The Museum of the Ancient Garden was originally a municipal building, in the heart of the old town of Farr. Covering an area of 260,000 square meters, there are more than 90 buildings and more than 400 rooms, which is the most complete administrative building in the seven star fields second only to the Forbidden City of Sid. In terms of architectural art, it inherits the tradition of ancient human architecture, integrates the architectural art of the seven star fields, has high historical and artistic value, and is a key cultural relics protection unit in the Farr star field.

The Museum is not only a famous tourist attraction for its multi-ethnic administrative buildings, but also famous for its rich collection of cultural relics and treasures. Among them, the cultural relics of the ancient earth are particularly precious and can be called national treasures. The exhibition of cultural relics and treasures in the collection of the museum is the essence of the collection of clothing, enamelware, calligraphy and painting, carvings, lacquerware, porcelain and other categories in the collection of the Ancient Garden Museum. These cultural relics embody the superb craftsmanship of the working people of the ancient earth and the various royal art styles, and reflect the level of production technology in the ancient earth period. It has important ornamental value and research value.

Of course, in the Ancient Garden Museum, the cultural relics of the ancient earth are not the mainstream, but more modern cultural relics, including exhibitions of weapons and mecha for hundreds of years, and some models of spaceships, etc., which can be described as diverse and complex......

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The buildings of the Museum are not very tall, the tallest main building is no more than seven floors, and most of the other podiums are around the third floor.

The predecessor of the Museum was the Municipal Building, because the Municipal Building was relocated as a whole, some of the surrounding bustling streets were demolished, and the original 100,000 square meters of administrative building was changed to the Museum of the Ancient Garden, which was expanded to 260,000 square meters.

The event took place in the seven-storey main building, the highest standard building in the museum, and in addition to the extravagant decoration, some of the decorations are directly made of priceless cultural relics, which can be described as unique.

This event is called "let the child go home large-scale public welfare activities", of course, this is just a gimmick of a celebrity gathering, for them, the party is more important than public welfare, after all, this is a high-level charity event, come here to be either rich or expensive, participate in this kind of activity, it is of great help to the cause, and you can also meet a lot of celebrities.

The organizers naturally understood most of the thoughts, and after a brief introduction to the purpose of the event, they immediately carried out a charity sale to raise funds, for this kind of charity sale, some sanctimonious celebrities were naturally enthusiastic in front of the public, and soon, the organizer's task was completed, and the rest was the most important part of the event - free activities.

When the free activity begins, it is the beginning of Liu Fei's work, because the free activity is a cold reception, and the organizer must set up the museum into a multi-functional restaurant in a very short time.

The so-called buffet, also known as buffet, is a kind of non-prepared meal, and the guests take their own initiative to pick up the food, drinks and other things provided by the host, which is a flexible way to treat guests, especially suitable for entertaining a large number of guests.

One of the biggest benefits of the buffet is communication, in the buffet, there is no need to pay attention to the dignity of the guests and hosts, and there are no specific regulations and requirements in terms of dress, makeup, jewelry, and dining methods, which will help the guests to shorten the gap psychologically and break the shackles of hierarchy......

At the beginning of the charity sale, Liu Fei had already assembled with all the waiters, and the tableware and food needed for the buffet had been prepared, and when the charity sale was about to end, the chefs arranged it at a very fast speed, and the rest of the work was the waiter's business.

When Liu Fei approached the splendid hall, he was really a little cramped, he didn't like this kind of large-scale gathering.

"Don't get distracted, follow me first, don't show your stuff, the foreman is staring at us and pinching." Mo Chou held a plate of wine, pulled Liu Fei's shirt, and glared at the pony fiercely, signaling him not to steal the wine.

"Oh......"

Liu Fei had no choice but to follow behind Mo Chou and walk around the crowd, and from time to time someone would take the wine from his tray.

Because the area of the main building of this museum is extremely large, and it is open for three floors, there are a large number of people participating in the event, and soon, Liu Fei and Mochou Pony got lost, fortunately, Liu Fei has learned about the work of some waiters, which is nothing more than walking around the crowd with wine, or occasionally cleaning up the messy place, which is difficult for Liu Fei, who has a habit of cleanliness.

Slowly, the hall began to become quiet, and people formed countless small circles, talking in low voices, and the busy waiters were also idle.

It was only at this time that Liu Fei had time to pay attention to this luxuriously decorated building, and soon, not far from him, a stone tablet with its unsightly appearance attracted him, and the stone tablet was erected on the wall, the mottled inscription was a little incompatible with this magnificent hall, when Liu Fei approached this stone tablet, he was immediately attracted, this is completely an instinct, because Liu Fei is good at carving.

Root carving and stone carving are completely different things, but as the so-called is a universal connection, art itself has commonality, not to mention the same carving.

From its mottled and incomplete inscription, it can be known that the age of this stele is extremely old, however, Liu Fei has no study of ancient texts, and its number of words is very small, so it is impossible to know the specific age from its content, but this does not affect Liu Fei's appreciation of this stele, because what Liu Fei looks at is the line and knife technique, as well as its overall fit.

Just at a glance, Liu Fei was intoxicated, this stele thirteen characters, handsome and elegant, with the pen square circle to see each other, Shu disease is born, the lines are soft and peaceful, fluttering there is a kind of free and easy beyond the dust, there is no state of malaise and decadence.

This is Liu Fei's first contact with the inscription, between his mind, the feeling of thinking dances with the line, as if time is reincarnated, back to the ancient times, the stone chips fly under the carving knife, sweat flows under the scorching sun, and the stone tablet is given new life......

……

Liu Fei didn't know that he was wearing a waiter's uniform, standing motionless in front of the stone monument and looking out of place in the hall, which attracted the attention of some people, among them was a white-bearded old man, and the old man had a prominent name - Rodin!

Rodin is the most famous master carver in modern times, obsessed with the seven star fields, each of his works is priceless, many city squares, is placed in his works, has an extremely respected status in the art world.

In fact, Rodin didn't pay attention to a waiter, it was a chattering young man next to him who caught Liu Fei's attention.

"Master, art is not only being desecrated by some nouveau riche now, you see, every waiter has begun to be vassal." The young man next to Rodin showed a flirtatious and mocking expression on his face, as the youngest and most promising artist in Farstar, he naturally hoped to perform in front of a master like Rodin, hoping to gain the favor of the master.

Although Rodin hated the self-righteous young artist a little, as an elder, he still maintained the due courtesy and nodded frequently, but when the young man pointed the finger at the waiter, his brow suddenly furrowed.

"Art does not distinguish between people, nor does it distinguish between high and low." Rodin said lightly.

"Yes, but a lowly waiter like that can only serve dishes for the rest of his life......" The young man was so spirited that he didn't notice the gloom on Rodin's face.

"I don't think God is fair." Master Rodin struggled to restrain himself.

"Hehe, what the master said is extremely true, but I hate people who don't learn and don't know how to do it in my life, a waiter, who is actually elegant in front of the master, hateful and hateful, no matter what, out of sight is pure!" The young man made a generous gesture and beckoned to the foreman who was standing respectfully not far away.

"Hu Gongzi." The foreman hurriedly ran over, with a flattering smile on his face, he naturally knew the famous Hu Sangongzi, Hu Sangongzi was recognized as the youngest and most promising carving artist in Farxing, and his status could be imagined if he could talk to Master Rodin.

"Get that guy out of here, don't get in the way."

"Yes Yes ......"

"Slow!" Master Rodin called out to the foreman and said lightly: "Let's take a look first, if it is really vassal, it is not too late to drive out." ”