Chapter Eighty-Six: Foreseeing Danger

Thankfully, my eyes are now looking for the hidden marks left by the fat heads, and it's not too much trouble. Therefore, there will not be too much delay in the process of finding the way.

During this period, I found some coffins in the courtyard one after another, and after going in to check them, I found that these coffins belonged to an era, and they should have been placed here during the Tang Dynasty.

And there are also some small objects on the heads of these coffins, such as rouge color boxes, colored clothes and plain yarn, etc., in short, it can be judged that the coffins should be filled with women.

Although I wondered why these coffins containing the corpse of this woman were placed in this Tai Chi Palace, I didn't spend much time on this strange thing.

Because, I found that at this time, the marks left by Qu Fattou were no longer engraved in the secret place, but engraved on the bright side.

Moreover, these marks left behind are extremely messy and unstandardized, and it seems that the fat head of Qu was in a hurry when they left the mark, and they didn't have time to choose a secret place to carve the mark. There was no time to carve the marks neatly and neatly, which only showed one thing, that is, they were in danger......

Thinking of this, I hurriedly followed the marks and quickly looked forward, the marks left by the fat head became more and more chaotic, and the distance left by the marks became longer and longer.

These messy, ever-longer marks made me feel a pang of confusion in my mind, wondering what danger they were in. Will......

At the end of the day, I stopped in a low, gloomy side hall that looked strange everywhere, and the reason why I described this palace was because it did give me a very unpleasant feeling.

This Taiji Palace is dim and quiet, and even though the other halls and courtyards are lifeless, they are completely different from the side hall I see now.

If you want to compare these attached palace courtyards in the Taiji Palace to people, then after I got used to the lifeless palaces I saw before for a long time, they at most gave people a lifeless and dead-like feeling.

And the side hall I see now is not only lifeless to look at, but the most terrifying thing is that this side hall actually makes me feel that it is a ghost itself......

The mark they left behind disappeared when they reached this strange side hall. The door of the side hall was open, and I stepped forward cautiously, and next to the open door I saw a half-carved arrow mark.

And, what worries me the most has happened.

On the doorframe I saw a long, deep cleave caused by the fall of the giant axe in the hands of the three corpses.

The appearance of this mark indicates that Qu Fattou was attacked by three corpses when they carved the mark here, but it seems that he and Ai Shuang should not have been harmed, as I did not find any blood on the ground in front of the door.

Perhaps Qu Fattou and Ai Shuang escaped the attack of the three-headed corpse and ran into this side hall.

In this kung fu, I didn't dare to rashly call out to the fat head of the canal, because I don't know if the three-headed corpse in Lu Dao is still in this side hall. I could only use the Tang knife and carefully enter the gate of the side hall. When I walked into the temple door, my heart tightened again. Deep axe marks can be seen everywhere. It can be seen that Qu Fattou and the three corpses have also fought in the main hall.

I looked around, and I felt a little relieved, and there was no bloodstained corpse or anything in the main hall.

It seems that there is a high probability that they are still alive.

The main hall was littered and dilapidated. When I saw that there was no blood, I stopped paying attention to it.

Further back, there is a vermilion lacquered wooden door, which is very peculiar, and it is similar to the shape of the door we have now installed in our house, with only one door panel.

In the Tang Dynasty, however, there should have been two doors in one door.

So if you see such a wooden door in the broken school where I went to school, it is normal, but in this Taiji Palace built in the Tang Dynasty, it is indescribably strange to see a wooden door of such a size.

It was because the wooden door was so strange that I quickly turned my attention to it.

There are also deep axe marks around the wooden door, but the wooden door is intact, the wooden door is closed, and I don't know what is behind the road.

I looked at the wooden door and did not move for a long time, because suddenly a very strange feeling arose in my heart, and I felt very dangerous inside the wooden door and had to go in.

The feeling of wonder made me hesitate, and the feeling itself was contradictory.

It's dangerous but you have to go in......

This ability to foresee danger was something I had experienced in the underground pool where the snake demon was staying, and I hadn't fully understood it at the time, and now it seems that this may also be a different change in my body after swallowing the snake pill.

It can't be said to be physical, but it is more appropriate to say that it is a change in the nerves of the brain. That snake pill was able to affect the nerves in my brain, which greatly improved my perception of danger.

This ability to anticipate danger is simply too important for me in the here and now.

As for whether there are some dangers inside, I don't think too much about it, I want to look for Qu Fattou them, since they are likely to enter this door, then no matter what danger there is, I will go in.

I crept forward and gently climbed on top of the wooden door to listen carefully to the movement inside.

However, after listening to it for a long time, I didn't hear any unusual sound inside.

If I want to say something strange, it's that the silence inside this wooden door is terrible, and maybe even this silence makes me feel dangerous, and gives me a terrible feeling.

I straightened up a little and stared at the wooden door.

The feeling of danger seemed to intensify at this moment, and no matter how hard I tried, I couldn't discern what was inside.

After watching it for a long time, I finally gave up.

I could feel the danger inside the wooden door, but Qu Fattou and Ai Shuang couldn't feel it, and the axe scars disappeared here, indicating that they had really entered the wooden door.

At this time, I no longer hesitated, stood in front of the wooden door and took a deep breath, I held the Tang knife in my hand tightly with one hand, and slowly stretched out to the wooden door with one hand.

With a "squeak", I gently pushed open the strange wooden door.

The moment the wooden door was pushed open, I glanced inward, then immediately raised the Tang knife in my hand to protect my chest, and quickly retreated backwards.

The space inside this wooden door is not very large, it looks the size of a basketball court, but it is crowded with "people" in this small space