The sun rises at 5:30 a.m. in Philadelphia in June, and the TLB crew starts work at 7:30 a.m., but before that, the crew has already set off from the Courtyard by Marriott to prepare for today's filming location at Valley High School.

The scene to be filmed is from chapter 6 of the original book, on which Susie went to school that day, slipped in through the back door of the school because she was late, and was stopped by Ray who was absent from class on the side of the auditorium stage, and then climbed onto the stage stand under his prodding.

After a conversation between young men and women, just as Ray was about to kiss Susie, Ruth pushed open the door next to the stage, and the headmaster, Mr. Peter Forde, and Miss Lane, who taught art, reprimanded her for drawing a picture of a naked woman in art class, which had a bad effect on the other students.

Ruth was a poor failure at this time, she began to sob after the principals and the two left, and the worst thing was that Ray and Susie got off the stage stand to leave, and they both heard and saw it. Ruth wasn't surprised by Ray's absence, he still had good grades, she just wanted to make sure if the other person was Susie, and the probability of Susie being absent from school was "as small as the smartest girl in the class being scolded loudly by the instructors", she asked, "Susie Shamon?"

In the original book, Ruth at this time is a "quiet rebel", an invisible person at school who no one notices, but quite rebellious, and Ray is a "Martian who is 800 times smarter than everyone else", and skipping school is commonplace. The most well-behaved person who wants to be cool the most is Susie, and she is the one who has an accident.

When Ye Wei adapted the script, he had already decided to completely adopt this scene before the framework was decided.

Peter Jack thinks that Ray and Ruth's appearance can be combined into other scenes, such as Susie's family going out together, and Susie and Ray's hallway kissing scene.

Ye Wei disagrees, in his structure, the role of this scene is not only the appearance of the characters, there are several very important points, one is to show the 14-year-old Susie in love, plus after the kiss scene, a pair of young lovers began to sprout. This is not a love movie, but with this emotion, the character of Susie is complete, with family affection and youthful love.

She and Ray are beautiful, and her murder has tarnished, shattered, and abruptly stopped this beauty, so that the audience can be as heartbroken as they can.

The second is a complex melancholy born from the contrast and change before and after, which is exactly Susie's mood.

At that time, her youth was more hopeful, more exciting and interesting than Ruth's, and more superior, Susie's family background, appearance, and school popularity were higher, and she was also in love with Ray. And Ruth is just a freak who is scolded by the principal and cries, Susie and Ray listen on the stage stand, she is embarrassed, Ray squeezes her hand, but soon everything changes.

When Susie reached out to touch Ruth's cheek, she watched from heaven as Ray and Ruth drew closer. The audience naturally felt that the beauty that originally belonged to her was gone, forever, and belonged to others.

So this is an important scene, not only does not do the merger and adaptation of the scene, Ye Wei also has to shoot it well to strengthen the rendering of the emotions it produces.

If Jackson focuses on "before the crime, the crime, the investigation, and the crime", the emotional points that should be needed in these stages can be combined and placed casually, and there can be any; Ye Wei is not, he focuses on the destruction of all kinds of beauty in the story, except for Mr. Harvey, everyone has a huge trauma, and they are slowly recovering in time.

Susie and Ray's feelings must be rendered.

First, a scene of a sister walking to school, with Susie's narration, "I wore this hat to school for the first time a week ago, and I didn't like it at the time, but something happened. After this scene, Susie narrates "That week, it was amazing", using a montage to show her last happy moments. is at home and on campus, all of which are related to her and Lei, and family affection and love are integrated into it.

For example, Ray handed Susie a note of love letters in class. After Susie took home a book of poems, Lincy inadvertently flipped through the book of poems and looked at it to make fun of her. The two sisters quarreled because of this, and it seemed that the whole family was going to be turned over, but it was actually very warm, and there was no such scene in the Shamon family in the future.

