PS: "Tai Chi Young Heroes" Gu Xiaolong played the Shaolin Eighteen Arhats together, against the Shaolin Eighteen Arhats, and promoted the Shaolin Eighteen Arhats Formation to the first formation of the Blue Planet today. Ask for clicks, ask for tips, ask for subscriptions, ask for monthly passes!

Chapter 73 vs. Shaolin III

Gu Xiaolong stood quietly in the Eighteen Arhat Formation, his heart like water, waiting for a stormy attack. Finally, the long-awaited Arhat Array began to activate. First one person attack, four people defend, don't underestimate this person's attack, the key is that this person's attack is equivalent to the distance of at least three people attacking at the same time, that is, the attacker is the tip of the other four's attack. Compared to Gu Xiaolong, this kind of attack can be easily avoided, and after a round of attacks, Gu Xiaolong didn't even move his feet, just using the wind to swing the willow's body, and he dissolved round after round of attacks.

Then the two people attack at the same time, three people defend and support, don't simply look at this kind of defense and support, in fact, this defense and support can be converted into an attack at any time, and it is also the first two attackers' force doubling hands, once the first two attackers succeed, the next three will all double the amount of force to the attacker, and the attacker will bear the amount of one plus three strikes, looking at our blue planet, I'm afraid no one has been able to withstand such a heavy blow so far.

Gu Xiaolong wanted this effect, after the opponent attacked many moves in a row, when the attack power rose to the extreme, he actually gave birth to his right hand, and he received the opponent's punch rawly. In the terminology of the martial arts world of country C, this punch is simply a wall through the wall and a force to split Huashan, which is exactly the same as the murderous fist and leg method in the black market boxing match, and anyone is hit. It is only possible to die on the spot. It was Shi Xiaohu who happened to strike this punch. He is the second-ranked master of today's Shaolin young generation. He felt as if the punch had hit an incomparably flexible grid, unable to break through no matter how much force he added, and the attacking hand seemed to be tightly entangled by a flexible force, and a huge force that could not resist was torn outward, and he could be pulled through at any time.

But this pulling force suddenly relaxed, and he was almost caused to fall by the force of his own efforts to retreat, and the same situation appeared again when he attacked again, and the stronger the attack, the greater the force of the fall. After a round of attacks. The Eighteen Arhat Formation has become a three-person attack and two people to defend and support, and this situation continues to be staged, you must know that until now, Gu Xiaolong has not even moved his feet in the Standing Formation, and he has been in a state of trying against the Eighteen Arhat Formation. It wasn't until the last eighteen Arhat formations changed to a five-person siege state that Gu Xiaolong began to act.

Once the other two attacked at the same time, somehow they were lightly taken by him, and it became a two-person attack, and when the three attacked at the same time, it was just like this. It becomes two people attacking one person at the same time. It wasn't until all the attacks of the Eighteen Arhat Formations had been used up that Gu Xiaolong suddenly changed his body. In an instant, he became a real eighteen Arhats, and each attack was like attacking eighteen moves at the same time, attacking around the original eighteen Arhat formations.

I saw that the ancient little dragon head was like a wave, and the hand was like a meteor. The body is like a willow, and the feet are like a drunkard. Out of the heart, out of sex. It seems to be rigid but not rigid, it seems to be real and virtual. After a long period of practice, he is very familiar with the mind. The whole drill completely shows the essence of Luohan boxing.

Start from the preparatory momentum: two palms crossed and smashing fists, lunges double into fists, rest and split palms to grab hands, horse steps to smash fists and raise knees on the boxing, jumping steps and flying feet horse step punching, jumping three punches: virtual step on the boxing, turn around and raise the knee on the boxing, insertion split boxing, lunge to fist, virtual step splitting fist, turn around and kick, rest step splitting fist, horse step double into the palm, turn around the whirlwind foot, step fist, servant step fist push palm, step insert palm, oblique flying foot. Arhats listen to the scriptures, lunge up the punch, squat step split boxing, horse step on the boxing. Closing the momentum.

The action is broken down into: 1. Prepare the posture with both legs together and stand upright, clench your fists with both hands, and hold them around your waist; Chest up and head up; Look ahead.

