Before leaving the Dharma body, we first check the 'doors' and windows, and then meditate cross-legged together. 網] into a fixed state.

I was very skilled in 'provoking' out the Dharma Body, half-floating in the air, and saw a faint figure appear in front of Rong Min. This is the shadow of a 'girl' child, unable to see the facial features, the body is translucent, and the feet do not touch the ground. Floats barefoot in the air. If someone is seen at night. It's definitely scared to scream.

In fact, it is not too much to call the Dharma body that we 'provoked' a "ghost", because I have heard Xie Ling say before that this is a kind of spirit.

When we meditate on our 'physical' bodies and are unable to move, the next exploration is 'handed over' to the two Dharma bodies.

Rong Min's Dharma Body, looking closely, has a graceful figure and capable behavior. It's a little similar to her own figure.,It's still vaguely wearing clothes.。 Although the color and specific style of the clothes cannot be seen, it can be inferred from the folds of the clothes at the edges of the body that the Dharma body is wearing an ancient 'Bo' costume, which does not resemble the appearance of the Central Plains.

Rong Min's previous life was pushed into the furnace and burned, and his soul condensed with a scimitar. Now that she has been reincarnated, what is her relationship with the soul in the scimitar? It's unspeakable.

Rong Min's Dharma Body pointed in the direction of the dark 'door', and then flew through the air, suspended in the air, and walked over step by step. I used my consciousness to drive my Dharma Body to follow behind.

We came to the mechanism on the wall, and together we slowly entered the dark 'door'.

It was dark in front of us, and we came in. It's a very strange situation now, we don't have to 'communicate' verbally, but we know what each other is thinking. Rong Min pointed above the darkness. It dawned on me that she meant to let me follow.

We 'groped' our way up in the dark, and as we walked, I realized that the space was gradually taking shape. It resembles an old two-story building in Japan, with a narrow staircase that leads to the second floor, and there was no light around it, but the scene in front of you gradually became clearer, and it was impossible to tell where the light came from.

I've envisioned this space a lot, but I really didn't expect it to be like this.

The stairs are particularly steep and the corridors are narrow and 'pressing', which makes people very uncomfortable, especially like the home scenes commonly used in Japanese horror movies.

We came to the second floor, which was very simple, with only two rooms, one with an open 'door'. It was empty. There is also a tightly closed pull 'door', the 'door' is 'covered' with oilcloth paper, and the dark yellow 'colored' 'door' surface is depicted with some patterns. It is green mountains and green waters, ancient buildings, delicate lines and expressive, and the style of painting is very similar to the style of Japanese ukiyo-e.

I was stunned, and I couldn't imagine how China's ancient divine beasts and Japan's Oriental had a relationship again.

Through the translucent 'door' paper, you can see that there is a faint fire burning inside, not like the light of an electric lamp, but a natural light from the burning. In the dim light, there was the back of a man in the 'door', who was kneeling on the ground, facing inside, not knowing what he was doing.

At this time, it was very quiet and silent, Rong Min and I were not 'physical' bodies, but spirits out of the body, and when we came to this inexplicable place, we couldn't describe the treacherousness in it.

Rong Min made a gesture that she was going to open the 'door'.

She put her hand on the 'door', pulled it gently, and the 'door' was unlocked, and it opened in response. As the 'door' opened, music came out of it. At this time, I was a Dharmakaya spirit body, and I couldn't listen to it with my ears, so I naturally felt the music.

I was suspicious, and suddenly I was conquered by this sudden music. The melody is very similar to the Chinese folk music "Wangxiang", I don't know what instrument is played, at least I have never heard of it. The sound it makes, there is a kind of indescribable faint charm, like the wind blowing in the green forest, and like the wind blowing the pure water, coupled with the slightly sad melody of looking at the hometown, listening to my heart and blood, tears almost fell, as if I was a young and left home 'prodigal', experienced ups and downs 'waves' twists and turns, how difficult life is, the most memorable thing is to sit in the sunset, reminiscing about the hometown of childhood.

Rong Min's Dharma Body waved his hand in front of me, and I came back to my senses and felt a little embarrassed.

Rong Min pointed inside, and we walked in together. The room is not large, it looks like a Buddhist hall, and near the inner wall is an ancient shrine, on which there is no Buddha or god, but a rough canvas is hung. This canvas looks like the skin of some animal has been peeled off, and a circular pattern is drawn on it.

When I saw this picture, I immediately remembered that Rong Min had described to me the mysterious pattern on Song Kan's back.

She was right, this perfectly circular pattern, with its intricate structure and lines, did at first glance look like the sun full of suns and flares. This pattern, at first glance, makes people have a kind of religious imagery in it, and it is likely to be a symbol of faith.

In the lower right corner of this canvas, there are two lines of small characters written vertically, which are very beautiful, as thin as mosquitoes and flies, and are actually traditional characters. The line on the right is "Taiqin tattoo", and the line on the left is "chanting the Buddha's words".