At the end of the montage, Susie was picking up something by the locker in the school hallway, and when she saw Ray coming, he called out, "Susie." ”

Pick up her and Ray's kiss scene again. Before the kiss, Ray said that he could not walk together today, and that he would leave for his father's lecture at the University of Pennsylvania in the afternoon, and that he would also stand on the podium to tell 45 international students about his adolescent experience. The two made an appointment to hang out tomorrow weekend, and he laughed and said that he asked her to wear that pom-pom colored fur hat tomorrow, and he liked her to wear that hat.

After school in the afternoon, Susie is tricked into a hole raped and killed by Mr. Harvey in the cornfield after harvesting, and in the process, she collects the scene of Shamon's family preparing dinner and Ray giving a speech at Penn.

There is not much time and space, in terms of the relationship between Susie and Ray, this is the best adaptation plan that Ye Wei can think of, and it can best render the horror, cruelty, and grief of Mr. Harvey's rape-killing of Susie. He doesn't believe in the kind audience who doesn't cry.

In the original book, shredded pieces of paper in Ray's love letter to Susie were found by the police, making him the first suspect, but he was exonerated because he had an alibi for his speech at the University of Penn. Jack Shamon was also in a hurry and went to his house to inquire about the case. None of these contents can be included in the movie, so they can only be discarded.

......

It's not the first time Ye Wei has acted, but he just can't like makeup, and the sissy generally sits in front of the makeup table of the makeup car in the base camp, and is used by the makeup team led by makeup artist Sandy Cooper to mess with his hair and face with a bunch of tools that he can't name.

The tattoos on his ten fingers were painted flesh-colored with powder, and he couldn't see the close-up of his fingers, and the ones on his small arms were covered by long-sleeved black jacket costumes.

Assistant makeup artist Nicole Sotilon combed his short and medium hair to the look of the old days, and then began to apply makeup, laughing, "Director, do you want to give you a smoky makeup?"

Liz and Dakota in front of different dressing tables in the same car laughed. They were also surrounded by the staff to put on makeup, and Sandy was instructed back and forth.

"Don't even think about it, just clean me up. Ye Wei pretended to be serious and said: "You guys prepare well for the performance of the meeting, don't NG times equal to your age when the time comes." It's okay now, but in another 20 years? ”

Although he is constantly laughing, he is very strict with the actors, including himself as an actor.

Due to various reasons such as market and politics, there are very few Asian characters on the screen, and there are especially few teenage roles. No matter before or now, he will never allow himself to mess up this opportunity, and "Ray" has a different meaning.

Ye Wei's anatomical construction of him is done by the director and the actor together, "Lei" is not difficult, and he now feels that he has completely mastered this character, because he understands him completely. They are similar in some ways, arrogant and pretentious, "Ray" is not a bad boy, he just doesn't care.

He doesn't care about everything in this town, he has moved many times since he was a child, he has a sense of wandering that he will move out at any time, and even if he doesn't move, he won't continue to stay in the town when he grows up, so Malvern Town is just a temporary place to stay, and he will definitely leave.

So the people in the school, the people in the town, these guys who have never seen the world, what they say and think, Ray doesn't care. It's not the kind of negative indifference, it's a maturity and rebellion beyond his age, and many things are ridiculous in his eyes, so ridiculous that he doesn't even bother to laugh. Of course, Ray is a teenager after all, and he will also have some pretenses and loneliness that does not integrate into the community, which is not really free and easy.

But Susie is a complete exception, and Ray likes Susie.

Why? Ray's first line in the book is, "You're beautiful, Susie Shamon." That's why, in Ray's eyes, Susie is very beautiful, not only in appearance, but also in her temperament, he likes every little look and movement she makes.

Susie is different, different from everything in the town, different from this world, she is beautiful. That's enough for teenagers, and it's one of the causes of love.

To play Lei well and the relationship between Lei and Susie, Ye Wei felt that it was not difficult.

A few days ago, I finished filming Ray's speech at Penn, and I had a speech addiction that I hadn't had for a long time. Many directors' acting skills are actually very good, especially those who are from acting backgrounds, he doesn't know if he is one of them, but compared with the starring role in "The Wedding is Coming" and the cameo in "Little Sunshine Beauty", he must have improved again.

