PS: "Black Sunday" is the second forbidden song of the Blue Planet, if you add more resentment and sorrow to it, it will invisibly kill countless people, what kind of situation will the evil "Pandora" consciousness field be able to exist in the singer's brain? Ask for clicks, subscriptions, monthly passes, and rewards!

Forty-one Three Forbidden Songs from Hell I

Gu Xiaolong immediately used his RLPR (Human Servant) Crystal, and brought Yuna, a super high and super bass special function with a Buddhist ideological energy field, and rushed to the NF country in an instant with "Suko". NF is a colorful country with fascinating cultures, diverse nationalities, languages, and rich history...... Since South Africa gained freedom and democracy in 1994, South Africa's cultural tourism has flourished, with tourist hotspots concentrated in the four major black tribal groups and the Semitic people, also known as the Bushmen tribes. How did they come to the southernmost tip of Africa and live together here? It's a story of movement, conquest and grazing.

More than 3 million years ago, primitive people known as "Little Feet" and "Mrs. Price" lived here. The fossil remains of them have been found inside the Stockfontein Cave (now named the "Cradle of Humanity") in northern Johannesburg, and they are believed to be one of the earliest ancestors of the entire human race. Long after the hominids, a tribe of hunters appeared in southern Africa, the San, and later the nomadic Khoi people, also known as the Hottentots, who also arrived here with their livestock. 6,000 years ago, probably due to the dryness of the Sahara Desert, a large number of "Abantu people" drove their longhorn cattle south.

The descendants of the "Abantu" who inhabit South Africa today are mainly composed of four main groups, which are further divided into nine subgroups: the Soto (Northern Soto, Southern Soto, Tswana), Nguni (Zulu, Xhosa, Swazi and Ndebele), Shangan-Tsunga and Venda. Each tribe has its own fascinating myths, legends, and traditions. Waiting for adventurers to explore......

Although the Zulu are almost the most well-known tribe in South Africa. But the province of Limbobo in the north of South Africa is no slouch. There are Sangan cultures, Tswana cultures, Venda cultures and Peti cultures. With a population of 5 million, the province is relatively poor, but it is famous for its many artists, ancient city, rain queen, and the sacred Lake Fontuizi. A white crocodile and python are inhabited by a species of white crocodile and a python in Venda, and the young woman of Venda salutes the python with a dance and prays for a good harvest.

The most well-known archaeological site in Limbobo Province is the MG site on the banks of the Limbobo River, which is the newest site in South Africa. The site has a direct link to the ancient Kingdom of Great Zimbabwe, and is marked by a monument excavated in Shona? A small golden rhinoceros statue at the Royal Burial Ground in Windah. Other valuable artifacts found here include the gold-leaf scepter, which is now housed in the University of Pretoria Museum.

Rain Queen Mugaji (Ryder?) That's how Haggard was inspired. The village where the famous "She" was written is located in the Devorsklouf district of the province of Limbobo. She belongs to the LD tribe and is adjacent to KG in Zimbabwe. Legend has it that hundreds of years ago, when the LD tribe fled to the south, they brought their rain-making "charms" to the south as well.

The North-West Province is best known for its Tswana culture. On the road to the border with Botswana, there are some Iron Age ruins where the BT tribe of nearly 20,000 people once lived. They were skilled coppersmiths, blacksmiths, and stonemasons and raised herds of cattle in the villages on the top of the hills.

In Pumalanga province, you'll meet the Shanggan tribes, the Ndebel tribe, and the Swazir tribe. In Bushabiru, near Middelburg, there is the South Ndebele Open Air Museum, which houses a wide variety of tribal paintings and artworks. The museum is a living museum. You can see all kinds of Ndebel villagers and photograph their unique costumes.

Let's go back to KwaZulu-Natal. The colourful Zulu culture here is the number one choice for tourists. The famous Shaka king) can be found everywhere. There are statues, monuments of him, and even his shadow can be seen through the eyes of a young herdsman on the hill of the Tugara Ferry.

KwaZulu-Natal is home to a number of culturally rich villages, ancient battlefields, Semitic petroglyphs and craft centres in the Drakensberg Mountains. Further south into the Eastern Cape is the Nelson? Where Mandela called home. It was the world of the Xhosa and the Panto.

The Xhosa people were the first of the great southward migrations of the "Abantu", which was terminated in 1820 by the European colonizers of the Big Fish River. This led to nine border wars, until the Xhosa and Pondo tribes lived side by side. Although the Xhosa and Pondo cultures are rich and colorful, people are more concerned with their recent political history. Here, the "culture of freedom" has become deeply ingrained in the world of celebrity Nelson? Mandela and later Steve? Biko's legendary life.