What caught our eye the most was a 'woman' kneeling in front of the shrine. She was naked, kneeling on the ground, wearing her hair in a bun, hanging her head, and her whole body was smeared with a special white 'color' pigment, a bit like the dancing girl in Japanese Noh theater.

The man was motionless and looked extremely strange. Until now, I am still like a dream, and everything that appears is extremely contrary to common sense, beyond cognition, like a dream.

Rong Min pointed to the top of the man's head and motioned for me to look. My Dharma body floated over gently, and I was stunned when I saw it, the top of this 'woman' skull was actually shattered into a big 'hole', and when I saw it, the head was black, and it seemed that I couldn't see the brain, and everything inside was taken away.

Rong Min walked around in front of the 'woman', squatted down, and gently lifted her face with her hands.

Rong Min's gaze was suddenly stunned, as if he had seen something unimaginable.

I hurried around to the front, and the 'woman' in front of me had a thick white 'color' foundation on her face, and she looked like a dead person, but she was full of life. How to describe it, it's like this person was made into a specimen raw, and the means of making zuò are extremely clever, even if it is a specimen, it is also lifelike.

Rong Min looked at her, her eyes widened, she gestured with her hand at me, I received her thoughts, she was telling me who this person is.

When I learned the identity of this 'woman', I was stunned and didn't come back to my senses for a long time. The message that Rong Min's Dharma Body conveyed to me was that this 'female' person was the missing mother of the lewd man Wang Yongfu.

Rong Min once saw a photo of his mother at the community property, so he had an impression.

Why did Wang Yongfu's mother appear in this weird place? It's counterintuitive. Fork induction bar.

Wang Yongfu can judge that he is a person who belongs to the same category as Yao Guochen, and it is very likely that he is also an ancient divine beast.

Since Yao Guochen can destroy his family, it is not impossible for Wang Yongfu to deal with his mother.

This 'woman' is not pretty, about 50 years old, with wrinkles and crow's feet on her face, and she is in her early sixties at one meter tall, and she looks like an ordinary Chinese housewife. Now it's been made into a weird specimen, the head is empty, and the contents are 'pumped' out.

This feeling makes people both frightened and angry, and their hearts are blocked and panicked, which is very uncomfortable.

Why is this happening?

I was so angry that I walked up to the shrine and tore off the canvas that hung on it. When I held this thing in my hand, I immediately felt that something was wrong, and I looked at it with my Dharma body and understood what was wrong. Damn, it turns out that this canvas is a human skin!

The pattern on it is tattooed on this piece of human skin.

As soon as I was frightened, my hands trembled, and the human skin canvas fell to the ground, and the round pattern tattooed on it looked extremely evil at this time.

At this moment, suddenly there was a knock on the big 'door' outside. Rong Min glanced at me and passed his eyes: "Go back!" ”

As soon as our minds moved, we immediately escaped from this dark space and returned to our original body. I breathed a long sigh of relief, almost slumping on the ground, and Rong Min slowly opened his eyes. This unique experience, if you don't come to it yourself, it's hard to realize the realm and place.

We heard a banging on the door outside.

Rong Min pointed to the big 'door' with her fingers, signaling me not to speak, she raised her 'legs' and landed lightly, tiptoed to the 'door', squinted at the 'door' mirror from a certain angle, and secretly longed to peep.

I cautiously came to her side. Rong Min let me see.

I looked over and there was a man standing outside the 'door', dressed in ordinary clothes, about forty years old, with sparse hair, knocking respectfully on the 'door'.

For some reason, I subconsciously felt that this was not Chinese.

This man looks very normal and ordinary, but he has a very strange temperament, which makes people feel very terrible, and I feel 'hairy' and 'hairy' in my heart.

He knocked on the 'door' for a while, and saw that no one answered, and there was a 'confused' and 'confused' 'color' on his face, but he didn't dare to make the next move, so he turned around and left.

As soon as the man left, Rong Min reacted quickly, and immediately walked through the room, came to the window, and peeked out.

I also walked over and watched with her. After a short time, a person came down from the corridor, and it was the one who knocked on the 'door' just now. He came to a street in Japan and Korea, walked along the street, and then entered a Japanese-style shop, pù.

Two red lanterns hang under the eaves, a half-cut curtain depicting ukiyo-e drawings is hung on the big door, and a wooden plaque is hung on the lintel, deliberately made into an ancient 'color', with the name of the shop pù written from right to left: Taiqin Tattoo.

I raised my eyebrows, isn't this the name on that human skin tattoo? I whispered, "What's going on here?" ”

Rong Min's eyes were a little 'confused': "Taiqin, it is a place in Kyoto, Japan. Kyoto is a place of ancient charm and Japanese history. Taiqin tattoos may be a family of tattoos in Kyoto. Japanese tattoos, famous all over the world, how could they be mixed with ancient mythical beasts. ”

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