000 hectares, stretching dozens of miles away, and the whole tree looks like a dense forest.

It stands to reason that Sui Mingguo could not see the light of the sun and the moon in the first place, and it was dark, and with such a large tree shading, it must be dark and pitch black.

In fact, this is not the case, but there is a beautiful fire shining everywhere under the big tree, like a pearl shining with a jewel, shining brightly and brightly like day.

The people of Suiming Kingdom, who have not seen the light of day, are in this brilliant and beautiful firelight, ploughing and working, enjoying themselves, and living leisurely by this firelight.

In order to preserve the fire, everyone took turns to guard the fire, and there was no end to it for many years.

However, it is very difficult to preserve the fire, and there are many unfavorable factors, which often make their lives in a state of no fire.

A wise and wise man, thinking of the misery of the people of his country, vowed to solve the mystery.

One day, this wise and wise man traveled all over the world, walked far, far away, so far that even the sun, moon and stars were gone, and finally came to the kingdom of Suiming.

He was struck by the strange sight of this place, and was determined to find out where the fire came from.

After many days of careful observation, one day, he finally discovered that there was a large bird here.

With an orange beak, a dark back, a snow-white belly, and hard claws like osprey claws, it jumps around the tree to find insects to eat, and from time to time pecks at the trunk with its long hard beak like a woodpecker, and every peck emits a brilliant and dazzling fire.

Seeing this sight, the wise man was inspired and thought of the power method to obtain the fire.

So he picked up a hardwood branch and drilled it into the wood, and it turned out to be a fire.

This legend is the story of the ancestor of the Suiren clan drilling wood to make fire, and it is associated with the huge tree in the legend, so Cha Wenbin deduced that it is likely to be the legendary "flint"! If this is really a flint, then the place where they are standing at the moment is the origin of Chinese civilization and the supreme existence of Taoism, because it is the Suiren clan who observed the stars and sacrificed to the sky in the standing wood of Kunlun Mountain and discovered the "way of heaven". Inspired by the way of heaven, the Suiren clan began to name mountains and rivers for hundreds of things, and there is an "authentic way". The virtue of heaven and earth gives birth to all things, and man is the respect of all things. The Suiren clan was named after the human being with the surname Feng, and there were blood restrictions on human marriage, so that there was a strict distinction between humans and beasts. This is the ethics of the early human race, that is, "humanity". From the way of heaven to the earth, from the way of heaven and earth to the way of humanity, this is the "one life two, two to three, three to all things" view of heaven. Heaven, earth and people begin from the unknown and become famous. If you are famous, the world is enlightened, and people are civilized. This is where the history of China's written civilization begins. The two of them began to speculate endlessly, if they hadn't drilled wood to make fire in the first place, how the Suiren clan had developed this smelting technology. As we all know, no heat can melt ore without fire, which is a prerequisite, so either flint is just a legend, or this thing full of oil lamps should have existed much longer than the ancients mastered fire! After the two of them gradually deduced, this answer has slowly approached the latter: that is, the Suiren clan could not pour such a complex bronze artifact, and such a project could not be completed even in the Western Zhou Dynasty, when the bronze civilization reached its peak three thousand years later. Cha Wenbin measured the copper tree, the part that outcrops the surface is more than thirty meters, equivalent to six or seven floors, and the main trunk can only be surrounded by several people. Although it has been covered with patina, it can still distinguish the exquisite patterns carved on it, these patterns are connected by very complex dots and lines, and under a closer look, each line has its own ** walking track. All the dots and lines that he could see were arranged neatly and rigorously in a certain regularity, and they were not hand-engraved in the later period, but in the shape of yang engraving, which shows that these patterns were poured together with the huge tree body at that time! Not to mention the ancients, such a thing cannot be poured even in the contemporary era, and this inverted mold alone is enough to stump the world. Therefore, the two boldly speculated that this thing was very likely not from the ancestors of Suiren 6,000 years ago, and they did not have this ability, so who left such a rare masterpiece! What does this so-called "treasure of Chung Shan" refer to?