Starting from his debut novel [Silver Assassin] for self-entertainment, it is the first time that I have been writing an online article for so long, and it is the first time that it has been officially put on the shelves.

This [God of Fighting] is written in the style that you may also see - this is a strange novel that brings together a large number of SF elements, exaggerated comic-style martial arts, various classic sci-fi and fantasy settings, and then seasoned with nostalgic elements.

As small as a summer encounter between a boy and a girl, as big as countless cosmic civilizations hundreds of millions of light-years away. A story that is intertwined and gradually moving forward.

There will be warmth and tenderness, there will be cruel and fierce fighting, and there will be vast magnificence, because this is a fantasy world that is as complete and interesting as possible.

This is a place where there are exaggerated and noisy fighters on Earth like Blade Fang, Boys' School, and Dragon and Snake Romance, and there are powerful organizations like S.H.I.E.L.D. and Hydra in the government and the relative dark world. Beyond the sky, there are countless noisy alien civilizations and cosmic legends, such as Warhammer 40K-style predators, Orion defenses, Mass Effect-style interstellar wars, and even Cthulhu mythos-style alien gods.

It's a patchwork Frankenstein with both scientific elements and unscientific oddities.

But I'm sure that this kind of whimsy, as well as a brain-opening style, should be liked by people - because I like it myself!

I believe that an author must first like the birth of his pen before he can convey what he thinks to his readers. Whether it's whimsical, emotional, or moving, every one of my books is dedicated to this goal. And this book is different from the Infinite Heroic Soul and the Pity Star that is the starting point of the essay. It's a book that really tries its best and is the most fully conceived.

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