Chapter 43: The Key to the Past Life
The old lady in the portrait is the patriarch of the whole family, sitting in the middle position, don't look at her dying, thin and shriveled...... More:. Mobile phone txt novel / But she has a very strange and strong aura, attracting people's eyes, stuck to her and unable to leave.
Another thing that caught my attention was the 'woman' standing behind the old lady, and the reason why I was attracted was that the 'woman' was very fair-skinned and dressed in a bright red 'color' dress. Her white 'color' face 'color' is in stark contrast to the red clothes on her body, and her facial features are very 'fine', and her temperament is like 'jade', which is particularly good-looking. Maybe her face was too pale, and there was a tiredness in her eyes, which made people feel a little uncomfortable.
Erlong took out his mobile phone and took a few photos of this portrait.
"Where did Lu Ling copy this painting?" I asked.
"Copy?!" The art teacher waved his hand: "No, no, this is drawn by Lu Ling himself." â
"Impossible." I said, "She's a sophomore in junior high school. How is it possible to paint such a plump and vivid painting. â
"I don't know." The art teacher said: "When Lu Ling was painting, I watched from the side, and she did it independently, and there was no template to copy. Maybe she saw such a painting somewhere, remembered it vividly, and then painted it from memory. â
Erlong asked, "When did she start painting?" "Giant every Asian talent.
"Speaking of which, it's interesting." The art teacher said: "When Lu Ling was just in the second year of junior high school, his painting style suddenly changed. I have a few of her previous works here. Look at it. â
The art teacher turned on the computer, pulled up a text folder, and opened the picture.
"Some of the students' works I photograph and collect them in electronic files, so that I can easily compare their progress in painting." The art teacher said seriously. I have to admit it. This is a good teacher who is responsible.
He opened a picture, which was the work of Lu Ling in his first year of junior high school. I looked at it and nodded, this is what a child should paint, some skills, but the skills are still immature, the use of color 'color' is bold and a little clumsy, and the painting style is fresh and simple.
On the other hand, Lu Ling's family photo, whether she copied it or not. The style of painting is very 'adult' and humane, revealing scheming and vicissitudes, which I don't like very much.
It can be said that Lu Ling's painting style in the two periods has undergone great changes, and it is completely impossible to see that it was written by the same person.
"See?" The art teacher said, "It's two styles entirely. â
"Is this the case more common in painting? A sudden change in style. I said.
The art teacher pushed the glasses: "Painting, like other art 'categories', pays attention to talent and acquired perception. I use a Buddhist term, it's called epiphany. Many people don't seem to have any talent for painting, and the things they draw don't have any special 'color', but because one day or they encounter something, they suddenly have an epiphany, understand what painting is all about, and the things they draw are very amazing. I've heard other teachers say that some students are still confused before the holidays. I can't learn anything, but as soon as I come back from the holidays and start school, the whole person will change, I can learn everything very quickly, and my grades will improve dramatically, which may also be a kind of epiphany in learning. â
"I understand this." I said, "But Lu Ling's epiphany was a bit terrifying, and he was completely different. â
The art teacher shook his head: "It is not impossible for me to 'touch' Lu Ling and probably encounter something, or something that stabbed her and made her change her perspective on the world and understand painting skills more deeply." â
"Teacher," Erlong said, "is there such a situation?" Lu Ling suddenly saw a painting, a masterpiece, which made her suddenly enlightened. â
"It's too likely." The art teacher said: "It's like a piano student suddenly hearing a world-famous song, and the writer sees a shocking novel, and the classics in the same field are not only touching in technique, but also very helpful in spiritual enlightenment." The example of the Lu Ling change, I think it is very likely to happen. â
I know what Erlong means, Erlong is saying that Lu Ling probably saw Fan Xiong's painting, and suddenly understood, so he opened his mind and opened the big 'door' of the painting temple.
