"Ask for a commuter pass !!" Students, my teacher taught us that as a person who has a temperate attitude, I will vote for a monthly pass, and I will be more motivated to give a few more monthly passes.

127111080 people with lofty ideals can join in to discuss the plot.

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Although Ryunosuke Yusheng doesn't like bloody and violent movies, he can also understand the necessary surname of that type of entertainment.

It's not just horror movies. There are also war films, disaster films, and even plain adventure films and series. Why do these fictional entertainment programs always take the trouble to depict "human death"?

This may be because the audience can peek at these fictional "deaths" from a safe angle, and this fear is minimized.

Human beings are proud of their "wisdom" and are full of fear of the "unknown". But no matter how terrible the object is, as long as it has been "experienced" and "understood", then it can be conquered by virtue of this understanding of the surname.

But. There is only such a thing as "death...... It's something you can't experience while you're alive in any way. You can't really understand it. As a result, human beings who have nothing to do can only rely on observing the death of others to try to understand the nature of death and simulate the experience.

However, in a civilized society, human life is respected, so death can only be experienced by relying on fictional content. However, in a war-torn place where people around them are bombed at any time during meals, no one wants to watch horror movies.

Same. Whether it is the pain or mental pressure, for all the misfortunes in life, fictional entertainment can work. If it is very risky for us to experience those things ourselves, then we rely on observing others to gain understanding, to overcome fear, to dispel that anxiety. So the movie screen and the TV screen are filled with sorrow, sighs and tears of anguish.

Once Ryunosuke, like these people, was full of fear of "death". Those "stale deaths" that perfectly reproduce the horrific corpses and splashes of pink blood with their realistic acting skills can conquer the fear of death mentally. Then Ryunosuke should also become a lover of horror movies.

But for Ryunosuke, he seems to have an extraordinary keen ability to distinguish between the truth and the fake of the "death" thing. For him, these fictitious horrors seemed a little ridiculous. Whether it's the plot or the picture, it's full of pediatric stuff. From these things, the so-called "essence of death" cannot be experienced even at all.

Although it is not uncommon to see statements that so-called fictional depictions of violence will have a bad impact on teenagers, for Ryunosuke Yuyu, these are just very ridiculous jokes. If the blood and screams in horror movies had been a little more realistic, he might not have become the murderer he is now.

It's just the result of that burning curiosity. Ryunosuke wants to know what the so-called "death" is like anyway. The color of the blood spurting out of an artery, and the temperature of an organ in the abdominal cavity that is touched with a hand. Pull them all out.

The pain felt by the victim before he died and the desperate wail before he died. Nothing could be truer than that.

It is believed that homicide is a crime. But we'd better think about it. There are more than 5 billion people living on this earth. What a staggering number. Ryunosuke knows this very well. When he was a child, he used to count the gravel in the sand piles in the park. He will never forget the frustration of counting to 10,000 and having an endless count. And human life is 500,000 times that of that. And it is said that life and death are still alternating in tens of thousands every day. So how heavy is the person killed by Ryunosuke's hands?

And when Ryunosuke kills a person, it completely makes that person realize the whole of death. Sometimes it can even allow a person to experience the process of "dying to death" for more than half a day. The information, stimulus, and experience that comes with the death of this person is more meaningful than prolonging a worthless life. With that in mind, it's more appropriate to say that Ryunosuke is not so much killing people as he is performing an act of creation.

With this belief, Ryunosuke traveled from place to place while continuously killing people. This tossing and turning is not because he is afraid of being punished by the law. In fact, the feeling of being handcuffed and imprisoned -- and having seen many of the like them -- had come to the point where he had "understood" them to the point where he did not feel horrified at all, whether it was the gallows or the electric chair, the manner of death had been completely "observed". Therefore, if there is a reason for him to escape the pursuit of justice, it is only because before he gives up his life and freedom, even if he goes to prison, he will not get anything, and compared with going to prison, he thinks that kind of unrestrained, happy and positive health is the right way of life for a person.