2. Cross your palms and feet and do not move, cross your hands in front of your abdomen in an arc outward, point your palms downward, palm inward, right palm outside, and left palm inside; Look straight ahead.

3. Smash the fist with the right foot and step to the left, jump one step to the left with both feet, extend the left leg to the left, and squat with the right leg bent at the knee to form a left servant step; The two palms turn into fists, the left fist shakes the wrist in front of the chest and smashes the straight arm from the outside to the inside, the fist center is backward, the right fist is held around the waist, and the eyes are on the upper left.

Fourth, lunge double fist to get up, the left foot does not move, the body turns 90 degrees to the left, the right foot step forward, bend the knee into a right lunge; The two fists arc from the outside to the inside from both sides of the waist, and then strike forward, high and shoulder level, and the center of the fist is downward; Look up and down.

Fifth, take a break and split the palm and two feet to the ground, turn the body to the right 90 degrees, close the left leg on the inside and back of the right leg, and cross the squat into a resting step; The left fist swept down the head through the front to the upper right of the Lu, hugged around the waist, the center of the fist to the upper Lu, the right fist changed into a palm with the momentum, and the outer side swept down the arc to the lower right of the Lu, the palm was backward, the palm pointed to the bottom, and the eyes were on the right side.

6. Turn around and grab your hands to get up, grind the ground with both feet, turn your body 90 degrees to the left, take a step forward with your left foot, and bend your knees into a left lunge; The right palm sweeps around the arc, and the fist and the left fist hug the waist; Then the left fist turns into a palm, taking advantage of the momentum to grab straight forward, the palm is pointing forward, the palm is upward, and the right fist is held around the waist; Look ahead.

7. Take a step back with the left foot of the horse step smashing fist, turn the body 90 degrees to the left, and bend the knees of the legs into a horse step; The left palm turns into a fist and sweeps to the left, smashing forward and down at the same time with the right fist, and the heart of the two fists is inward; Eye-to-eye two fists.

8. Raise the knee and put the left leg on the right swing, turn the body 90 degrees to the right, and the toes to the lower part of the fist to form an independent momentum, and at the same time the right fist is on the outside to the upper arc of the fist, placed above the right front of the head, the center of the fist is forward, the left fist is on the knee, and the center of the fist is outward; Look ahead.

9. Jump and fly to the ground with the left foot, bounce up again, swing forward with the right foot, take off with the second foot, and flatten the right foot; Slap the right foot in an arc from back to front with your right palm (loud), and hold your left fist around your waist; Look at the right palm.

10. Lunge punch with both feet on the ground, take a step forward with the right foot, bend the knee with the trend, and push the left leg straight into a right lunge; The right fist rushes forward in the arc from right to left through the chest, the center of the fist goes down, the left fist counterattacks backwards, slightly lower than the left shoulder, and the center of the fist goes down; Look at the right fist.

11. Jump step three punches with the left foot up to the right foot, take a step forward with the right foot, step forward with the body, and still form a right lunge; The left fist turns into a palm. Towards the right side of the head and then arc around the chest to the chest. Make a fist around your waist. The right fist arcs backward to the upper part of the fist through the left side of the head, and the fist is forward, and the heart of the fist is downward to the calculus; Then rush the left fist, retract the waist, and then rush the right fist, and look at the right fist.

12. Take a step back with the right foot of the virtual step on the fist, turn the body 45 degrees to the right, and sink the body. Lift the left foot to the ground on the tip of the left virtual step, the right fist through the downward arc above the head, the fist forward, the left fist down to the outside of the left thigh, the fist outward; Look left ahead.

13. Turn around and raise your knee to stand on the fist, keep your left heel on the ground, jump half a step to the right side of your feet at the same time, turn your body 180 degrees to the right, lift your left knee, and become an independent pose. Dip your toes down and strike your left fist diagonally to the bottom of your chest. Draw a half-arc with the right fist to the left and above the head, and the center of the fist is forward; Look ahead.

14. Insert the palm and move non-stop, the left foot falls on the right foot one step behind, the body turns 90 degrees to the right, and the right foot moves, so that the two feet become an insertion; The right fist turns into a palm around the head, splits to the lower right through the chest, and holds the left fist around the waist; Look to the right.