He doesn't have the style of performing in his true colors, and he avoids using emotional substitutions, so as not to mess with the emotional memory in his mind because of his performance. Especially today, when I get up, I remind myself: Ye Wei is Ye Wei, Lei is Lei, Lily is Lily, Liz is Liz, Susie is Susie.

......

It's the free summer vacation, and many students in Valley High School are back to school to watch the filming of the TLB crew, mostly girls, maybe they can be lucky to make a cameo, or be favored by VIY and embark on the road to stardom, or have some passion happen.

The luckiest thing was to see Ye Wei and others get out of the car and walk to school in the parking lot, and the students wanted to break into the set in the auditorium, but they were stopped by the security guards. But the venue manager came forward to say VIY's gratitude, and he and the sister of the Olsen sisters and several other teenage actors would meet them at lunchtime, and they would have a chance to sign autographs and take photos.

At this time, the stage side of the auditorium was busy, and this scene was a big project, with many different camera positions, divided into the ground and the camera lift, the latter of which was to be shot on the stage stand. These shots also have more workload for the lighting and recording crews.

The rocker arm has to be erected and the crew has to warm up, so shoot the ground shot first, and then shoot the rocker shot.

Today, the photography crew is the busiest, and the art crew can't be idle, and all the human scenes must have the look and feel of the 70s, which has high requirements for sets, costumes, and props.

TLB's costume designer is Mayes C. Rubeo, who is working with Ye Wei for the second time after TEK, the set designer is Heather Leffler, art designer Adam Stockhausen, prop designer Tony Bonaventura, they are working with Ye Wei for the second time after LMS, and Donald Burt continues to serve as art director, and he and Ye Wei are working together for the third time after LMS and SS.

When we first cooperated, except for Bonaventura, everyone's status in the industry was not high, and now they have all improved, but they are as serious and hardworking as before.

Ye Wei didn't come from that era, Donald Burt was, he went to high school in 1976. Speaking of the 70s, of course, this old guy knows more, so this time he is more decentralised in art and adopts more opinions from art fingers.

He and Donald were talking about some of the small decorations of the stage.

In the original book, it is said that the "young pill people" most often sneaked in through the back door to get away with the school's punishment, and in late 1973 when the hippie movement was at its peak, those people walked by every day, and it was impossible not to do something about the stage stands, like posting pictures of Mick Jagger, Barbra Streisand, and others.

He talked to the set crew in the early stage, and Donald said it was feasible. Now the two of them are making the final determination that this is not a stage of purity, but something pure is happening.

After settling down, Ye Wei patted Donald's old shoulder, and was about to turn around and walk to take a look, where the camera crew and special operators placed the rocker arm, as well as Master Jiya.

"Director. Liz was coming.

Ye Wei stopped and looked at her, "What?"

"Are you free to rehearse?" asked Liz with a smile. She was dressed today in a lilac coat and white pants, wearing that hand-knitted fur hat, her blonde hair was draped down, her youthful face had beautiful eyebrows, her eyelashes were long, and her gray-blue eyes were penetrating, and she seemed to be able to speak in the blink of an eye.

For the sake of separation, Dakota's hair color was dyed black and brown, which made her even more withdrawn and cold. She was sitting on the sidelines of the actor's chair not far away, reading the script.

“OK。 Ye Wei nodded, anyway, if he has been a director for a hundred years, he will not let him set up a rocker arm, that is done by professionals.

Instead of joining in the fun, it is better to seize the time to rehearse and know if you need to revise your lines. Despite the support of the original book, the lines can often be changed at the last minute in the filming, which is determined by the actual feeling of the situation and the performance of the scene.

Ye Wei and Liz walked to the side of the actor area, which would not hinder others from moving around and doing things, and Mo Di and several others came.

