Nancy, the heroine of the original film, has very few lines, and relies more on expressions and body language, which is relatively suitable for the age of the character. Pen × fun × Pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

Now that Miss Roberts is much younger, she has arranged an extroverted personality, so she doesn't have to be as dull as the heroine of the original film, and has more lines, ridicule, self-deprecation, and complaining, which are all good.

Shoot a few different attempts, and then choose the right one according to the overall style when editing, which adds a lot of originality to the film.

Ning Yun prefers to see "Shark Beach" as the earth's version of "The Martian", which is simpler and humorous, and does not need to desperately scare the audience.

Ning Yun has also made a lot of changes on the camera, removing most of the thriller perspectives, so that the audience does not have psychological expectations and does not make the audience fearful.

Miss Roberts is on the wonderful side of her body, and the camera appears both greedy and extravagant, and every frame is as refreshing and inviting as possible.

This point is well done in the original film, such as the combination of shots of the beach dress, such as several postures on the reef, and the most surprising thing is the strong impact picture of the heroine rolling underwater after being attacked by a shark, which is a cruel, shocking, and extreme beauty.

This scene is Ning Yun's most admired innovation, which is rarely shown in similar films.

It's a pity that the original film lacks consistency as a whole and doesn't run throughout, and there are a few shots that make Blake Lively not look good.

It's not that I'm haggard after the injury, but that I chose the wrong angle.

To capture the ultimate beauty from the lens, the actor is excellent, and the director must have a peaceful heart and familiarity with the actor's body.

In this regard, Ning Yun has reached all the standards and is excellent, and the perfect body shaped by his own hands has been explored many times inside and out...... Who else is more familiar with it than yourself?

Ning Yun knew very well what kind of posture looked the most charming.

The crew is very small, and everyone has a chance to watch the effect after the shot.

Miss Roberts was pleasantly surprised, and the others were also impressed by Ning Yun's camera perspective.

I can't help but sigh, old driver!

It is not as deliberately emphasizing women's gender characteristics and soft seduction as in photos. Confused, but this dessert is carefully hidden under the natural, fresh and energetic, so that anyone who sees it is full of sunshine in their hearts, and they can't put it down and can't take their eyes off it.

Sexy and not pretentious, which is more acceptable to the media, critics and the general public.

It wasn't the route Miss Roberts wanted to take, but it was the better route, the harder route for most people.

As soon as the figure changed, everything was gone.

If you want to stay in shape, you have to train for a long and painful time every day.

And the real Miss Roberts, none of this is needed, just eat and drink to your heart's content every day, and serve someone well in bed.

Day by day more perfect and more refined!

The scenery and surfing shots that many people appreciate in the original film are actually not outstanding, common, and even slightly mediocre.

There are too many stunning shots of the same kind, and Ning Yun believes that he can do better.

Many people think that it is not difficult to make movies, and even more so after the popularization of mobile phone photography, I can also shoot beautiful landscapes.

The difficulty lies in the continuity, and the occasional beautiful film does not mean always, let alone the same style.

A whole movie, once there is an abrupt style, it will make the viewer very uncomfortable.

In other worlds, Ning Yun has done a lot of practice in this area to ensure that when he integrates his personal style, the whole can remain the same.

When it comes to surfing shots, Ning Yun decided to add a little innovation.

Surfing is a fascinating sport, and decades ago, shots from all angles were almost always photographed.

Outside the waves, inside the waves, in the sky, underwater, surfboard view, first view, all in unison.

A variety of fast- and slow-motion camera combinations, camera movements, and renovations, strive to show the chic beauty of surfers.

The shot that brings the greatest sensory stimulation to the audience is undoubtedly the sports perspective that follows the surfer, which best shows the bravery and vigor of the surfer to conquer the waves.

But there has never been a shot of following a surfer underwater, let alone a view inside the waves.

It's not that there is a problem with the director's imagination, but a purely technical problem.

The difference between the drag in the air and the drag in the sea is so great that it is almost impossible for the camera to follow the surfer in the water.

Ordinary surfers can reach speeds of 20-30 km/h, and high-speed surfers can even reach nearly 100 km/h.

Even with such equipment, it is very easy to pose a danger to the surfer, because it is basically the equivalent of a torpedo following, and the speed of the surfer changes all the time.

The progress of cinema has always been accompanied by the advancement of technology, or rather, the advancement of technology, which has promoted the expressiveness of cinema.

Overcoming this, Ning Yun's version of "Shark Beach", the audience will watch a set of peculiar shots in the theater.

From the side where the waves propulsion, through a layer of clear blue water, quietly and silently follow the beautiful posture in the waves.

Quiet and passionate, two impossible emotions, perfectly blended.

There's even more amazing to follow, following the perspective of a great white shark and attacking Miss Roberts from the waves.

It's as if you're a shark, ferocious, silent, and suddenly.

Unlike any thriller, it's a shock, not a scare.

The audience is mentally prepared, but they can't help but be shocked by the horror of the shark.

The fiercest beast of the sea, attacking the most beautiful girl in the waves.

Cruelty to unbridled beauty.

It's cold, it's passion, it's destruction, after watching this set of shots, many viewers can't say what they feel psychologically.

But every audience member remembers this scene deeply.

These fantastic, highly imaginative shots greatly increase the interest of watching the movie.

At the same time, it has also won praise from the media and film critics.

Only when you see this will the viewer know how different this film is from traditional thrillers.

Later, when the film was released, there were some interesting media comments.

Director Ning Yun wisely chose the best and most suitable actors, and tried to destroy her beauty again and again with various means, this wonderful way firmly grasped the audience's heart. It's a pity that this destruction didn't succeed once, Emma Roberts is beautiful to the end, and beauty can't stop. The audience was satisfied, and the box office was a big hit. ”

"In "Shark Beach", Emma Roberts's beauty is extreme, but also cruel, without a trace of incompleteness. This is exactly what makes it easy for the viewer to bring into the perspective of a shark. Maybe we don't realize that many people have a latent desire to destroy perfection deep down. Hope. The director satisfies this desire of the audience. looked at the surface, but did not satisfy the audience's desires. Look at the kernel. I suspect that it may be Miss Emma Roberts herself, who is convincing enough to make Director Ning Yun compromise. This makes the film appear more commercial than artistic. It's a pity, but I think the audience likes it. ”

(To be continued.) )