After Fang Qing and Zhu Ying went back, Liang Yu began to calm down after finishing other things and completed the specially assigned "homework" during the winter vacation.

Liang Yu had 0 experience in writing scripts in the past, so she specially called and asked the editor in charge Huang Yuan what he meant, but all she got was "Teacher Liang Yu will do it at the pace of Teacher Liang Yu, even if it is written as an outline or in the form of a novel (laughs)", which is not a reply at all.

By the way, the correct script must maintain a concise and smooth format, omitting too many ornate modifiers, for example, when so-and-so speaks, just mark so-and-so in front of the text, don't add any smiles, clever smiles and other words, and need to indicate the correct scene, time and place, the plot background in the novel is often ambiguous, but when you make a movie, TV series or animation, you can't, the most important thing to pay attention to is the sense of picture and the sense of presence. And be able to let the director understand your vision directly, instead of letting him kill and injure that brain cell, of course, it's his business whether he uses it or not, and it's your problem whether you write it like this or not.

For Liang Yu, who has never written a script or learned the language of the camera, the only thing she can trust is the comic storyboards she has accumulated in the past and the samples of other scripts that Huang Yuan sent to her along with the planning materials.

I have to say that after careful study, Liang Yu found that there are still some commonalities between the two.

Liang Yu's comic storyboard is under Chen Nan's master, although it has not reached Chen Nan's level until now, but as a professional cartoonist who has been in the circle for more than a year, Liang Yu's storyboard is at the upper level of the average, the reason why it is still lacking is not because of strength, but because the time she has been writing is too short, and her cooperation with Chen Nan Everyone also knows that "Chess Soul" finally needs Chen Nan to draw on the original paper, so in the end, Chen Nan will change according to his understanding of comics.

Storyboarding is to cut out a lot of redundant parts, keep the wonderful plot and dialogue, and then emphasize the atmosphere of the close-up of the wonderful scenes, and the same is true for the script.

It's just that the script needs to have a clear scene number, if you calculate it carefully, there is also a description of the actor's appearance, voice (music), and the weather conditions and interior and exterior scenes are marked according to the shooting arrangement, but these are all trivial things, and it is difficult for Liang Yu.

For this reason, when the pen really moved, Liang Yu didn't have the feeling of not knowing how to write at all, confused, at best, because he was not used to this way of creation, so it was extremely jerky and lacked efficiency.

Liang Yu tried to write a little bit according to the plot setting.

Because the background of this joint project has already been created, this is equivalent to saying that the beginning of the proposition essay has been written, at least the first episode of this beginning does not need to waste too many brain cells, because whether it is a novel or a comic animation, it is time for the protagonist to appear, and throw out the baggage, and establish the direction of the protagonist's efforts.

In terms of this project, it is a story of determination to work to prevent the abolition of the school.

Liang Yu sat in front of the desk lamp and casually pulled out a stack of materials sent to her by Huang Yuan.

As I said before, these materials are not very detailed, but the general setting of the characters is given, since the theme is idols, then the main theme is naturally a group of young and beautiful girls, in order to meet different fan groups, the characters given this time are also 9 heroines with different personalities.

The team leader generally serves as the stage C position, is a 16-year-old carefree and optimistic girl Sui Naiguo, who does things with a tendon, but because of his optimism and straightforwardness, people have a feeling that they can't leave her alone, in fact, they have a sense of responsibility and perseverance, so they can solve things easily with the efforts of her and her companions.

Then there are Honoka's three childhood sweethearts, Little Bird, Hai Ye and Eri.

Little bird is Suino fruit is inseparable together in kindergarten.,Quiet personality.,Strong heart.,There are secretly hiding from others to work as a maid in Akihabara.,Although the character is gentle.,But when it comes to the topic of Suinoguo, it's easy to go berserk.,If you say something bad about Suinaguo, you'll run wild.,Use the dragon claw hand with a terrifying smile to pinch each other's faces.。

And Hai Ye is another childhood sweetheart of Sui Naiguo.,It's a strict self-discipline top student.,Very strict with people and yourself.,When I was a child, I was very afraid of life.,Only watch other children play in the distance.,After being invited by Sui Naiguo and the bird, they became good friends.,The appearance is Cool black and straight.,Very good at face art and ghost cards.。

As for Eri, she is a year older than Honoka, the student president of Honoka's school, with a strong sense of responsibility and a quarter of Russian ancestry, because she always feels that she has to lead by example, so she is often not frank and suppresses her inner thoughts.

And the remaining five companions do not have many introductions, one sentence plus a parenthesis respectively.

Nozomi: Vice President, with a calm personality, is a good sister who enlightens everyone, but she is a little dark-bellied. (Big x breasts)

Mahime: A year-old, outstanding in singing, and a lady who is also very good at the piano, has high self-esteem and is not frank. (Tsundere, such a character must be made up of...... ）

Rin: Born in the same year, she is a lively and cheerful physical education girl, so she has short hair and is a little childish in her speech and actions. (Genki Niang)

Hua Yang: The last person in the one-year group, if you say that it gives people the impression that it is probably ordinary, I hope that everyone (girls) can substitute for the role after seeing it, because it is ordinary, so I often have low self-confidence in myself. (Taste of the Ground)

Nicole: The last person in the three-year group.,Because Eri and Nozomi are already very mature.,So it's set here to be an older person.,It's a girl with the size of Lori.,Hairstyle, of course, it's a double ponytail.,Double ponytails are high.,By the way, the director wants to add the mantra of niconiconi.,Please satisfy me anyway.。 (Contrasting Moe)

After reading this information, Liang Yu looked at the concept map of the characters on the side, and then picked up the pen and wrote it in the notebook, she didn't have a good and complete idea, but there are some things to record with a pen first, and if you think about it slowly, maybe you can think of something.

However, Liang Yu soon found that he still imagined the work too simple.

The beginning part is easy to write, but Liang Yu has no idea about how to develop the plot in the future.

Her usual attention to the entertainment industry can be said to be rare, even if there is, it is only some information related to her friend Lu Feifei, although this script belongs to the overhead setting (women's college student stage festival), but it still can't be too detached from reality, for example, taking a flying machine, going to concerts all over the universe or something, or driving a giant spaceship that can become a super robot, so that the enemy is also moved, and finally ushered in peace or something.

Throwing several crumpled waste manuscripts into the trash, Liang Yu gave up continuing to do useless work, and decided to popularize the knowledge of some idols before starting to write.