If this judgment is correct, then one thing is obvious: the Jiangnan Yin family is really as principled as the legend says, and if there is a grudge against Su Mosen, it will only target Su Mosen, even if I am his granddaughter, he will not be angry with me, only monitor my account, and do not disturb any aspect of my life.

Thinking about it further, I can't help but break out in a cold sweat, those people are as omnipotent as ghosts, who knows when they will make what kind of actions.

I told them everything I thought of.

Lao Lazy crossed his hands on his chin and opened his two fixed eyes to think carefully about what I just said, and he said: "Although there is no substantial evidence to prove that the other party is a member of the Yin family, there is no problem with the whole logic, and it is extremely likely. ”

I nodded silently.

He also said: "It is necessary to ask Dai Furong to help inquire more about the situation of the Yin family, and it is best to find out the specific situation of Yin Sanlang's fight with Su Mosen five years ago, and how they formed a feud." ”

I nodded and immediately called Fleur.

Dai Furong didn't answer the phone, and it took more than ten minutes to come back, saying that he had found some clues about the "Liao family's vicious murder case", and was inquiring about the situation at the home of a colleague of Liao Shigui before his death, and asked me what was wrong.

I was a little surprised, and instantly forgot the purpose of my call, and rushed to ask him what clues he found and how he found them.

Dai Furong simplified the complexity and explained it to me.

He checked the accounts on the pages of the book left by his uncle as I instructed, and made sure that the letters in the upper right corner of each page were the abbreviation of the name of a place where homeless people gathered, that is, Dai Wenjing found that homeless homeless wanderers often disappeared before his death, so he made a special record.

and then related to the fact that Dai Wenjing transferred all the money in the account to Yang Xiaoyan's name before the accident, as well as the matter of the "Bai'an Pharmaceutical Factory" with a lot of money and the fact that he killed four members of Liao Shigui's family in the end, all of them were considered comprehensively, and it was believed that Dai Wenjing must have discovered that Liao Shigui was carrying out some earth-shattering experiment or conspiracy, and wanted to stop him from committing such a big case and almost killing their family.

Therefore, Dai Furong wanted to start with the character of Liao Shigui to see if she could dig out something. After a few days of hard planning, it was found that a neighbor who lived in the same building as Liao Shigui said that before the tragedy in Liao's house, a man with an eyepatch on his right eye and a very fierce face had entered Liao Shigui's house. The neighbor described it should be the one-eyed Yin Saburo who can't be wrong. A few days after that, the Liao family suffered.

Dai Furong said that he was now at the home of Liao Shigui's former colleague, inquired about his life circle and interpersonal contacts before his death, and asked me what was the matter with calling him.

I swallowed my saliva and said with difficulty: "It's okay, you just keep an eye on this line and check it deeply, and put everything else aside first, and dig this line to the end." ”

He said he would.

Then there was silence for a few seconds, and he asked me if I was particularly busy these days. I said yes, a lot of messy things are all in one place, and there is not enough time and brain. He said that no matter how busy he was, he still had to ensure that he ate and slept, and that if his body collapsed, there was no point in anything. I smiled and said I know, and so do you. He hummed earnestly.

After a moment of silence, I waited until he seemed to have nothing more to say, so I told him to take care, said goodbye, and hung up the phone.

I told Lao Lao and Xiao Hai what Dai Furong just said, and Lao Lao was very concerned, thinking that Liao Shigui's killing and Yin Sanlang's appearance at his house should be directly related.

I nodded unhurriedly: "Well, there is a relationship, absolute cause and effect." ”

The lazy didn't expect that I already knew it, so I was surprised and asked me what the situation was. I said that when I got back, I would ask Liu Yimin to learn more about the details of the "Liao family's vicious murder case" back then, and then see if I could build up the logical framework of the entire cause and effect.

The lazy saw that I was thinking about the thirty-six photos on the coffee table, and I didn't have the heart to say more about Liao Shigui and Yin Sanlang, so I didn't chase after them, but immediately studied the photos with me.

If Zhou Changshou didn't lie, then these 36 photos are all the works Xia Dongyi painted before he was imprisoned.

Thirty-six.

Zhou Changshou said that Xia Dongyi instructed him to declare to the public that there were 81 paintings he left in his old residence before he was imprisoned.

It was Xia Dongyi who asked him to say this.

Moreover, Zhou Changshou said that the rumor that there was a hidden treasure clue in the painting was also asked by Xia Dongyi for him to spread it.

I can understand that the rumors of spreading treasure clues are to make the paintings attract the attention of some related people as soon as possible, and Xia Dongyi's original intention in putting these paintings out is to let them serve as bait. But why do you have to say that there are only 36 paintings, but you have to say that they are 81?

