The section on the whale's back has not changed much except for the real and exciting effect and the beautiful call. Pen "Fun" Pavilion www.biquge.info

When he got to the reef, Ning Yun made more changes.

Miss Roberts is more active and planned than the heroine of the original.

The original version is silent and waiting, and Miss Roberts is more suitable for her own personality to take the initiative to survive.

Ning Yun uses vivid lens language to express the three choices to the audience.

First, wait where you are. You'll be spotted by noon the next day at the latest, and this beach is not a wilderness with locals surfing.

Second, Miss Roberts observed the buoy and speculated that there was a letter on it. Number. Gun. If you swim past, get the letter. Number. Grab, the chances of survival are greater and earlier.

Third, fight back, duel with the great white shark, and return to the shore on your own to call for help on your mobile phone.

Obviously, the third point is completely unfeasible.

The second point is too dangerous, the people on the shore will not pay attention to the signal flares, and the ships at sea will pay attention to the sea situation at any time, but now there are no ships around, and I don't know when there will be.

Although the results are still better, the results are more convincing after considering the various circumstances.

This expression is also a must.

The heroine of the original film is very dull, and the quiet, calm handling of the original is suitable.

The changed Miss Roberts would not fit the overall tone if it were treated as the original.

Rather than lying on the reef and waiting, Miss Roberts used her watch to calculate the time it would take for the great white shark to cruise between the reef and the whale carcass, making adverse preparations earlier.

At the same time, I tried to recall the knowledge learned in the shark prevention class, so that the audience could understand that the nose of a shark cannot be touched like the butt of a tiger.

It was only then that the audience realized the significance of Miss Roberts' blow.

……

At night, Ning Yun gave a lot of pure and beautiful shots.

This is the part of the original film that is completely lacking.

The starry sky, the waves, calm as if nothing had happened.

Miss Roberts lay on her back on the reef, looking out at the distant and quiet starry sky, her expression deep and charming.

The beautiful scenery at this moment, and the angle of Miss Roberts looking up at the starry sky, make the audience in the theater very naturally think of a scene that Jack Dawson once did on "Titanic".

Thinking of Miss Roberts's amazing behavior during the day, she was handsome at this moment, and she was in no way inferior to Rose's favorite.

The beauty of Miss Roberts in this moment transcends gender.

The girls who were originally jealous of her were all moved by her handsomeness.

In the unwilling cries of several girls, the camera does not miss the beauty of Miss Roberts, and moves gently, with a complete long shot, into the water, deep underwater.

There is the back of a great white shark, swimming silently.

Faint starlight, shining through the water, shines on the back of the great white shark.

The scars on its body are displayed in front of the audience little by little in a clearer but not so hideous posture.

Due to the previous atmosphere rendering and wonderful and low dubbing, the great white shark at this moment seems to be even more lonely than Miss Roberts.

In the same picture, you can see the starlight, the sea, and the lonely beast.

Most of the audience couldn't understand the director's intentions, but they just thought it was beautiful, as beautiful as many previous pictures.

As the shark swam, the figure of Miss Roberts on the reef also appeared faintly in the same shot.

If it were an ordinary thriller, the audience would have to worry about the shark jumping up and attacking at this moment.

But at this time, the audience only felt indescribable emotions surging inexplicably.

Later, there was a film review that was recognized by many people, "Three Turns, We Are All Trying to Survive!" 》

……

Director Ning Yun's sympathy for sharks is undoubtedly shown at the beginning.

At first, I thought it was a simple introduction to the reason for the thriller traditional routine.

It wasn't until the scene of sharks and humans coexisting under the stars that I realized the director's huge ambitions.

……

If there is no echo of the opening, such a scene with strong emotional appeal may not be understood by the audience.

……

The heroine is trying to survive, why not the great white shark?

This is the first turn, and the second time happened when the heroine got the action camera and found that the shark was injured and understood the reason why the shark attacked humans.

I thought that Emma Roberts, played by the heroine, would make some sympathy expressions.

Unexpectedly, not at all!

The heroine didn't say what was in her heart, but Emma Roberts conveyed a meaning to the audience through her excellent performance, which I could understand, but couldn't accept.

Human beings have a human position, and when life is threatened, all compassion is unnecessary.

Even a woman who looks cute and delicate has no reason to sympathize with the beast that wants to kill her.

Well, I know some people disagree, Emma Roberts here is so cute, not delicate at all, and it makes people scream!

Because I agree with the heroine's position, my sympathy for the great white shark disappeared in a blink of an eye.

Even if I am an off-site audience, Director Ning Yun has brought me into the Great White Shark with beautiful shots and amazing perspectives again and again, and I can't watch it destroy the director's second love!

First love, as you all know, I have reservations.

……

The third twist occurred after Emma Roberts, another supernatural god, killed the great white shark.

I could see the subtle change in her expression, and it was a ......

……

However, all three turns are too shallow and too subtle.

If there were more, clearer, and less commercial considerations, the artistic value of "Shark Beach" would increase a lot.

It's just one step away from making a classic, that's my conclusion.

Of course, if the original ending is maintained, no matter how much it is changed, it will not increase the artistic value.

It's a pity, like everyone, I like Ning Yun's unexpected and amazing ending, and I can't put it down at the end, so I almost play it on a loop.

I'm sure you're just like me!

This is also the smartest thing about director Ning Yun, he balances art and business, and will not make the audience unhappy because of too much artistic pursuit.

I believe that what every audience admires most is his sincerity, which is overflowing!

……

The crab did not smell like chicken, the vomit was eaten by the seagulls, and the fat man in the early morning was dismembered.

When the fat man was dismembered, Miss Roberts' expression was definitely in line with a golden ball!

The next day was a new, wonderful day for Miss Roberts.

This day will decide the fate of Miss Roberts!

Sure enough, at noon, two handsome Mexican guys came to surf again.

The two who firmly believe that there are no sharks have the same miserable results, and this time the picture is more intense.

In the afternoon of the sunshine, Miss Roberts's beauty diminished slightly, and her emaciation increased, which was all the more pitiful.

The sensible audience sighed in a low voice, "What a display of beauty in a different way!" ”

The friend next to him was dissatisfied: "What else do you want?" It's only been less than a day, how ugly can it be? Do you have a long beard? Tarzan of the Apes? Swiss Army Knife Woman? ”

(To be continued.) )