Steel melts, space warps. Pen @ fun @ pavilion wWw. ｂｉｑUｇE。 ｉｎｆｏ

Everything on the battleship Yamato became Akane Fujisaki's weapon.

Spiky blades sliced through the air, forming a sonic boom and shooting at Serena.

Dodge, collide, use everything around her, in the realm of the self, Serena can use "Dao Yun" as a weapon.

Everything is the most subtle intuition, which is mathematical calculations.

But unlike Akane Fujisaki, Serena, who has her own realm, can't change too many physical rules.

The battle between the two, one is like magic, and the other is like a master who manipulates body skills to the limit.

The confrontation between the two humanistic and aesthetic ideas is unfolded on the screen in music, accompanied by exciting battles.

Not every viewer understands these.

Serena and Akane Fujisaki's hearts are easy to feel, and their thoughts and aesthetics are much more obscure.

In other words, most audiences, including many adult audiences, are unable to deeply understand the images and music at this moment, let alone agree with them.

But the battle between Serena and Akane Fujisaki, their movements, and the special effects of their battles are enough to stimulate the nerves of any viewer.

The display of pictures and music, even if they don't understand it, also opens the eyes of the audience.

This may be the first time that a director has shown the field in an action scene to the audience in a reasonable and moving picture form.

About spirituality, about aesthetics, and even about stream of consciousness, there are countless directors who have tried it in art films, conveying it to the audience with bizarre images.

You can add two people to fight in these screens, and you have never had it before.

Another thing that is easy for the audience to accept and make the directors feel ingenious is that Ning Yun's presentation of the artistic and spiritual world is mainly based on combat, supplemented by connotation and aesthetics.

The primary and secondary are clear, not only do you not like the color of the picture, the staggered conflict of ideas, but only look at the action scene itself, it is enough.

What makes the directors feel even more ingenious, and even impossible to learn, is that the two people in the battle are beautiful women.

Women, both in Western and Eastern cultures, represent beauty.

Whether it is the display of ideas or aesthetics, it is not easy for the audience to accept any man.

Even if you change to an actress who is not connotative enough, it may become pretentious and twisted posture if you are a little bit.

In Akane Fujisaki, the glitz she tries to show is the world, not the mentality.

In Serena, the serenity that she strives to express is understanding, not appearance.

The directors know very well that the road pioneered by Ning Yun is indeed a fusion of business and art.

The plot is implicit but not revealing, leading but not provoking, and the picture and lens are bolder and more challenging.

Profound people can have deep understanding, and people who just want to relax don't have to pay much attention.

In between, you can take sides.

But the road is extremely difficult, and may even be thankless.

Something similar, with only a little similarity, could be Blade Runner.

Graphically, Tales of the Night is more daring, but only in the special, special effects, and combat sections, and the rest of the parts still follow tradition.

In terms of plot, "Tales of the Night" wins too much than "Blade Runner", and there is no part of the main body that deviates from the framework of a superhero movie.

For any audience, there will be no dullness at all.

In terms of action scenes, it is even more than all action movies, superhero movies.

In this way, other directors and producers who want to imitate him can only despair.

……

The continuous explosions broke the field confrontation between the two, and Serena, who fell into the disadvantage, was once again saved by the battle from the outside world, and the Yamato was seriously injured.

The camera changes, and the battle outside the battleship Yamato has come to an end.

The Bloodline Maiden defeated the enemy again and again.

The exhausted wolf is unable to teleport, and is eventually captured or seriously injured by the Blood Maiden.

The sailors pounced on them one by one, but they were no match for the Blood Girl.

There are ship wolves, and although they have reduced the combat effectiveness of the battleship after being injured, the armor is still strengthened, and the sinking resistance of each battleship is still excellent.

The sea was full of seriously damaged Japanese warships, and not many were really sunk.

The attack continued until the sun set over the sea, and the U.S. fleet closed the distance, preparing to deliver the final blow with naval guns and annihilate the Japanese Combined Fleet.

On the battleship Yamato, the battle between Serena and Akane Fujisaki was also divided.

As the battleship Yamato was hit by bombs and torpedoes again and again, Akane Fujisaki's field became smaller and smaller until it dissipated.

Under the impact of Serena, he fell into a coma.

Once again, darkness covered the ocean.

The situation of the war was irretrievable, and the combined fleet ordered a retreat.

As long as most of the warships remain, strength will soon be restored.

The Blood Maidens on the battleship are a nuisance, but they are too few in number, and they can only surround them and control them within a certain range without attacking.

Whether they return to the port or concentrate their manpower, as long as there is no outside interference, they can be quickly subdued or eliminated.

However, before the battleship could turn around, the Blood Girls grabbed the captured seriously injured ship wolf, broke away from the encirclement of the sailors, and jumped off the battleship one after another and jumped into the sea.

Under the stunned gaze of the sailors, the blood girl and the ship's mother sank underwater.

Below the surface of the sea, a drop-shaped submarine beyond the design concept of World War II is quietly suspended.

Above the submarine is a strange hatch that can be deployed, similar to a submarine-launched ballistic missile submarine.

The Blood Maidens and the wolves they captured dive into the cabin one by one.

The outer hatch closes, the sea water drains, and the hatch connecting the interior of the submarine opens.

Most of the ship wolves, who were already unconscious, were dragged by the Blood Clan girls towards the interior of the submarine.

The wolves were thrown on the hospital beds, and the doctors and nurses of the blood clan immediately surrounded them to rescue them.

Serena was carrying Akane Fujisaki, and she was among them.

The figure of "Taiyi" appeared again, but his face was even paler.

Serena beckoned to take the blood bag and replenish it for the unconscious Akane Fujisaki.

The audience immediately understood that the blood that rescued the ship wolves was "Taiyi" again.

After the blood of "Taiyi" was infused, Akane Fujisaki's face returned to blood, and her convulsive body calmed down.

With the blood of "Taiyi", the ship wolves who were seriously injured and left the fusion battleship could also survive.

The other ship wolves are in the same situation as Akane Fujisaki, including Aina Ashida and Tani Hana, two Lori, who slowly shift to the camera.

The audience was relieved, they didn't see the blood girls abusing just now. Treat Lori, sure enough, there is a reason.

It's a pity, maybe the director of Xueba filmed it, but this part doesn't belong to PG13 anyway, so it can only be cut......

How can "Taiyi", who has lived longer than Serena and is not stupid, be just the founder of an animal protection organization.

The camera flashes back to Selena and "Taiyi" about the secret plan of this battle.