South Africa's most cultured villages still contain black ghettos – remnants of apartheid-era society in South Africa. Every city, town, and village in South Africa has had such black settlements, and these dark, grey urban areas have been purpose-built to accommodate black people who provide services to whites. In the black ghetto, you can feel all kinds of flavors: music, jazz or homegrown music; Food, purely African, with some European flavours if you wish. As for sports, it's always football; History, soaked in tears; Energetic and optimistic, always mixed with some bitter humor – and the genuinely friendly smile of South Africa......

In "Black Africa", a continent with tribes or tribes as the basic unit of society, dance, as the oldest, most universal and most important form of artistic expression of the African people, is deeply rooted among the people, and dance has become a part of the life of the African people. Africans, men, women and children love to dance. During weddings, funerals, or celebrations, they often have to dance all night long. Dance has become a bond of love between young men and women.

Dance is the source of catharsis and strength for black Africans, and the music that accompanies dance interprets their body language and expresses their cathartic emotional themes vividly. To show the world the unique connotation and customs of the African nation. So. The dance music of black Africans has the following characteristics.

First of all. A strong sense of rhythm is one of the outstanding features of black African dance music. Their sensitivity to rhythm is unmatched by any country's dance art, and this rhythm can be said to be the vocal of dance movements, "the ideological basis of any basic music is the consistency of movement and sound motives, first of all, the consistency of rhythm and motives." The rhythm of this music is incredibly complex. The most typical rhythms are the highly developed forms of alternating beats and rhythmic alternations. In the dances of various African peoples, everyone can see the close connection between rhythm and movement. For example, in the "Sekepere" dance of the Nandom people in northern Ghana, the music is played by a xylophone, and the rhythm part is played by drums, bells and iron castanets, and is played by the dancers themselves. However, the transition signals between the groups are combined by the rhythmic lines in charge. In the "Esseni" dance of the Izo people. The action follows the rhythmic line of a song, not the accompanying percussion, and repeats with the repetition of the song. The Agbeko dance of the Anlo of Gana – the Egbeko dance of the Ewei people, consists of a variety of dance steps, each of which is led by the lead drum striking the appropriate rhythmic pattern and continues with that pattern. Each pattern is repeated several times without interruption and is linked to the next pattern with another set of movements, allowing the dancer to reach a new starting point and be ready to jump the next pattern. All of the above dances require the performers to master the rehearsals before the performance; There are also dances that have more improvisational performances, and the dancer can work on the basic movements differently. But be consistent with the rhythmic line played by the dance's drummer or other instrumentalist, because the whole dance is governed by this rhythmic line. Thus. Drums play an important role in black African dance music to lead the rhythm of dance music. It determines the rhythm of the dance, and also determines the stylistic characteristics of the dance. There are hundreds of drums used in black African dance performances: wooden drums, water drums, war drums, gourd drums, and so on. The small drum used in the performance can be held by hand, and the large drum should be beaten by standing on a stool. The drums are often decorated with bells and other ornaments, which enhance the rhythm of dance music.

Strong rhythm is another characteristic of black African dance music. Their movements are rough and powerful, and they are good at expressing their feelings with exaggerated body movements, and dancers often violently shake their heads, rise and fall their chests, bend and stretch their waists, swing their hips, twist their hips, shake their hands and feet, and stomp their feet. The "stomping dance" of the Zulu people in southern Africa is to express emotions with strong leg movements; In the "Dia" dance of the Ganafra people, each dancer wears a string of buzzers on his right ankle and holds a sword in his right hand. When singing, the singer stomps on the ground with his right foot on the downbeat of the music and gives a quick tap with his left foot on the downbeat. When the right foot is stamped on the ground, the body is slightly tilted to the right, and then the weak beat is swung to the left. Other dances that express the rhythm of the legs are "tap dance" and "big stride dance" (Soto). In the "Nyingdogu" dance of the Dagomba people of Ghana, abs are mainly used, while the Lobi people of Ghana emphasize the movements of the upper body, which can be a rotation or up and down movement of the shoulders, or a stretch of the chest with certain arm movements and tightening and relaxation of the shoulder blades. There are also dances like the Kalabali people in Nigeria with various subtle movements of the hips. Therefore, the strong sense of rhythm caused by this large body movement has become another characteristic of black African dance music.

