The directors know that Spider-Man's fighting posture, used on Serena, is a devastating blow to Serena's image. Pen, fun, and www.biquge.info

Serena takes advantage of unparalleled speed, unmatched agility, and graceful posture to walk on the floor at any point in the room.

The small room, under Serena's free footsteps, is equivalent to a six-fold expansion of the area, and there is no room to dodge at all.

There is no posture that is lying on the wall or curled up in a corner.

She even had a slight smile on her face.

This kind of elegant combat is something that the audience has never seen in a previous movie.

Compared with the ferocity and violence of the werewolf, Serena skillfully dodged the flying debris in the room, lightly dodged the impact of the werewolf and the swing of the two-handed heavy sword, and did not forget to shoot elegantly, which really shocked the audience to open their mouths wide and find it difficult to breathe.

In Western action movies, female superheroes or female agents still have the main way of fighting, and there are not many technical uses, not to mention Serena's elegant fighting style.

In Oriental martial arts films, when the chivalrous woman fights, her movements are softer, but they are still not elegant, and they lack freedom.

Serena's grace in the rain of bullets and the splash of debris was so easy that no one had ever reached the slightest.

This is a strong, fiercely reformed werewolf, and it didn't cause trouble for Serena.

The expression on her face was not at all hideous when a woman was fighting, and it didn't even look like she had worked so hard.

Lucian's "Spirit Rushing Sword Technique" during the competition showed more of Serena's beautiful side and showed the control of the two.

This battle with the werewolves was much more unscrupulous.

There is no deliberate restraint, nor does it give up mental stimulation for the sake of aesthetic pursuits.

But the elegant display is vivid, and the leisurely Serena is simply strolling through the garden, and will soon stop for a cup of afternoon tea.

If there is no comparison, Serena's performance can only be said to make the audience's heart move, with the performance of the werewolf's hard work, and the dangerous explosives in the air shooting around Serena, the audience is amazed by all kinds of incredible pictures.

It's a subversive action scene, an action scene that really plays out the superhuman, beyond human abilities.

The directors know that this is still Ning Yun's style, stimulating adrenaline through strong contrasts, without forgetting the aesthetic elaboration.

Some directors were amazed and wondered, how did this kind of scene come about?

Ning Yun's entire action shooting system does not have this ability.

Are they all special effects?

The cost is too high, right?

The point is that at the moment of battle, both werewolves and Serena are showing their superb acting skills.

The directors suspect that Ning Yun deliberately set up the plot and did not let the werewolves wear helmets and masks.

Whether it is Serena's elegance and calmness, or the ferocity and domineering of werewolves, they are fully displayed in their expressions.

This is a combination of action movies that have never existed in the action scenes of any superhero movie.

Because the directors know very well that in action scenes, 99% of them are stuntmen replacing actors, not acting, just doing actions.

The shots of the face showing the face are all moments of static posture.

When fighting, you can hardly see the star's face, let alone the acting skills.

In such an action scene shooting method, the acting and action conflict with each other and cannot be integrated.

And director Ning Yun actually combined the two.

It's just desperate, he hasn't done it when he "Chong Ling Sword Technique"?

No, it should have been done on purpose, and the surprise was in the back.

The directors know that it's not that no one wants to show different styles in action scenes, the key is that they can't do it.

The style of the action itself is indeed different, but most amateur viewers can't tell the difference and don't care.

Only with the acting skills of the actors, the distinguishing style can be obvious, leave an impression on the audience, and let the audience remember.

Or as it happens on the big screen right now, wow the audience!

In fact, there is also a deep pit that directors know that most audiences don't understand, which makes the action scenes and the actors not integrated.

Mainly, of course, actresses.

Almost all well-known actresses are different from their on-screen performances, and they are basically soft guys.

Not about character, but about relative combat.

They can easily understand that on the big screen, they bring the audience happiness, longing, love, pain, sadness, anger, despair, or women's tearing and calculation.

But almost no one can show the qualities of a qualified combatant, not a single female hero!

Including Scarlett Johansson, who is not a warrior, is essentially replaced by indifference and coldness.

The root of excellent acting lies in recognition and experience.

There is a lack of reference objects in human history, so how can actresses behave?

Female superheroes have a difficult birth, just like the choice of DC's Wonder Woman.

Gal Gadot's success is inseparable from her origins.

Born in Israel and raised in a small border town in Israel, she saw the war with her own eyes, and experienced the war herself, which is a wealth and experience that other Hollywood stars do not have.

Playing Wonder Woman, you can find something to learn from female soldiers, and it is very appropriate.

Without this understanding, Wonder Woman would lose a lot of color.

But Kate Beckinsale, who has never experienced war, and Kate Beckinsale, who is always making literary films, actually showed a female image from head to toe and danger in her bones on the big screen and in Ning Yun's movies, and took combat as her life.

All of Serena's performances made the audience clearly feel that she was extremely familiar with the battle, and even had a little enjoyment.

Except for the Bloods, who have never stopped fighting for hundreds of years, no human will ever behave like this.

This can no longer be described as courageous, and a graceful stroll in extreme danger is not the expression of a real garden walk.

If you remove everything except Serena, the audience can even figure out what state she is in.

When the audience only focuses on Serena, they can find her dangerous temperament that exudes all the time.

Just like the reaction of most viewers when they first saw the poster of "Tales of the Night".

Of course, unlike the poster, Selina in motion, Serena under the non-moonlight, hides the mystery, and the temperament of danger and elegance is intertwined.

Very few viewers who still have time to spare only now remember that at the beginning of "Tales of the Night", when capturing werewolves, Serena did not show charm at all, as if it was just her daily life.

When fighting Lucian, her beauty is the beauty of her swordsmanship, not her own beauty.

The danger is all restricted, so that Lucian will not see it, let alone let the audience perceive it.

And now Serena is really released.

A part of the audience with a special hobby almost felt that she was playing. Make a vicious and cruel werewolf.

Such a Serena is worthy of the title of Queen of the Night.