The so-called understanding and judging of such things itself gives a sense of majesty.

Yes, there's no better word to describe Ryunosuke's charisma - if anything, "cool" says it all.

For Ryunosuke. Having become completely accustomed to and enjoying sitting in the chair known as Human Life, he is a man who plays purely for the sake of playing. He's trying out a new cocktail recipe and looking for the next victim, and he's having a lot of fun doing it.

And in fact, there is no need for any analogy, when it comes to the wind and moon field at night, Ryunosuke is like a bright light to lure a moth, and he can always attract the attention of a different surname. His graceful ease and mysterious majesty, these pure charms are all fatal temptations for female surnames. The result of these charms made him always live in the pleasure of glamour, and for the girl he really liked, he often became a lump of flesh covered in blood, thus becoming his closer friend.

The streets at night are Ryunosuke's hunting grounds, and the prey doesn't feel threatened by Ryunosuke as a predator until they are caught.

Once, when he saw a cheetah on the Animal World program, he was deeply moved by the cheetah's elegant demeanor. He was impressed by the cheetah's distinct hunting methods

Intimate. The beast, known as the cheetah, is a creature that fits perfectly into the definition of cool in his consciousness.

So after that, Ryunosuke has been imagining himself as a cheetah in his consciousness.

Even the emblem of the leopard is decorated everywhere on the clothes. Shirts and trousers, hats and shoes, even socks and panties, handkerchiefs and gloves are all on top. The amber opal ring, if not worn on the middle finger, must have been carried in his pocket, and the necklace made of real leopard teeth never left his side for a moment.

However, even if it's a murderous maniac like Ryunosuke Yusheng. Recently, I have also been caught up in the agony of "no passion".

Having seduced more than thirty victims, and having tried almost all kinds of torture and torture methods, he no longer felt the novelty.

Ryunosuke, who had tried every method he could think of, could not regain the excitement and emotion he had experienced no matter how cruel and humiliating he was to his prey now.

In order to be able to return to the original point and regain the feeling he had before, Ryunosuke returned to his hometown after a five-year absence, waiting until his parents had slept in the dead of night. He walked alone through the earthen barn in the backyard. Hidden in this earthen barn is the first victim of his renunciation of family affection.

My sister, who I haven't seen for five years, has been waiting for her younger brother in this earthen barn house, except for a slight change in appearance. Facing his sister who didn't complain, Ryunosuke felt discouraged when he thought he had run away in vain, and it was at this time that he found an old book that was a little moldy in the mountains of rags in the warehouse.

This is an ancient book full of wormholes, and it is not a printed matter, but a personal handwriting. The date inside says the ninth year of Keio. It seems that it was written more than 100 years ago at the end of the Edo period.

For Ryunosuke, who read through Hanshu when he was a student. It is not difficult to read this notebook. However, it is not easy to understand what is written inside. The tiny words were piled up on the paper in a mess, and the writing was simply as ridiculous nonsense as witchcraft.

But judging from the text scattered on the page, such as Christ and Satan, it seems that there are descriptions of Western gods and monsters. Offering a human body as a sacrifice to a demon in another world to summon Shikijin Yunyun is a fantasy novel-like world.

At the end of the Edo period, Western science was classified as heretical. And the most heretical of them is this kind of book describing Western gods and monsters, although the things written in it are not very credible, but Ryunosuke doesn't care about the real surname of the content recorded in this book at all. Just by digging out an old book from the warehouse of my hometown, it's already very cool.

The murderer's regaining the passion to kill is the most exciting.

As a result, Ryunosuke quickly moved his stronghold to the "Land of the Spirit Veins" mentioned in the book.

Again began his night hunt. Although it is unknown what is magical in this land now known as Fuyuki City, Ryunosuke has already begun to prepare for it, and his murder plan is faithfully reproduced as much as possible as described in ancient books. (To be continued.) )