After the release of "Legend of the Night", there were many articles commenting on and analyzing this scene, including professional film critics, directors, well-known actors, and even mathematicians. Pen? Interesting? Pavilion wWw. ｂiquge。 ｉｎfo

Shooting techniques, aesthetic significance, logical and physical rules are the focus of everyone's analysis, and some people even give this shot its independence and self-determination. by the spirit.

Of course, there are many more contrasts, wonderful contrasts of cultural connotations......

But at this moment, the audience really didn't think about it so much, and was completely shocked by the bizarre scenery and inexplicable atmosphere.

It's a special effect, it's not a special effect,

It's called special effects, because without special effects, you can't make such a shot.

It's not a special effect, it's just the original scenery, it exists, but it never appears in human vision.

How many years has it been that a film has shocked the audience not by special effects, but by a unique visual angle?

Isn't this the most essential, rooted, and core content of the movie?

It's not special effects, it's not a story, it's just the original image, the moving image.

The directors who woke up first felt the deepest.

At a time when human beings are limited to their own thoughts and human vision, director Ning Yun has seen the world with another perspective and brought the world to the audience.

Not only that, but he also went above and beyond himself.

If in the past, director Ning Yun was good at discovering the beauty of women, it is likely that no one is better at it than him, but now, his pursuit of beauty is not limited to gender, or even to the creature itself.

In this night sky flight that encompasses the starry sky and waning moon and the galaxy land, the creatures in it are not the protagonists.

Serena still has a temperament, but she is not the most eye-catching, she is just one of the perfect scenery.

Some people may think that Serena's beauty transcends gender.

The fact is that the picture created by director Ning Yun does not need gender, not a beautiful woman, but just a living being, to match the eternal existence.

The directors know very well that Ning Yun did not use distorted lenses to express obscure philosophical ideas.

He simply changed the colors and expanded the dynamic range.

But the simpler, the more profound, the more incredible.

The more ordinary the thing, the more easy it is to understand, and the more shocking it will be from a different perspective.

When the clear Milky Way, the starlight like a line, the white waning moon, and the strange colors, bright and rich mountains and rivers appear in the same picture at the same time, it brings the audience not only beauty, but also indescribable ideological vibration.

The feeling at that moment, the shock at that moment, was like the first time that human beings saw the scene of space.

At your feet is a blue planet full of life, and overhead is a cold and distant unknowable starry sky.

Humans would never have been able to see such an incredible sight without going into space.

Just like everything on the big screen at this moment, humans are not blood, not Serena, and will never be able to see the scenery at this moment.

Maybe when you see a lot of these scenes, you will feel ordinary, but once you see it, it is the same as the earth and the starry sky that human beings see for the first time in space, a long-term attachment, a long-term indescribable in words, and a long-term shocking thinking.

Yes, humans can't see it, but these landscapes, like the earth and the starry sky in space, don't exist because humans can't see them.

It has been there, quietly waiting to be different, this time, not waiting for humans to go into space, but perhaps waiting for beings different from humans to find out.

This is the world as Serena sees it.

When the world is presented to human beings, the audience understands Serena most quickly and deeply.

The audience is even more glad that director Ning Yun brought this world to us.

The directors, as well as some attentive viewers, discovered that the world in Serena's eyes was different from the world in the eyes of Katie, the Bloodline pilot.

Katie's is a little more cold and monotonous, and Serena's is richer and more moving.

Then this world, these pictures, are likely to show Serena's spiritual world.

Some Chinese directors suddenly reacted to the fact that this is a profound oriental philosophical metaphor for the different realms in which human beings themselves view the external world.

The so-called "three layers of mountains and rivers", and the pictures on the big screen do not include landscapes, as well as the starry sky, the bright moon and the Milky Way.

This kind of cultural invasion is too deep!

Unlike the aesthetic meaning of the "Chongling Sword Technique", this time, the "different world" is a graphic reflection of Eastern philosophical thought.

After the screening of "Tales of the Night", there was a lot of discussion on the Internet about why the world in Katie's eyes was different from Serena's eyes.

If it were only Serena, the audience might ignore it, but with Katie, and an important person who doesn't appear in the story right now, the audience won't ignore these clues anyway.

The discussion of Eastern philosophy is spread across many countries and many different languages.

This is an extremely important hot issue in "Tales of the Night", and even goes beyond the aesthetic discussion of "Chong Ling Sword Technique".

Seeing different worlds in the eyes is not the first time that a movie is expressed.

But in the impression of ordinary viewers, it is definitely the first time.

Because those literary films in the past were too obscure, I couldn't understand them at all, and no one wanted to watch them.

In the eyes of the director, Ning Yun is indeed the real first time.

Other films, including very niche literary films, express different worlds in the eyes of different people, and their starting point is the individual.

Most of the time it's crazy people, messy people.

Its world is necessarily obscure and incomprehensible.

Terrence Malick is the best, strictly speaking, the most popular.

But his expression is a personal philosophy, there is no contrast, only by understanding him, can you feel the camera and the picture.

Even so, those distorted shots make most people uncomfortable, and even unwilling to try.

And Ning Yun's expression is not based on the individual, but on culture.

The world he represents, without distortion or deformation, is full of rich details and the style and aesthetics of the culture itself.

The most wonderful and touching thing is that no matter what culture, what is wrapped in the shell must be shocking beauty.

Clear, simple, deep and easy to understand beauty.

Different people can see different levels, instead of having to be synchronized with the director to see what the director sees.

Therefore, for the first time in the history of cinema, people of different cultures see different worlds, and express them in easy-to-understand and shocking images.

The most ironic, the most ridiculous, and the most intriguing thing is that "Tales of the Night", which expresses all this, is a commercial film, a superhero movie that is of course the least worth remembering!

No wonder people who are not Ning Yun fans on the Internet later commented frankly, "Ning Yun is divine!" ”