15. Lunge to fist left foot left step, body left turn 90 degrees, left leg bend knee, right leg straight, into a left lunge; Put your fists on your waist with both hands, and the heart of your fist will be on the fist; Look ahead.

16. Take a step forward with the right foot of the virtual step splitting fist, lift the left foot homeopathically, point the toe to the ground, and sink the body into a virtual step; The right fist is circled around the upper right side of the chest through the chest, and then smashed downward, the center of the fist is downward, and the left fist is crossed by the arc to the right elbow of the lun, and the center of the fist is inward; Look right ahead.

17. Turn around and kick the left foot and take a step back to the left, grind the ground with both feet, turn the body 180 degrees to the left, take a step up the right with the right foot, and kick out with the left foot forward and upward; Two fists clasped around the waist; Look ahead.

18. Rest step splitting fist left foot back swing down one step behind the right foot, body right turn 180 degrees, then lift the left foot and move to the right side of the right foot, both legs squat into a resting step; The right fist bends the elbow and rushes upward, the center of the fist is inward, standing on the side of the right ear, the left fist is split downwards and placed on the outside of the left thigh, and the center of the fist is outward; Look to the right.

19. Get up with both feet in the horse, rub your feet on the ground, turn your body 180 degrees to the left, move your left foot half a step to the left, and bend your knees into a horse step; The two fists turn into palms, shake the wrists from both sides of the chest, and push out the right front of the right side of the palm, the palm forward, the palm points to the upper part of the lun, the left palm is slightly closer to the front of the right armpit, the elbows are slightly bent, and the two palms are looked at.

20. Turn around and take a step on the right foot of the whirlwind foot, lift the right foot and swing it to the upper left, turn the body to the left 90 degrees, and the whole body is in the air; At the same time, strike the sole of the right foot with the left palm (loudly), and hold the right hand into a fist at the waist; Look at the right foot.

21. Insert the palm of the palm and land on the ground, lift the left foot and land in front of the right foot, and the two feet become insertion; The palms of the two hands converge on both sides of the chest to form a cross side and push up (the left palm is in front), the palms are outward, and the palms are pointing upward; Look ahead.

Twenty-two, the servant step fist push palm to connect the style, both feet at the same time to the right jump step, the left leg to the left straight, the right leg squat, into the left servant step; The fists of the right palm arc outward and upward, put on the upper part of the head, and the left palm is pushed out to the left front straight arm; Look up and down.

23. Insert the palm to get up, the right foot does not move, the left foot falls behind the right foot, the legs are inserted, the two fists become palms, from both sides to the middle of the chest to form a cross side standing palm, to the bottom of the snatch, the palms of the two palms inward, the palm points to the bottom, the left palm is outside, the right palm is inside; Look ahead.

24. Straddle the right side of the right foot with the left foot of the oblique flying foot, turn the body 90 degrees to the left, quickly get up and kick the left foot forward and upward, the whole body is in the air, and the foot surface is straight; Tap your left foot forward with your right palm (loud), place your right hand in your waist and look at your right hand.

25. Arhat listens to the scriptures and lands on both feet, turns his body 180 degrees to the right, lifts his left foot on his right knee, and squats his right leg half-squat; The right palm turns into a fist, arcs backward and upward, stands above the front of the head, palms forward, and the left fist arcs to the left, smashing on the upper part of the left knee, and the heart of the fist is outward; Look ahead.

26. Lunge up to punch the left foot to the ground, and then lift the right foot to move a step to the right, bend the knee into a right lunge; At the same time, the two fists are closed around the arc to the waist, the body is slightly turned to the right, and then the elbows are fanned back, the arc is impacted above the head, the upper body is tilted to the right, and the two fists are opposite; Look ahead.

27. Squat and split fists to get up, the left foot does not move, lift the right foot and the left foot and step together to shake the foot; The right fist turns into a palm arc through the outside, splits forward and downward, the palm is inward, the left fist draws a half-arc outward, and then bends the elbow to the right and strikes horizontally, placed under the right armpit, and the fist center is inward; Squat with your legs to the bottom of the squat and step into a ding; Look ahead.