He first preached as a director: "The gist of this scene is to test each other, Ray's need is for Susie to take care of him, Susie's need is to take an adventure, in this atmosphere where they are not sure what the other person thinks, they test each other, feel, and then the physical contact of holding hands is very exciting and satisfying for them." We're going to play out this feeling of first love. ”

"Understood. Liz thought about coming down.

"You have your first love, right?" Ye Wei asked.

"Of course. Liz rolled her eyes as if she couldn't look back: "It's not very interesting." How?"

"Forget it all, you're Susie, you're not in love, this is the first time. Ye Wei said to her.

There are only about 12-year-old Saoirse and "my name is shy" in the crew, and Modi, who has not yet had their first love, to ask a person who has become a saint in love to perform the appearance of first love, which is the absurdity of the performance, and it is also the fun of the performance.

"Although we are not young anymore. As he was talking, he was interrupted by Liz: "Aren't 17 and 18 years old young?" and he said seriously: "We're going to play 14, 15 at that time, what's just started, think about the feeling that you've just entered middle school, just entered high school! Everything is new, full of unknowns and hopes, you can make all dreams happen." ”

Liz nodded and didn't say anything.

The two read the script again, and after they both put down their chairs, in the eyes of Dakota and several people, Ye Wei walked a few steps away and stood on the stage stand.

He looked at Liz's beautiful face, and didn't want to replace it with emotion at all, but Lily's smiling face floated uncontrollably in his heart, and a lot of memories surged up in an instant, the cuttlefish operation that day, looking for her bracelet in the bedroom, and giving her a Jane Eyre doll...... The heart is full of first love.

He smiled naturally and said in a cynical tone, "You're beautiful, Susie Shamon." ”

Liz also acted, and when she heard this, she looked stunned and looked around.

"I'm here. Ye Wei said with a smile again.

Liz looked over and saw that his tall body was wearing a black jacket and jeans, broad shoulders that could make girls pay attention, a pair of long handsome legs, a handsome face, and deep eyes. She felt a pound in her heart, and she exactly felt Susie's mood of "falling straight to the ground with one heart".

"Hi. Ye Wei said hello, and his eyes blinked.

"......" Liz continued to be stunned for a few seconds before pursing a smile on the corner of her mouth and asked, "The first class has begun, what are you doing on it?"

"You'll find out when you come up and take a look. Ye Wei's smile gradually became bigger, revealing neat and delicate teeth, and stretched out his right hand to her, "Come up and take a look, Susie." ”

He called Susie directly, and his heart was more and more excited, but was he absent from class? Liz looked at the exit of the auditorium with some hesitation, and finally walked over with a fascinated smile.

Dakota and the others watched this rehearsal, and the more they watched, the more surprised they became, they really came to play, and the look and feel of their partners was also good......

As the saying goes, a perfect rehearsal is equivalent to wasting a bunch of good shots, and now that's it, the two of them have completely wasted this rehearsal.

In the future, the audience will see the image on the screen roughly like this: 1 A panoramic shot, Susie walks in a hurry with a school bag on her back, and the voiceover voice says "You are beautiful, Susie Shamon". 2 In a medium and close-up shot, she stopped and looked around in confusion, and the voiceover said again, "I'm here." She looked up.

3 A large panoramic view of Susie's back is looking up at the camera, and she looks up to see Ray on the stage stand above the frame;4 A close-up shot of Ray sits down on the stand and looks down slightly, and says "Hi" at the same time;5 A mid-to-close-up top view of Susie looking up, she smiles and asks Ray what he is doing on it.

6 A diagonal angle panorama shot in the sky, Ray reaches out and invites her to come up. 7 A frontal close-up of the ground, Susie hesitates, then walks over. 8 A large panorama of Susie's side, she is going to climb up the stand, Ray is going to pull her up.

These eight shots were filmed on the set like this: the crew first shot all the ground shots of this big scene, including Ruth's scene, etc., and then shot all the rocker shots, including Susie and Ray lying on the stand chatting. The sequence of completion of this set of lenses is: No. 2, No. 7, No. 3, No. 1, No. 8, No. 4, No. 6, No. 5.