I said, "Teacher, I have something to ask you, and if you think it's nonsense, just laugh and pass, when I don't say it." â
The art teacher was very fond of chatting with us, and he said very seriously, "You say." In terms of technology, there is no joke or no joke. â
"Is there a possibility," I coughed, "there is such a painting, and everyone feels different when they see this painting." You see this painting as one content, and I see this painting as another content. â
The art teacher laughed: "So what you said is this, it's too likely." For example, in the same three-dimensional painting, some people have poor stereoscopic perception, and what they see is only a series of repeated patterns? Some people have a strong three-dimensional perception, and they can see three-dimensional mountains or the sea at a glance. For example, there is a figure called the Neker cube, which is made up of twelve black 'colored' straight lines, and at first glance it looks like a frontal three-dimensional cube, but if you stare at it for a while, the cube flips over, as if the viewing angle has changed. The same shape, the same picture, different people see different things due to different perceptions. However, there is something very strange about this kind of painting. â
"What?" I listened with relish.
The art teacher said: "This kind of painting, there can only be one interpretation at a certain moment, and it is not a strange 'mix' of the two. â
"How?" I asked.
"Let's take the Neke cube as an example, this moment you see that the cube is frontal, and the next moment you see that the cube is flipped, but it is impossible for the cube you see at this moment to be both frontal and flipped."
"At one moment, in the eyes of the observer, there will only be one certainty." Erlong said.
"Yes." The art teacher said, "It's amazing, isn't it?" This content is broad, and it is called visual psychology. There is an interesting definition of visual psychology called 'seeing is believing'. Seeing is believing is meant to be that when you see something, you believe that it does exist in zĂ i, while visual psychology further deduces that what you see is not necessarily what you see is actually in zĂ i, but rather that your brain thinks it is in zĂ i. â
Erlong said: "I seem to have heard similar theories. â
"What we see is not the original picture in our minds," the art teacher said, "but after a procedure, the brain has to reconstruct the image?" Combination? Cutting and a series of treatments. â
What he said made me think deeply, and I seemed to have a deeper understanding of Fan Xiong's painting that allows people to see their fate.
Fan Xiong's painting is likely to 'stimulate' a function in the brain, which is like a switch, and when turned on, you can see the cause and effect that happened to you, including things that happened to you in previous lives or even several lifetimes.
I always feel that people, no matter how reincarnation, are animals in the previous life and human in the next life, and there must be a connection between this life and the previous life and the next life.
No matter how you change, you're still you. It's like you're three years old, and you're still you at eighty. This kind of information about the connection is not yet available to us humans with current technology, but it certainly preserves a corner of the zĂ i gene.
What is a person's gene, in fact, is a carrier of information, and what is information, in a narrow sense, is memory.
Fan Xiong's painting is a key to open up memory. Not only can you see this life, but also let you see the past life! Lu Ling accidentally saw this painting, which opened up memories of her past life, so ......
I have already deduced from this weird family portrait in front of me, and it is likely that the painting is Lu Ling's previous life.
Lu Dagang said that Lu Ling was constantly tortured to death and resurrected, and what she did was to repay the karmic debts of her previous life.
The secret of her life is probably hidden in this painting.
We quit from school, and on the way, I told Erlong what I thought, and Erlong was convinced: "Brother Luo, you really have you." â
"The first problem now is to find out the background of this family portrait." I say.
Actually, there is an idea I didn't say, if the ritual of the Soul Sealing Spell is useful, it can really resurrect Lu Ling. So Lu Ling, who came back to life, her destination must be where her past life was.
As long as you find the place where the family portrait took place, you may be able to find her.
Erlong said: "Brother Luo, do you think that the person in this family portrait really existed in this world?" If we can't investigate it, maybe it's the fantasy painting drawn by Lu Ling's 'spirit' split? â
I was a little tired: "Let's look for it." I have a hunch that we can find Lu Ling. â
The search for clues is still 'handed' to the police, and we will pass the pictures directly to Officer Liao. He is a criminal policeman, what a criminal police does, is to solve the case, the resources are vast, they work hard to check a thing, we can't catch up on horseback.
Three days later, Officer Liao called: "Xiao Luo, I found out, there is indeed such a family." "Mobile ^ machine ^ user login m. better reading mode.
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