Twenty-eighth, the horse step on the left foot of the fist left step, the two feet step to the left step, bend the knee into the horse step; The left fist is smashed down to the right knee on the right knee, the center of the fist is outward, the right palm is turned into a fist and the elbow is bent on the top of the head, the center of the fist is outward, and the eyes are on the left side. Close the momentum with your left foot and right foot together, and keep your body and chest straight. clasped fists with both hands; Place it around your waist. Look ahead.

Gu Xiaolong's attacks were getting faster and faster. More and more violent, the five Shaolin masters who were surrounded by Gu Xiaolong also passively accelerated their defense with his beat, but they were always able to keep up with Gu Xiaolong's offensive beat, which was also because Gu Xiaolong did it deliberately, in order to make the Shaolin Eighteen Arhat Formation Practitioners gradually appreciate the subtlety of the formation.

Over and over again, twice, three times, the five Shaolin disciples in the formation had already understood the essence of the Shaolin Arhat Formation, and Gu Xiaolong suddenly began to become defensive again. And drive the Shaolin Arhat Formation to begin to attack themselves, this time the Shaolin Arhat Formation has a qualitative leap, once started, every attack and defense, as if there are eighteen Arhats attacking or defending at the same time, at the beginning it is also possible to see who is transformed into two or three moves, and then the second drill is already difficult to see the change of moves, the whole formation is exactly like the eighteen Arhats attacking or defending, the third drill has formed a seamless net of Shaolin Eighteen Arhats, This is a phenomenon that Shaolin disciples did not have when they practiced the Eighteen Arhat Formation in the past.

It is worth mentioning Shaolin Luohan Boxing. From the time when the "Tai Chi Shaoxia" attacked with the Eighteen Arhat Fist just now, all the Shaolin monks from the abbot to the disciple. I couldn't help but feel a big shock in my heart, this is the real cloud and flowing water, like thunder and lightning, the eighteen Arhats are alive and vivid, their heads are like waves, and their hands are like meteors. The body is like a willow, and the feet are like a drunkard. Out of the heart, out of sex. It seems to be rigid but not rigid, it seems to be real and virtual. After a long period of practice, he is very familiar with the mind.

On the surface, the "Tai Chi Young Heroes" did not really break the formation, but this is more gratifying than the breaking of the formation, because the "Tai Chi Young Heroes" have only found the problem of the Shaolin Arhat Formation through a short competition. In fact, the combat power of the core of the Shaolin Eighteen Arhat Formation comes from unity, that is, the unity of mind and mind, and the basic combat power is manifested in the basic Arhat boxing skills of each person, and the basic Arhat boxing skills are in each person's Yijin Jing Mind Energy Field Skills. After this demonstration of "Tai Chi Young Heroes", it was like a thin layer of window paper being pierced, which made everyone suddenly enlightened, whether it was from Luohan Boxing to the eighteen Arhat formations, they have been rapidly improved, making the Shaolin Eighteen Arhat Formations the strongest formations on the blue planet.

The second to play is a child star to a superstar. Shi Xiaolong (born January 6, 1988), a mainland film and television martial arts actor in country C, a TV series and movie actor, and a kung fu star. Shi Xiaolong has lived in the hometown of martial arts since childhood.

As soon as Shi Xiaolong learned to walk, he often followed his father (Chen Tongshan, the current principal of the Shaolin Temple Martial Arts School in Songshan, China) to visit the Shaolin Temple to worship the Buddha. The grand practice scene of the warrior monks deeply attracted him and often made him linger. When he was two years old, he worshiped the thirtieth generation of Shaolin Temple to receive the Dharma successor Shi Xuxing as a teacher, and gave the Dharma name: Shi Xiaolong. Young Shi Xiaolong, smart and studious, under the guidance of his father and senior brother, diligent and hard-working, whether it is windy and rainy, scorching sun exposure, or Sanjiu severe cold, he insists on practicing, since Xiaolong entered the martial arts, under the father's words and deeds, progress is rapid, and mastered Shaolin boxing, legs, footwork and other Shaolin basic skills, learned Shaolin through arm boxing, drunken sword, drunken boxing, Shaolin stick, five elements boxing and other traditional routines and prescribed routines. In the performance of the 1992 China Zhengzhou International Shaolin Martial Arts Festival, he won two excellence awards for Shaolin Tongjian Boxing and Luohan Stick, becoming famous in one fell swoop and attracting the attention of the film and television industry.