Is the number "eighty-one" a key one?

Or does it take eighty-one paintings for someone to buy a painting?

In what kind of situation or layout, "eighty-one" can represent the importance or completeness that can be understood at once? In "Journey to the West", there is a saying that it is ninety-nine eighty-one difficult, but unfortunately it has nothing to do with the current matter at all.

I first stood on my side and looked at each of the photos on the coffee table, then walked to the position of Xiaohai Station on the opposite side and looked at them one by one, then to the south, and then to the north, looking at all four directions, confirming the previous idea, and then squatting down to rearrange the photos.

I completely disrupted the order of the small sea rows and rearranged them according to my own ideas, from the first to the thirty-sixth.

It's not my order.

This is the order given by Xia Dongyi.

When Xia Dongyi was painting, he arranged all the paintings in order, and marked the order in the painting in a very, very, very obvious way.

It's the abrupt colors in the picture.

Xia Dongyi's overall painting style is strange and dark, using mostly heavy colors such as gray, black, deep purple, and dark blue, but there will be a particularly abrupt warm color in each painting, such as the blood-red scarf around the neck of the woman standing under the tree in mourning or praying on the authentic painting in our hand, such as a few yellow leaves in another painting, as well as orange birds, golden ripples reflecting the sun on the water, etc., etc., critics have wasted a lot of spittle on this topic, saying that it is some kind of mysterious symbol, and it is a bold technique, There is also a metaphor for life or something.

Actually, it's neither, critics think too much.

These bold warm color blocks in cool colors are not due to the needs of the artistic style, but Xia Dongyi deliberately did it.

It's something that couldn't be simpler, clearer, and more straightforward.

It's a number, it's a serial number.

These warm colors, which contrast strongly with the overall style, are actually Arabic numerals, which are deformed like other people and objects, and have different orientations, so they are difficult to see at first glance, and they become a very hidden secret.

The blood-red color on the original painting next to it is the number 18, because it is horizontally drawn on the woman's neck, and it is natural to think that it is a sprayed blood stain or a silk scarf flying in the wind, but it is actually a deformed number.

I remember that the abrupt color of the painting that hung in the house of the dead lawyer Lu Yaolin was a blood-red waterfall hanging vertically, so the number should have been 11 or 17 or something. While thinking about it, I took out a picture of the painting from my phone and looked closely, and sure enough, it was 11.

But the numbers on these thirty-six photographs are incoherent.

The number 1 shown on the first photo and 79 on the thirty-sixth photo is missing a lot of numbers in between.

Therefore, the number "eighty-one" seems to be very necessary.

We finally understand the basic meaning of Xia Dongyi's work.

This is a huge puzzle, each painting is a piece of the puzzle, Xia Dongyi used his unique way to mark the order of the pieces, and through Zhou Changshou's mouth to declare that there are a total of eighty-one pieces, only eighty-one pieces can be put together.

In other words, the secrets in Xia Dongyi's paintings are the three keys: the total number of eighty-one, the incorrect order of stitching, and the hollow circle hidden in the center of the painting with fluorescent paint.

This layout is really precise enough, one is wrong, one is wrong, and the real work must be obtained, which is simply handled by God.

But what is the secret hidden here?

Zhou Changshou said that it was Xia Dongyi who asked him to bury a batch of treasures in the ground of the Yin family in Jiangnan, and the story of the treasure clues in the painting was revealed, so whether this legend is true or not, this statement should be part of Xia Dongyi's entire plan, and he must say this to attract the attention of some specific people to his paintings. So in other words, the clues hidden in the painting should indeed be information such as treasure maps, and it is likely to be really related to the Yin family in Jiangnan.

But the final location of this puzzle is definitely not the Yin family in Jiangnan who buried the money in 1930 that was originally intended to be used to fund the anti-Japanese resistance. Because if it's really just a treasure, the storm caused by Xia Dongyi's paintings is a bit too big, and treasure hunters generally don't spend such a high price to buy some treasure information that is completely uncertain whether it will work in the end. Therefore, what Xia Dongyi's huge puzzle points to in the end is definitely something more important and valuable than real money and silver treasures.

I suddenly thought of the tomb of King Jinjue.

It stands to reason that we have never been able to figure out the significance of the tomb of King Jinjue.

The original legend is that King Jin Jue was seriously ill and died, and his cronies and heirs sealed his soul in a special way and buried him, and buried him with 9,000 dead soldiers, in anticipation of the realization of immortality and resurrection in the future.

Does it have anything to do with painting?