"Host, please note, although I can guide you out of most things, there are some unique things that I can't do anything about, such as the heirloom jade seal and the like. Therefore, when the host chooses old objects, once there is an irreconcilable contradiction, I will still give you a warning, I hope you will also pay attention to this!"

It seems that some things still don't work, but fortunately, this condition has been relaxed a lot.

As for the legendary things like the heirloom jade seal, hehe...... Anyway, Yang Jing doesn't even dare to think about it now!

The loophole in the speculation was not fully established, and to be honest, this situation somewhat disappointed Yang Jing.

But it's a relief to think about it, the Holy Ring once said that although the original owner who made it lived in a global environment, this owner must have also thought of the issue of nationality, otherwise there would be no "territorial" rules. (PS: There is an explanation of territoriality in Chapter 192, so I won't say much about it here.) ）

Since there are even "territorial" rules, it means that the original owner of the Holy Ring must have considered this issue, but it should have been not considered perfectly, so that there was a loophole that was not considered a loophole.

However, although it has not been proved that this vulnerability is completely valid, it is now stronger than before.

In the past, as long as there were old objects that might cause the paradox of time and space, let alone acquisition, Yang Jing hid as far as he could, and even spent a huge amount of experience to implement the big plan he had made before, and most of them were done by foreigners, for fear of causing the paradox of time and space.

And now, I have become a foreigner, and the possibility of the paradox of time and space being triggered is greatly reduced. Although you can't buy those old objects without any scruples, you can finally give yourself another choice.

For example, this Baibao inlaid Arhat bed. If it had been before, how far away it would have been, this thing would have been able to cause a space-time paradox.

But now, the Holy Ring only consumes a part of the energy, and it leads to another almost identical Hundred Treasures Inlaid Arhat Bed, so he acquired this Arhat bed, and let Master Ma continue to buy the Arhat bed placed in the cafeteria, which not only satisfies his desire to acquire old objects, but also avoids the occurrence of the paradox of time and space, which is already a very good result.

However, this is obviously a bit more than worth the loss, not only consumes about two percent of the humanistic treasures, but also these treasures cannot be absorbed from this Baibao inlaid Arhat bed, which is equivalent to exchanging two percent of the humanistic treasures for a Haihuang Baibao inlaid Arhat bed in the late Ming Dynasty.

This Baibao inlaid Arhat bed is certainly quite precious, but for Yang Jing, this bed is obviously not as precious as the two percent of the humanistic treasures. Not to mention that in the basement of the Hai courtyard, there is also a Ming Dynasty Baibao inlaid arhat bed made of small leaf red sandalwood, which is much more precious than this bed!

If the natural treasure is consumed, Yang Jing will definitely not say a word, after all, the natural treasure is supplemented by the way, but this humanistic treasure is much more precious than the natural treasure.

However, it took two percent of the humanistic treasure to confirm such a half-established loophole, and also harvested a treasure embedded Arhat bed at the end of the Ming Dynasty, the quality of this bed is not a star and a half compared to the one in the canteen, and it is not a loss overall.

And in this warehouse, there is not only such a very good quality treasure inlaid arhat bed, Yang Jing also found a pair of small leaf red sandalwood chairs, four old Haihuang circle chairs, and an old Haihuang table of eight immortals, Yang Jing also found a complete set of Qing Qianlong imperial red sandalwood cloisonné enamel blue ground treasure inlaid eight immortals across the sea twelve screens in a corner of the warehouse.

This discovery made Yang Jing's face almost bloom.

In addition to the pair of small leaf red sandalwood chairs and the eight immortal tables made by Lao Hai Huang, whether it is the four old sea yellow circle chairs or the Qing Qianlong imperial red sandalwood cloisonné enamel Ming Bao blue inlaid Eight Immortals across the sea twelve screens, its value and preciousness are far from being comparable to the Baibao inlaid Arhat bed.

Yang Jing remembers very well that in the 2015 Christie's in New York's "Golden Years - Ellsworth Private Collection" auction, a set of four Ming Dynasty old sea yellow circle chairs was auctioned for nearly 9.7 million US dollars, equivalent to 60.64 million yuan.

Moreover, this style of hoop chair is clearly different from other shapes of hoop chairs, first of all, these four hoop chairs have a perfectly curved rim, secondly, there are unique and finely carved hook-shaped armrests, and finally, the backrest panel of each hoop chair is carved in three sections.

The four circle chairs in front of you, whether it is the appearance or the production technology, are no different from the four circle chairs that sold for a sky-high price, and it is obvious that these four circle chairs should be from the same period or even the same person as the four circle chairs.

The most important thing is that in the original time and space, the same style of the Ming Dynasty Laohai Yellow Circle Chair is recognized as only eight in the world! The other four are all in the hands of foreigners.

And these four circle chairs can be said to be the only set of four circle chairs found in China!

As for the Qing Qianlong imperial red sandalwood cloisonné enamel sapphire blue ground hundred treasures inlaid eight immortals across the sea twelve screens, its value is even more remarkable!