In June 1991, the young Shi Xiaolong visited the Taiwan Strait with the Buddhist and cultural delegation of Songshan Shaolin Temple, and was praised by newspapers and magazines in Taiwan as a "messenger of peace" and "miraculous Shaolin dragon" from the mainland. Since then, Xiaolong's fame has become more and more famous, and businessmen in the film and television entertainment industry have signed contracts with him.

In July 1993, Taiwan's Changhong Film and Television Company signed a contract with Xiaolong, and in August, he co-produced the first film "Whirlwind Kid" with the famous Taiwanese singer Lin Zhiying. In 1993, he also participated in the Henan TV Children's Gala.

In April 1994, he co-produced "New Oolong Courtyard" with Hong Kong Wu Mengda and Zheng Shaoqiu, which achieved a box office result of 200 million yuan in Taiwan, and in August he filmed the film "Chinese Dragon" with Taiwanese movie stars Takeshi Kaneshiro and Ye Quanzhen in the United States, and filmed a series of TV films such as "Wuzun Shaolin" and "Shaolin Xiongfeng" in China. In 1995, Xiaolong co-produced "Invincible Fighting Star" with Wu Mengda in Hong Kong, "The Saint of Gambling" with Ge Minhui and Qiu Shuzhen, "Ten Brothers" with Taiwan's Zhong Zhentao and Hong Kong's Zhang Min, and "Dragon in Shaolin" with Hong Kong movie stars Yuan Biao and Luo Jiaying. This year, Xiaolong was also invited by the Hong Kong Film Association as a special guest of the 14th Film "Awards" to present the award to the famous movie star Jackie Chan in the world; At the opening ceremony of the 43rd World Table Tennis Championships held in Tianjin. In 1996, Xiaolong participated in the "96 Lantern Festival Gala" held by CCTV. In September, he co-produced films such as "Golden Island Adventure" with Cheng Kuian and Fang Fang in XG. Now it is recognized by the world as the three little dragons of the mainland [Di Gao Long (real name Zheng Xiaobin. Nanquan, the 54 kg champion of the 12th Guangdong Provincial Games), Xiao Xiaolong (also known as Xiao Xiaolong, middle fist leg), Shi Xiaolong (north leg) one.

Shi Xiaolong's idol is Big Brother Jackie Chan, and his wish is to become an international martial arts superstar like Big Brother Jackie Chan. So far, Shi Xiaolong has visited Singapore, the United States, Canada, Japan, Hong Kong, Taiwan and other countries and regions. While filming the film, he practiced martial arts hard under the strict requirements of his master. While learning culture, he worked hard for Shaolin martial arts to go to the world.

In 1995, Xiaolong co-produced "Invincible Fighting Star" with Wu Mengda in Hong Kong, co-produced "Gambling Saint" with Ge Minhui and Qiu Shuzhen, co-produced "Ten Brothers" with Hong Kong Zhong Zhentao and Zhang Min, and co-produced "Dragon in Shaolin" with Hong Kong movie stars Yuan Biao and Luo Jiaying. This year, Xiaolong was also invited by the Hong Kong Film Association to be a special guest of the 14th Film "Awards" to present the award to the world's famous movie star Jackie Chan; At the opening ceremony of the 43rd World Table Tennis Championships held in Tianjin, Xiaolong participated in the "96 Lantern Festival Gala" held by CCTV in 1996, and co-produced "The Adventure of the Golden Island" with Cheng Huian and Fang Fang in Hong Kong in April. It is recognized by the world as the three small dragons of the mainland Di Gaolong (Nanquan, the 54 kg champion of the 12th Guangdong Provincial Games). Xiao Xiaolong (middle fist leg), Shi Xiaolong (north leg)].

Shi Xiaolong was dumb and dumb in the chanting sound coming from the white-clothed hall. Born and grown in the endless legends that people tell. When he was less than two years old, he actually played a decent set of Shaolin boxing techniques with his natural potential, as if someone was teaching him in the dark. When he was three years old, he participated in the international Shaolin martial arts competition and won two excellence awards in Tongjiquan and Luohan stick, and was well-known at home and abroad. When he was four years old, he went to Taiwan with the "Songshan Shaolin Temple Buddhist Cultural Troupe" to perform Shaolin martial arts, and was praised by the Taiwan media as a "peace messenger" and "magical Shaolin dragon" from the mainland.