Collectivity and imitation are common forms of black African dance, which reflects the characteristics of black African dance music with a local flavor. In their dances, the form of solo dance is rarely seen, and the content reflected in the dance is closely related to the life of the people. The dancers often perform in a semicircle, circle, or row, and their movements mainly imitate activities such as farming, hunting, and warfare. One explorer described the Congolese war dance as follows: "A thousand heads as if they were one head, at first they all rose up at the same time, showing high spirit, and then they all hung down at the same time, making a mournful hum......"

Dancers play an important role in the dance music of black Africans, and they can sometimes determine the length of the dance. There is also an important part of the music that allows the dancers to develop feelings. The prologue serves such a purpose. Musicians often start a performance with an intro or a set of such songs to develop affection. The prelude can be sung in a free rhythm and can be accompanied by one or two instruments without the full ensemble, or with an instrumental prelude instead of a vocal introduction. In northwestern Ghana, where xylophones are used as dance accompaniment, a short prelude is often played on the xylophone before the main dance. Similarly, the Jobbies form large xylophone bands. Start the "Ngodo" dance with the introduction of the band. A combination of vocal and instrumental music can also be used. As in the "Kaitai" dance of the Akan people. The intro can be sung by one or two soloists and alternately added to the flute ensemble, and this alternation of vocals and flute continues until the lead singer introduces the chorus.

In conclusion, in the dance music of black Africans, music and dance are inextricably linked. Music creates the right atmosphere or mood for a dance, and can arouse the dancer's strong desire to express the performer with expressive movements. Dance, on the other hand, expresses the content of music, and the two complement each other and complement each other. In the end, people can deeply feel the unique charm of black African dance music!

THE CONCERT WAS A SENSATION FEATURING THE JUNO MUSIC AWARD-WINNING FEMALE SINGER LL.KLS, WHO HAS A GREAT TALENT FOR LANGUAGES AND CAN PERFORM IN ENGLISH, FRENCH, SWAHILI, ZULU, XHOSA, LINGALA, GREEK, HEBREW AND 12 AFRICAN DIALECTS. Audiences are captivated by her sense of humor, appeal and resourcefulness, and as a music theorist, singer and dancer, she is adept at using dance and movement to express emotions and create a complete and unique artistic interpretation of African songs. But it is this top singer who is deeply loved by blacks in NF countries who is targeted by the evil "Pandora" heart particle consciousness field, and wants to use this singer who is loved by blacks and even whites to create a new killing.

As soon as the concert began, a large number of black dancers danced various godly dances, exorcism dances, fertility dances, circumcision dances, funeral dances, farming dances, hunting dances, rain dances, harvest dances, battle dances, celebration dances, and so on. It plays a variety of social functions such as maintaining religious beliefs, maintaining traditional customs, transmitting knowledge, and uniting the people, and has a strong social cohesion. Traditional ceremonial dances mostly originated from primitive religion and superstition, and it is the main heritage of African culture, as well as the soul and essence of black African dance.

But. As LL.KLS began to sing, the whole scene took a sharp turn. The singing of "The Thirteenth Pair of Eyes" began, accompanied by strange music, the sorrow, resentment and mystery of life and death enveloped the audience, and even the agitated and fast-paced black African percussion drum music became weird, pathetic, and resentful. In addition, the evil "Pandora" consciousness field can penetrate the bottom of people's hearts, which is even worse, which has caused a small number of people to start sobbing and whimpering, and the situation on the scene is getting more and more out of control.

Seeing that it is about to lead to a large-scale collapse of people's hearts, a condescending bel canto soprano fell from the sky, singing the same "The Thirteenth Pair of Eyes", but the melody and beat are completely new, the most important thing is that in this song, several key tones have been changed, all from the bass to the high pitch to the Lu, this is the ultra-high and super bass special function of Yuna led by Gu Xiaolong with the Buddhist ideological energy field, and sang the song "The Thirteenth Pair of Eyes" adapted by her in time. THAT'S HOW IT CHANGED, IT BECAME A JOY AND CHEERFULNESS WITH STRONG BLACK MUSIC, AND SOME OF THE BLACK DANCERS WHO WERE STILL RELATIVELY SOBER GRADUALLY DANCED WITH THIS SOPRANO, AND THEN LED MORE PEOPLE TO DANCE, AND EVEN THE SINGER LL.KLS SANG HAPPILY, A SUICIDAL FORBIDDEN SONG "THIRTEENTH PAIR OF EYES" WAS INTERPRETED INTO A CHEERFUL AND PLEASANT BLACK AFRICAN SONG, AND SINCE THEN THE FORBIDDEN SONG "THIRTEENTH PAIR OF EYES" IS NO LONGER A FORBIDDEN SONG, IT HAS BECOME A NEW POP BLACK MUSIC.

