Many friends are interested in writing novels, and Skeleton provides a little experience over the years, which will be added in the future, thinking of a way to write a method, and you can also leave me a message if you have any questions, I hope it will help you.

1 pen name needs to be cautious when entering the industry,...... Ever since I became a skull elf, gaining weight has become my eternal goal.

Principle 2: Write a little bit every day, 3,000 words is not too little, 6,000 is passable, 10,000 is not much, 20,000 laugh hehe, develop the habit of code words, and set a bottom line for yourself that must be completed.

Principle 3: Personal construction, the first attempt, first write what you like, then write the popular, interest and love can often burst out of incredible strength and persistence, you like, you are moved, readers are likely to like to be moved, that is, only if you write correctly, you can write expensive.

Entry point 4: At the beginning, there are often two situations in which codewords are encountered, one is that the mind is blank in front of the keyboard, and the other is that when you write a paragraph, you suddenly feel that the follow-up plot is numb and boring, and there is a lack of interest. (Playing games, walking, etc. is definitely not a solution) This is to pass the psychological level, personal construction, stay up and write, don't find a reason, don't stop, don't get entangled in the content, as long as you boil out the feeling, the sea and the sky, it is said, "sit" to become a family.

Entering the industry rule 5: outline problem, whether you need an outline varies from person to person, in general, it is okay to make an outline at the beginning, the outline is not easy to be too long, only for reference, otherwise it will limit the idea, generally an outline layout of 100,000 words is almost, personal experience, remember the "point" without remembering the "box", record the good ideas and plot, even if it is a sentence, in order to connect the whole book, it is interesting to write, and it looks comfortable.

Entry point 6: You need to be confident, don't be conceited. Self-confidence can persevere, and conceit will kill success in the cradle. Avoid two situations, suffer from gains and losses and become a god, in fact, new and old authors, should hold a calm mentality, people only do not lose balance, in order to give full play to their strength, the so-called "miracle" often appears inadvertently, in other words, do your best to obey the destiny of God, but I believe that those who work hard, God will see!

Rule 7: Find the feeling of burning, that is, let your words move you first, which can bring great confidence and persistence. The so-called burning is commonly known and moved, there are many methods, briefly one kind, "three thousand" atmosphere, one palm to death, as many angles as possible, do not be stingy with pen and ink, hang your appetite, and finally use the rough and direct "one palm flow", countless classic comics, hero movies, novels are customary routines.

Entry point 8: Subjectivity determines speed. Pick an hour, just an hour, and only think about your own book, basically it is not a problem to increase the speed by a thousand words per hour, and because of the full dedication, the plot will often be more exciting. (Skeleton's personal experience, when he first started writing about the Raptors, he couldn't sit still, he easily got distracted, and when he got distracted, he slapped himself in the face, and used the speed from more than 1,000 to more than 3,000 per hour for a week.) ——Improve efficiency and change lives.

Entry point 9: a kind of opening. The humorous and relaxed atmosphere is easy to create (20,000 words), the humor is suppressed, and the foreshadowing before the outbreak (20,000 words) is formed, and the first outbreak is greeted within 60,000 words as much as possible.

Entry point 10: Talking about supporting roles. Write the supporting role as the protagonist, don't be stingy with pen and ink, and take care of it carefully. This is the case with the Ming people in "The Holy Church", the "clear apple fragrance" in "Raptors Crossing the River", did not give in until death. This will not cover up the brilliance of the protagonist, because only with them can the protagonist be reflected, just like the foolish Lu brother in the Youyou White Book, the bad and the bad are loved, without Zhou Yu, Zhuge Liang is still Zhuge Liang.

Principle 11: Subjective solutions to not be trendy. When you write about a place, you must explode but become a water army, you can try to improve the value of the situation, immediately watch some more enthusiastic movies and books (preferably watched), add a cup of coffee as a catalyst, turn off the movie or book immediately when the content enters, enter the code word state, and try to use this excitement in the world you structure, at this time the inspiration is often the most surging.

Rule 12 of the industry, talk about innovation and conservatism. The framework should be conservative and the content should be innovative. The existing framework of the subject matter has been tempered and can be understood at a glance, such as magic, which does not need to be explained, and if it is a new framework, it needs to spend a large paragraph of text to explain the structure, which is often thankless; The content and rhythm can be ever-changing, everyone has their own experience and entry point, the same world, different wonderful.

To enter the industry, 13 is not embarrassed. The expression of the control zhì excited, what must be created, what must be promoted, what must be achieved, this kind of strong often backfires and affects the judgment, and the code word is the same, in fact, it is to calm down and tell a story.

If you want to enter the industry, you have to 14 flowers, and you have to wait. How to create an ambiguous desire, first of all, there must be a "flower", not a nymphomaniac, in this regard, the male protagonist must not open the halo of the king, to pass the guò male and female protagonists "collision" to produce sparks, the more delicate and wonderful the collision process, the fuller the characters, the expectation and desire value will increase linearly, and then in this case, wait for the first class, just like stir-fry and stew, the taste is enough.

Entry rules 15 about the title of the book. From the feeling, there will be a few names or directions before starting to write, tentatively settle, and then after writing 60,000 words, look at it again, and determine the name, first of all, you must like it before you can love. From the market, electronics, mobile phones, simplified, traditional, etc., there are certain differences in the requirements for the name, generally speaking, in the case of taking into account, two words, four words, three words, more appropriate, for a single market, then another.

16 basic settings for entering the industry: the current trend is to focus on Chinese-style personal names, or natural mixing, and the pattern is also biased towards Chinese-style, which is suitable for full copyright, and pure Western-style is not recommended.

17 Talking about the sense of the picture, in fact, there is a sense of substitution, the table xiàn is a very ordinary bridge, it will look very comfortable, mature authors, do not consider this problem, instinctively bring it over; New authors, try the feeling of having a movie in your mind, this is an attempt to fight against the running account, you will form instinct when you get used to it, and then it will naturally produce an explosion, which is said, ordinary is the cornerstone of wonderful.

Principle 18: Fiction and reality are the most real. When making a fantasy setting, half-truths and half-truths are king, and the truth will be lengthy and cumbersome to limit itself, and the false will lack a sense of substitution, and the overhead history is inherently invincible, and the true and false are integrated, so the sense of substitution is extremely strong, and the half-truth and half-truth are the most real.

Principle 19: Small details first and then big scenes. This is a technique to enhance the sense of substitution, which can be extended to the way of writing, the big scene has an impact, but the small details are more memorable, and then break out after leaving an impression, the small details will be superimposed into the big scene, which has a boosting effect, and it is said that the storm is not as good as moisturizing things silently