Chapter 18: Opening the Door to the Grave

Before the fat brother squatted completely, Jiang Rou couldn't wait to ride on the fat brother's neck, acting quickly and agilely, and his skills were very athletic.

A few of us hurriedly surrounded him, firstly, to support the fat brother who was tired enough, mainly to protect Jiang Rou, for fear that she would fall down if she had a little mistake.

Now Jiang Rou is our savior, if she doesn't sit down and slides down, falls and forgets the method, we will commit suicide collectively.

Jiang Li also came with us to help the fat brother and said to the fat brother: "Be careful, don't worry." ”

The fat brother thought that Jiang Li was caring about him, and tried to squeeze out a smile and said, "It's okay, your sister is much lighter than Zhanxiao, and I knew that I shouldn't have let him go up in the first place." ”

I patted the fat brother and said, "If you slow down, you will slow down, if you drop Jiang Rou, we won't spare you." ”

The height of that hole seems to be designed for Jiang Rou, riding on the fat brother's neck, the height of Jiang Rou's mouth and nose is exactly the same as the height of the candle hole.

We collectively held our breath and watched with a blank eye as Jiang Rou would take out the candle.

At this time, my curiosity is more, without any tools, if Jiang Rou can get the candle out, I will offer her idol at home in the future, burn incense in the morning and evening, and bow three times and nine times.

Jiang Rou looked around at the expectant crowd, took a few big breaths, and adjusted her state.

I thought that Jiang Rou would use some secret arts, charms and other methods, but I didn't expect her hands to still hang down on both sides, but she put her face against the wall and used her face to block the hole where the candle was inserted.

My mind was even more confused, and I really couldn't guess what Jiang Rou was going to do.

Then an amazing scene appeared, I saw Jiang Rou firmly sucking the bottom of the candle with her mouth, and the half-yellow candle was brought out of the hole little by little.

When the end of the candle came out, Jiang Rou opened her mouth again, bit it lightly with her teeth, and finally pulled out the whole candle, riding on the fat brother's neck, holding the candle in her hand, and smiling proudly at everyone.

Although my heart was about to jump out of my throat during the whole process, this method that Jiang Rou had figured out really made me chill.

In fact, the principle of this method is very simple, that is, to suck it out with the mouth, and the Magdeburg hemisphere is really yΓ n that junior high school students understand, and in detail, it is the actual effect of atmospheric pressure. But the whole process from thinking to planning to completion can be called difficult.

I don't know whether I should praise her for being extremely smart, or whether I should scold myself for being a pig, but in the end, I can only define that her brain development is a bit different.

The fat brother raised his head vigorously, but he couldn't see the candle in Jiang Rou's hand, and asked anxiously, "How is it?" Did you take it out? ”

Jiang Rou took the candle again and shook it in front of the fat brother's eyes.

I hurriedly said, "Auntie, be careful, if you break the candle again, we will lose all our efforts." ”

Jiang Rou took one look at me, then took out the lighter from her pocket, relit the candle, and prepared to stuff it into the hole.

I strongly asked me to perform the last step, and because I didn't resist the fat brother's angry eyes, I could only watch Jiang Rou complete the whole process.

Sure enough, it worked, and the mechanism in the wall began to make a sound again, and the bronze man, who had turned half of the way before, continued to rotate slowly.

The fat brother put Jiang Rou down and asked, "How did you take out the candle?" I didn't even see it. ”

Jiang Rou only smiled.

I happily explained to the fat brother that Jiang Rou sucked the candle out with her mouth.

The fat brother glanced at me and said, "Don't you say that she is still young and naΓ―ve?" If she can come up with this way, I think she has a life. As a result, Jiang Rou slapped him three times on the back.

I was relieved, smiling, staring intently at the little man who was spinning, always feeling that it was spinning too slowly, and I couldn't wait to see what would happen after the turn.

