"The so-called law of homicide is a point of contact that I have found after countless autopsies. Different occupations or habits can cause corpses to die in very different ways. Ogata looked at Kogoro Mori, who was not very convinced, and said slowly.

Mori Kogoro glanced at Shioji, who was a chef, and asked Ogata, "So what should this Shoji look like if he kills someone?" ”

Ogata smiled slightly, and it seemed that his words had aroused the uncle's curiosity, and he took out the pen in his jacket pocket and said to everyone, "If this is a sharp blade, then as a chef's habit, I will definitely choose to cut into it from the top down." Because Mr. Shimiji, who often touches food with a knife, can tear through the fat layer accurately and without destroying the flesh of the wound. This is the law of murder that can be captured from corpses. ”

"You have a point." Shiji supported his chin with his hand, and after hearing Ogata's inference, he nodded in agreement.

Ogata then gestured with the pen in his hand to Izumizo's corpse, and as everyone was filled with imagination, his voice continued to analyze calmly: "The wound here is very low, and the navel is the most difficult place in the human body to be used as an angle for piercing. Obviously, the murderer deliberately lowered the height of the arm when he waved, and judging from the grinding degree of the incision, it was a parallel angle that pierced the corpse, which was not Mr. Shiji's habit. In addition, the location of the navel is the place where the body fat accumulates, so it is impossible for the chef to choose a place with more fat and less lean meat. ”

Hearing this, everyone didn't think it was funny, and it was a little disgusting. Because the flesh was a corpse, not a delicious dish.

"The wound was low and off the mark, but the depth of the penetration was fatal. It can only be stated that the murderer's law of murder is locked on this particular point. Ogata's inference had reached its most appetizing, and everyone listened intently, because such an autopsy report had already moved them.

As a forensic doctor, eloquence is very important, because your narration ability frames the whole case and explains every detail. So Ogata will pause at the right time and accentuate the tone at the right time.

“o.618！” Ogata suddenly raised his head and looked at the young man who was the most hidden in the crowd, keeping his composure.

For a moment, everyone didn't react, but looked confused, only Mariko and Ichiro behind her husband trembled, looking at Ogata with some horror, those eyes were full of panic.

Mariko seemed to notice her son's abnormality, and her heart jumped: "Ichiro, what's wrong?" ”

"Nothing, nothing!" Ichiro was sweating profusely, and he strongly supported himself not to show any clues in front of everyone.

Mori Kogoro didn't care so much, and couldn't wait to ask, "What does that O.618 refer to?" ”

"I'll have to ask Ichiro about that." Ogata replied lightly.

Finally, everyone came back to their senses, and everyone, including Mori Kogoro, looked at Ichiro who couldn't help but tremble.

"Don't doubt my son, he didn't do it!" Mariko's eyes were angry, and she stood in front of her son.

Ogata knew that Ichiro would not answer such a question as himself, so he explained unhurriedly, "O.618 is the law of homicide in this homicide, or the scope theory of locking a person. ”

"People who are good at art, or who are good at sketching techniques, have a mastery of the golden ratio and the golden ratio. The so-called O.618 is not just a number, it is a formula for perfecting aesthetics. Am I right? Ichiro"

Ogata had already pointed the murderer directly at Ichiro, who was being stared at by everyone, and he was so nervous that he couldn't speak.

"I have studied sketches cursoly, so I know that the golden ratio refers to a certain mathematical proportional relationship between the parts of a thing, that is, the whole is divided into two, and the ratio of the larger part to the smaller part is equal to the ratio of the whole to the larger part, and the ratio is 1:o.618 or 1.618:1, that is, the long section is the o.618 of the whole paragraph. O.618 is recognized as the most aesthetically significant proportional figure. ”

Hearing such a statement, Maori Kogoro seemed to be suddenly: "Could it be that the position of the navel chosen by the murderer is the so-called golden section point?" ”

Pointing to the location of the wound, Ogata further deduces: "The so-called golden point in aesthetics refers to a line segment, and the ratio of the short segment to the long segment is the dividing point of o.618 or approximate value. The human body has many golden ratios, and it is one of the foundations of human beauty. The umbilical cord is the golden point in terms of the overall structure of the human body, and the ratio above the umbilicus to below the umbilicus is o.618:1. ”

"So we saw that the deceased's navel was pierced by a knife that happened to be stuck on the golden section, judging by what I just said, it was out of the law of murder of an art professional."

Kogoro Mori looked at the wound at the navel of his abdomen in surprise, and Conan, who was standing in the corner listening to Ogata's inference, was shocked, and once again drew a conclusion from the man's mouth that made his scalp feel numb.

Ogata slowly took off his white gloves, breathing in the fresh air behind his hands, as if exuding a trace of coolness, he stared at Ichiro in the crowd with ugly faces and eyes that did not dare to look directly: "Everyone has their own paranoia, and often the paranoia of art practitioners is easier to express on corpses." ”

"No, it wasn't our Ichiro who did it, do you have proof? Maybe it's just a coincidence! Mariko yelled excitedly at Ogata, who, as Ichiro's mother, now regretted letting Ogata make an autopsy report in front of so many people.

Ogata took out Conan from his pocket and handed it to him, protected it with a paper towel, and even the crumbs of bread with blood sticking to it, and said clearly to everyone, "Bread has a purpose besides being eaten. ”

"In sketches, breadcrumbs are used as erasers to lighten the lead marks on the paper in order to embellish them. And there are some wood chips mixed in the bread crumbs, which should be the same kind of wood chips left on Ichiro's cuffs. ”

The evidence, which underpins the whole structure of the inference, Ogata's words are loud and clear, and he puts away the breadcrumbs: "I study the sketch a little, and I need to know the brightest and darkest places before painting"

"And your conscience is covered with shadows and loses the beauty of humanity."

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