With Shi Xiaolong's fame in the martial arts world, he went to Taiwan to shoot his first kung fu movie "Whirlwind Kid" at the age of four. Subsequently, he burst all the way to the left and right, and appeared in the film industry with the posture of a dragon, the pride of a dragon and the otherworldly quality of a dragon. Since then, it has been out of control: "New Oolong Courtyard", "Dragon in Shaolin", "Invincible Fighting Star", "Young Bao Qingtian", "Eight-year-old Dragon Master in Tokyo" and other seventeen films and television have been broadcast one after another, just like the heroic dragon set off a heat wave layer after layer, and the close combination of its martial arts performances has made the howling dragon at this time a symbol of Chinese kung fu in the minds of millions of fans.

At the same time, he continued to broaden and develop in other fields. In terms of music, he filmed MTV's "Shaolin, Shaolin" with a unique voice, etc.; In terms of hosting, he hosted a series of children's programs with witty language in all fields, which made this "C National Dragon" more and more popular. Many TV stations and propaganda media have also invited him to his voice as a "flaunt" to increase ratings: the 14th Film "Academy Awards" of the XG Film Association, Country C: "Golden Rooster" and "Hundred Flowers" Awards, and the Spring Festival Gala all have his Chinese dragon figure. The news media at home and abroad have also continued to report on it: CCTV, France Télévision, People's Daily, etc., have all given it quite high praise.

As soon as Shi Xiaolong appeared, he immediately put on a drunken fist starting pose. Shaolin drunken boxing is a kind of pictographic boxing, it is a kind of boxing with drunken drunken state and offensive and defensive techniques, the basic hand shape is the end of the technique, a little, hit, pinch, break, press, grid, belt, winding; The basic footwork includes lifting step, breaking step, cover step, scattering step, grinding step, hitting step, figure-eight step, plum blossom step, etc.; The body method requires twisting, spinning, pitching, tilting, and swinging left and right. The characteristics of the movement are that the elevated step is fast, often moving in quick broken steps to weigh the body on the verge of falling, reflecting the drunken form of falling and colliding.

Practice Shaolin drunken boxing requires the form of drunkenness is not drunk, step drunkenness is not drunk, to be drunk to confuse the enemy, not to revel in themselves, step drunk and fast, but not floating, waist swing, but the head is not shaking, in order to achieve the drunkenness of the desire to change at will, every blow and avoid, take advantage of the gap to enter, Shaolin drunken boxing also pays attention to the performance of drunkenness through a variety of eye methods such as looking, aiming, glancing, and fooling, confusing and luring the opponent, and preparing for the sound of the east and the west. Modern Shaolin drunken boxing absorbs the actions of taking off, falling, surrendering, rolling and other actions in the ground boxing, and increases the expression of drunken shapes, and Shaolin drunken boxing routines generally include four levels of pictographic actions such as slightly drunk, crazy drunk, rotten drunk, and drunk.

1. The boy worships the Buddha: the legs do not move; Upper body slightly right; The straight arms of the two arms are slowly raised left and right, the palms are upward, and when the two arms are close to the lift, the two wrists are shaken and picked into palms; At the same time, raise your eyes with your right hand and shake your wrist to look to the left (Picture 2). Immediately, the right foot jumps back half a step to the right rear of the right foot, and the left foot jumps slightly to the right rear of the right foot and squats down at the same time to form a resting step; At the same time, the left palm is raised and adducted and drawn on the right side of the chest to form a palm, and the right hand is copied from the front side of the body to the upper right side of the arc of the palm; Follow your eyes with your right hand, and then swing your head to the left while shaking your wrist and shining your palms.

Second, the lonely crutch through the clouds: the body rushes forward; Stride forward with your left foot to support your body, and bounce forward and upward with your right foot with your right foot. At the same time, the left hand slides down and lifts the wrist slightly bent and the elbow is raised, the palm of the hand is lowered downward, the right hand is raised from the upper right direction and the lower right side of the meridian body is raised and drawn in the upper left front, and the back of the hand and the left palm are patted above the front of the head; Then, the right palm of the right hand is then slapped on the top of the right foot; Eyes follow the right hand (Figs. 4, 5).