Also in 2015, at an auction held by Yanjing Poly, a Qianlong imperial red sandalwood cloisonné enamel blue ground treasure inlaid with four seasons flowers eight-screen screen collected by the Normandy diplomat family in France was auctioned for a sky-high price of 30.75 million yuan.

And the set of Eight Immortals crossing the sea screen in front of him, whether in terms of size or workmanship, is obviously higher than the set of four seasons flower screen. This set of Eight Immortals Crossing the Sea screen is 12 screens, four more than the four seasons flower screen, and the height is also higher, 2.2 meters.

Although the cloisonné enamel process, that is, the cloisonné process originated in the Yuan Dynasty in China, it flourished in the Ming Dynasty, especially during the Jingtai period, but the cloisonné enamel process in the Qianlong period of the Qing Dynasty reached the peak of this process.

During the Qianlong period, the cloisonné enamel process was widely used, involving almost all aspects of daily life, among which the screen is one of them.

This set of Eight Immortals Crossing the Sea Screen, the frame is made of high-quality small-leaved rosewood wood, the color is deep and quiet, and the pulp is moist and mellow. The screen is a five-wipe type, and each vertical material and the horizontal bar form a frame and inlay the flower board. Such exquisite craftsmanship and materials, even in the Qianlong period, are none other than the royal family.

In fact, a large number of screens of this style once appeared in the garden of Ningshou Palace, a place for the Qianlong Emperor to return to the government and retire carefully for himself in his later years, which embodies the Qianlong Emperor's personal good fashion and aesthetics, and is the ideal of the exquisite and elegant life of the literati and doctors that the Qianlong Emperor yearns for and the spiritual sustenance of Renshou and recreation.

Its design and production also fully embodies the Qianlong Emperor's concept of "three points in the craftsman, seven points in the master", which is the culmination of the handicraft level of carving, inlay, chiseling copper, enamel and other handicrafts in the Qianlong Dynasty, and breaking the division of labor of the Inner Government Office, uniting all forces in one vessel, and breaking through the boundaries of the utensils, laying out the craft into the interior space, which is a rare masterpiece.

It's just that this set of screens, which will definitely cause a sensation after thirty years, has been placed in the warehouse like garbage and no one cares, if it weren't for Yang Jing's coming here this time, this set of screens and the four circle chairs, the eight immortal tables and the two chairs would probably have been demolished.

Such precious furniture is placed here in such a mess, Yang Jing said that it was fake if he didn't feel sorry.

Yang Jing asked Director Wang beside him: "Director Wang, where did all this furniture come from?"

Director Wang said: "These furniture, like the bed in the canteen, were pulled from the outside when they were worn, and they have been here for almost 20 years. I remember that at that time, I had only been in the factory for a long time, and I was still studying with the master, and these things were pulled in from the outside. At that time, my master touched these furniture and said that it was all good things, but I never saw where it was good, wasn't it just some yellow pear, what was good?"

After a pause, Director Wang continued: "A few years ago, someone came to me and wanted to buy these four hoop chairs, and I offered a price of twenty yuan each, but the person couldn't afford it. Cut, you can't get 20 yuan, you still buy a fart! Later, some people came to buy it, but I didn't sell it. It's better to tear down these old furniture than to sell them. Over the years, a lot of them have been demolished one after another, and they have all been sold into new furniture, and now there are still these left. ”

These words made Yang Jing feel very distressed, and at the same time he was completely speechless, it was really terrible to be uneducated.

But don't blame this director Wang, the later generations are crazy to 10,000 yuan a kilogram of old Haihuang, now the price is cheap and smacking, not to mention anything else, at the end of the seventies, the price of Lao Haihuang was a kilogram and a dime, even now, this price has not exceeded three cents!

In the early eighties, this kind of old Haihuang circle chair was in good condition, twenty yuan a handful, and in bad condition, it was sold for five yuan!

If you go 30 years from now, 20 yuan, 2 million can only let you touch it! The price of such a chair is eight figures!

If thirty years later, if this director Wang knew that these old furniture he demolished could be worth millions or even tens of millions if he took out a random piece, I don't know if he would have a myocardial infarction!

It's a pity that I came late, and if I had come a few years earlier, I might have been able to save more old furniture that had been demolished.

"Director Wang, if I want to buy these old furniture, I wonder if you can sell it to me? Well, I can buy it in US dollars or foreign exchange coupons. I really love the antique furniture. ”

As soon as Director Wang heard this, his face immediately blossomed. "Mr. Lynch, if you want these things, I'm in charge, and you take a thousand dollars! ”

Yang Jing didn't say a word, nodded at Na Yong, and Na Yong took out a thousand dollars of foreign exchange coupons very neatly and handed them over......

PS: Bow and thank "Kunpeng 3357" for the tip of 600, "Master Huoyun" for the tip of 200, and "A Little Monkey" and "Book Friend 20170528081205184" for the tip of 100. 8)