The wisp of evil "Pandora" consciousness field energy has no hiding place in LL.KLS's heart, and it quickly flew into the air and escaped, and the ancient dragon who had been waiting in the air for a long time captured it with the positive and negative neutrino true mustard seed mind energy field Taiji Yin Yang Fish Light Ball, and used Taiji Yin Yang Fish to purify and communicate with it, until the dark purple evil "Pandora" consciousness field energy was purified into a pure transparent and noble rose-colored airflow, and another wisp of evil "Pandora" consciousness field could be completely purified and dissolved.

"Lightspeed" arrived urgently, and the more critical concert was about to start in the most luxurious concert hall on the Blue Planet, this concert hall is the ADL WYL City Golden Concert Hall, and the three top tenors in the world are about to sing, namely Pavarotti, Carlo, and Carreras, according to the detection that the three are controlled by the evil "Pandora" consciousness field, and the song that the three may sing may be the first of the three forbidden songs "Black Sunday".

"Black Sunday" was the "devil's invitation" that caused more than 100 people to commit suicide, and at least 100 people committed suicide for listening to it, so it was banned for 13 years (now largely lost). The author of this "Black Sunday" is Rulans? Charles. It is said that "Black Sunday" is Lurans? Charles and his girlfriend broke up and created it in a state of extreme grief. Surprisingly, the author himself did not expect this, and when the author died, he also expressed deep apologies, and he did not expect this. When he created it, it caused a sensation in the world. The main reason is that the vast majority of people who have listened to this piece have committed suicide!

Over the years, some incredible reports and rumors have given Black Sunday a profound mystery. According to MD's article in the inaugural issue of CCM, in February 1936 the Budapest police investigated the suicide of JK, a local shoemaker. They found out that JK had left a suicide note in which he transcribed the lyrics of the song, which was just becoming popular at the time. The transcription of a lyric in a suicide note may not be a bizarre affair in itself, but rather the fact that in later years the song was believed to be directly responsible for the deaths of more than 100 people, many of whom committed suicide in one way or another associated with the song before they died.

Two of the suicides committed suicide while listening to the gypsies play the song. In addition, a considerable number of people, including a 14-year-old girl, went to the Danube and committed suicide with the sheet music for "Black Sunday" in their hands. An old man over 80 years old committed suicide by jumping from the seventh floor with a whimpering and humming this tune. A gentleman who walked out of a nightclub reportedly opened his head with a bullet after he had just asked the nightclub band to play "Black Sunday" for him. There was also a widely circulated report involving the composer RS himself. It is said that when the song began to become a bestseller, S contacted his ex-girlfriend and proposed a reunion. Unexpectedly, the girl committed suicide by poisoning the next day, and two words were written on a piece of paper next to her: "GS". Convinced of the catastrophic effects of this "suicide song" on people, the police in Budapest decided it would be best to ban it. Eventually, 157 people from XYL (mostly concentrated in the thirties and fifties of the last century) committed suicide as a result of Black Sunday. There have also been reports of "Black Sunday" triggering suicidal behavior. A young clerk in Berlin hanged himself, with a copy of the song's score floating from his feet.

In Rome, a newsboy in the street heard a beggar humming the tune of "Black Sunday", stopped his bicycle and approached the beggar, gave him all the money he had, and committed suicide by jumping into the river from a nearby bridge. In New York, a beautiful female typist commits suicide by gas poisoning and leaves a suicide note requesting that "Black Sunday" be played at her funeral. As a result of these horrific suicides, the YGL BBC radio station banned the song, and the radio network in M followed suit. Senator SC in Washington has called for "Black Sunday" to be banned.

There was even a radio station that invited spiritualists to study the song's influence, but the broadcast of these programs did little to curb the growing number of suicides at the time. Time passed, and when public panic over the series of suicides subsided, the BBC agreed to re-air Black Sunday, albeit only in an instrumental version. This version was quickly recorded on record. One day, a police officer in London heard the instrumental music coming from a nearby apartment, and the music was repeated over and over again, and decided that the matter was strange and worthy of investigation. Upon entering the apartment, he found a jukebox playing the song repeatedly, and next to the turntable lay a woman who had overdosed on barbiturate hydrochloride (a sedative). (To be continued......)