3. Hungry tiger pounces: the right foot falls forward and downward, the left foot steps up and the right foot side by side with a shoulder-width apart, and squats with the upper body leaning down and bending the knees; At the same time, the palms of both hands and straight arms are slapped on the ground in front of him; Keep your eyes on your hands.

Fourth, double kick Kuixing: raise your head, and your body suddenly rises up; Kick up with both legs at the same time, and bounce and kick straight legs on the left and right sides; At the same time, raise your arms in front of the body and split your palms left and right, tap the surface of your feet, and look ahead.

Fifth, the old man's cup: the whereabouts of the body; The right leg supports the body, the left leg is bent and the knee is raised, and the surface of the foot is flattened and buckled; At the same time, the right hand is drawn from top to bottom, backward and then raised to the upper right side of the head to form a sword finger, the fingertips are facing down, the left hand is bent and the elbow is adducted, and the cup is held flat in front of the chest; Visually look at the left hand (Figure 8). Immediately, the upper body is upright and slightly twisted to the right, the left hand turns into a fist and retracts the left waist side, and the right hand is slowly stretched out to the right front of the right side of the cup; Look at the right hand.

6. Nezha explores the sea: the right leg remains unchanged, the left leg is slowly straightened to the left back and upper, and the foot surface is flat; At the same time, the right hand turns into a fist and retracts to the waist, and the sword finger of the left hand stretches forward with the straight arm in front of the right side of the body, and the palm is to the right side of the body; Keep your eyes on your left hand.

Seven Li Xian drink alone: the right leg remains unchanged, the left leg is withdrawn and the knee is bent and raised in front of the body; At the same time, the left hand changes into a fist and retracts the waist, and the right hand holds the cup with the upper body and raises the glass to drink; Tilt your head and look at your right hand.

Eight Taibai greedy cup: the left leg lands to the left rear and squats with the knee bent, and the right leg slides forward and stretches into a servant step; At the same time, the left hand is inserted back, the back of the palm is attached to the left hip, and the right cup hand falls in the direction of the right leg; Then, slowly pull in front of the body, move to the left with the center of gravity, lean forward and gently shake the cup, and then, the body leans back as much as possible, and the right hand raises the glass to drink; Eyes slightly closed, look at the right hand.

9. Lu Xian let the wine: the legs slid back and forth slightly and trembled; At the same time, the right hand cup is raised from right to left and then to the right side of the head, and after shaking it around the front of the head, the straight arm on the upper right side of the head is stretched out to toast, and the left arm remains unchanged; The body is turning to the left and the right; Look at the right hand.

10. Drunken Immortal Treading Waves: When the body is trying to lean right and will lose its center of gravity, the upper body suddenly turns right and leans forward; Quickly step up with your left foot to the right side of your right foot, with the forefoot of your foot leaning to the left, and then slowly step up with your right foot to the left side of your left foot. When the left foot quickly steps back to the left and lands, and the right foot retreats to the right back to the original position, the center of gravity of the body decreases, and the lower abdomen is pushed forward; Legs slightly bent at the knees side by side; At the same time, the upper body leans back vigorously; After the left and right arms swing with the body to complete the plum blossom step, the left hand points to the ground, and the right hand holds a cup and leans up to drink; Keep your eyes slightly closed as you walk, look forward and downward, and look at your right hand when you lean back to drink.

11. Jade Rabbit Ball: Slide forward with the left foot, step up with the right foot; The hands turn into palms, leaning forward and leaning forward, and pressing the ground forward and downward; Kick the ground with both feet; The body is hooked and bent, and the shoulders, back, and waist are rolled forward in turn.

12. Wolong Hengjiang: After the left and right feet are grounded, kick the ground and jump into the air, lift the right leg and kick the knee forward and upward, and bend the left leg to lift the inner buckle to control the leg; At the same time, the left hand fist is pulled back to the left chest, and the right hand is pushed forward. Immediately, the body falls sideways, the left leg is bent at the knee and buckled inward, and the right leg is slightly bent and the knee is coiled on the left leg in a scissor shape; The left and right palms and the inside of both forearms are on the ground at the same time; Look to the top right. (To be continued......)