The first volume, which is expected to have the shortest plot, is over.

The story begins with an encounter and ends with an encounter.

The whole article is basically laying out the line, and it is full of memories of the era of my personal preference for private goods. The editor took this very seriously when signing the contract, but also wondered if the style was too soothing.

I sometimes wonder if the style of the story is very different from the intense and heart-to-finish approach of the last book I signed on, "Infinite Heroes." In the 10W+ word, there are serious fights that come and go, only the one where Chenxin VS entangles the fruit snake.

But I chose to write it anyway. It's just that a few mainstream plots with slaps in the face were deliberately added to the plot.

Because of the story in the first volume, I want to tell about the youthful and warm childhood and adolescence, mixed with a little nostalgic sense of age.

Putting aside the smorgasbord of alien civilizations, fighting skills, and the gimmick of dark organization confrontation, the origin of this book is just an idea that occasionally comes to me.

- Wild boys and good girls, a youth story of encounters, adventures, and becoming close friends in the summer.

There are many, many reasons why this idea came to life. But one of them to mention is the author of "Angry Banana". After reading about his hidden murder and alienation the year before last, I wanted to try to see if I could write a similar "warm feeling" work.

It's just that I'm not a big god, and there are more aspects that need to be considered, considered, and constrained. Therefore, in the "Summer of the Star Boat" chapter, there are many plots that I have already thought about and feel that they will be interesting, but they are too biased towards "warm and daily" to be realized by my own preferences in this first article. It can only become a few words when teenagers and girls occasionally recall or recount from the side.

If the results of this book allow and the plot develops smoothly, I will try to write a part of it in the chapters of "Snake of Wisdom: Chenxian Chapter" in the future, when Chenxian is used as the main perspective for the time being.

Finally, the opening poem of the American writer Robert McCammon's "The Strange Wind Years" is used to summarize the feelings that I really want to express in the first article, but I don't express much because of the lack of pen power and the fast pace caused by commercial online articles.

If I had the chance, I would love to express my feelings.

【Strange Wind Years】

When we were young, we ran freely like a wild storm,

Wherever they went, the angels did not dare to come near.

We go deep into the dark forest that has no end,

Seeing us, even the demons retreated.

We look through the glass bottom of the Coke,

See how far away it really is.

We see a magical world,

It's a world that cars and the like can't reach.

Puppies are our beloved brothers,

Bicycle gallops like a rocket into the sky.

We fly to the stars,

Orbiting Mars.

We swing through the woods like Tarzan,

We learn from Zorro to wield a sword.

We went on a rampage with James Bond,

We are like Hercules who broke free from his chains.

Looking far away, we see the future,

In that faraway land,

Our parents are forever young,

And time flies like quicksand.

In the journey of life intertwined with laughter and tears,

We live each day to the fullest.

The self in the mirror is getting old,

This book is dedicated to the eternal child.

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As mentioned earlier, the "Summer of the Star Boat" chapter is the shortest origin volume.

After that, there are three volumes, "Autumn of the Demons", "Winter of Doom", and "Spring of the New World" (tentative title), each of which has several times more plot volume than the "Summer" chapter.

The direction of the story has been determined, just waiting for a specific description.

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