In fact, it didn't take long, that is, a minute's work, for the bronze statue to complete the remaining forty-five degrees of rotation, from the stone wall with its back to one side, to the direction it walked in with its back to us.

And on the wall next to the bronze statue, there was a doorway, which I had seen before, and a section of the wall sank straight into the ground, and in the middle of the top of the door, was the hole where we inserted the candle.

Now this ugly little bronze man is like a welcoming doorman, standing by the door and inviting us in.

Since the door was a bit loud when it appeared, we all retreated to the center of the corridor to protect ourselves, keeping a distance from the doorway.

It is precisely because we retreated far away that we saw very clearly when the scene inside the doorway appeared.

Inside was a stone chamber, and on the opposite wall, there was a doorway, and inside that doorway was so dark that nothing could be seen.

In the stone room, there are several bronze statues, all standing on one side, about a meter apart between the two sides, and the bronze statues outside the stone room stand in a row.

We couldn't wait to walk in, the door that was so easy to open, and no one thought much about it at the time, just wanted to go through the next door and see what else was inside?

Walking and looking along the way, we found that the bronze figures in this row are the same size and look similar, but the movements are different.

They have different shapes, especially the right arm of each villain, although it grows from the shoulder blade, but the angle of the curved posture is different, but the plates in the hands of these villains finally return to the same height, each holding a lit candle.

If the candle of the first villain is not taken down by us, then the flames of all the candles will also be connected into a line.

There are eight small bronze figures inside, plus the one outside the door is a total of nine, which may also mean that ninety-nine is one, no matter which dynasty or generation, whether it is in the middle or outside, the meaning of the number is probably universal, and even the builders here follow this law, and make nine statues of little ghosts.

These little bronze figures have nothing to look at, they don't look likeable, and the smile on their faces always makes us feel like we have been tricked, and I still haunt the candle.

Without much delay, everyone walked into the next doorway, the reason why it was dark inside was probably that the outside was too bright by candles, and it took us two minutes to get used to the scene inside the doorway.

The entrance of the door is an oblique downward slope, the slope is not long, about two meters, the slope is not very large, and the height difference between the inside and outside is about one foot.

Inside is a burial chamber with a large sarcophagus coffin, placed on a platform a little larger than the top area of the coffin, forming a layer of stone steps around the coffin.

Facing us was the end of the coffin, with a cup placed on the stone steps below.

This cup has to be said, in stark contrast to the whole burial chamber.

There are no funerary goods in the tomb, there are no murals on the walls, there are no porcelain vases, clay pots and other furnishings on the ground, and even the coffin is made of ordinary stone, no patterns, no patterns, and the traces left by the axe are still clearly visible.

There wasn't even an epitaph in the whole burial chamber, but there was one such cup.

The cup is an octagonal goblet with a golden body, but it is not a gold cup, because when you look inside from the mouth of the cup, it is silver, and I conclude that it is a silver cup with a gold skin.

On the outside of the eight-sided cups and bowls, each inlaid with a ruby, the gemstone is very beautifully polished, the size of a quail egg, if it is genuine, each one is worth a fortune.

The leg of the cup is carved with a pattern, which is connected to the round base below.

The base is also inlaid with more than a dozen large and small gemstones, arranged irregularly, and the colors are also very mixed, black, blue, red, yellow, and green.

We squatted on the ground, all around the cup, and the fat brother didn't directly take it for himself.

I asked Yanqiu, "What kind of cup is this?" What is it for? Looks like a baby. ”

Yan Qiu said: "The authenticity of the above materials still needs to be identified, but from the perspective of age, it is probably around the twelfth century, which is also a good thing, and the condition is also good, like ancient European cultural relics." ”

The fat brother smiled and said, "It must be genuine, otherwise it will be put in the grave to deceive the ghost?" Does this thing have a name? ”

Yan Qiu thought for a while and said: "The names are all based on the characteristics of the utensils, this cup has eight big gems and ten small gems, it should be called the eighteen treasure treasure gold tall leg eight-sided silver cup." ”