That's why you need a scene note, and that's why actors who love acting will yearn for and walk on stage, and it's better to feel more enjoyable when you really shoot and act than when you rehearse, the key is coherence.

It had been hours until noon after filming the big scene, and the set continued to move around the school to shoot the montage footage.

Before lunch, Ye Wei, Liz and others went to the teaching building to meet the enthusiastic students, all of whom were the same age, but the students were in an excited uproar.

All day long, Ye Wei deliberately pressed the kiss scene and didn't want to shoot, but what was to be shot on the shooting table every day was always filmed, and this kiss was indispensable.

At the round table that day, Jackson said an idea, keep this kiss as a regret first, and wait until the scene where Susie descends from heaven to possess Ruth and reunite with Ray in the future, which can be used to make up for regrets, and after merging the scenes, you can choose to love and let go.

He couldn't agree with this, this kiss was the finishing touch of Susie's beautiful youth, completely pure, sincere, and beautiful.

The book reads: "Ray kissed me next to the locker that week. He wanted to kiss me on the stage stand, but he didn't, and the only kiss we had was accidental, as beautiful as the rainbow aura emitted by a gas gun. ”

This paragraph is so well written!

It was an unexpected kiss that didn't make it clear. What kind of accident? was it caused by being bumped into by other students? caused by the two of them inadvertently turning their heads? Or was it caused by Ray suddenly falling and rushing over? He liked to fall! This kind of old-fashioned and unexpected kiss has a sense of fate, and it is also a testimony to the clumsiness of their youth. Susie recalls that the kiss was so beautiful that it could be compared to the beauty of a gas gun that had no beauty at all, and it made everything beautiful.

When Mr. Harvey kisses Susie with his foul mouth open, the audience will be hurt to the bone marrow, the arrangement of fate will be torn apart, and the dreams of youth will be shattered, which is too miserable.

So Ray and Susie must kiss, and there must be an element of accident. When the two finished speaking, Ray turned to leave, but his feet slipped, and he stumbled forward, almost pressing on Susie, the two stared, there were no lines, Ray kissed Susie, the kind of light kiss that was on the lips.

At this time, it was already afternoon, and the crew was filming by the locker in the corridor of this teaching building.

There are no student tricks, there are not many people on the set, only the necessary film crew and two actors, the director requires the scene to be cleared, and all idle people are not allowed to watch this scene. Even Gia was blown away, she said: "I have the ability to let me not see it in the theater in the future." ”

Despite this, there are still more than a dozen people working on photography, lighting, recording, etc., and after filming other shots of this scene, it is finally time for the kissing scene of the two, and the close-up scene in the side is slowly pushed closer, with a gentle and romantic sense of proximity, Susie on the left, and Ray on the right.

The two actors were preparing on the side. Ye Wei was chewing gum, Liz was also chewing gum, looking at each other, needless to say, they all knew each other's thoughts, and they fought for a pass!

"Broken leg!" Liz cheered herself.

"I gave you a Chinese name. Ye Wei said suddenly.

"What?" Liz looked at him quizzically.

Ye Wei took out the signature pen in his pocket and wrote two words "Lizi" on the script, explaining to her: "The Chinese pronunciation of these two words is LIZ, which means 'the style of jasmine', but the Chinese translation of lily is 'Lili', so it can also be said to be 'the style of lilies'." ”

Liz frowned, a little understanding, and nodded without saying anything.

When everything was ready, Maurer operated the camera, Lynn played the clipboard, and Anderson whispered, "ACTION." In front of everyone's eyes, the machine was next to it, there was a soft light, and there was a microphone hanging in the sky, and the two of them started the show.

On the left side of the frame in the shot, Liz was clinging to the locker, and Ye Wei, who fell on the right, pressed the locker with his right hand, and pressed his palm on her shoulder, making a sound, he was a head taller than her, and suddenly looked down at her condescendingly.

Liz's eyes dodged at first, and as his face slowly closed, she gradually stared at him, her cheeks reddening.

Ye Wei looked at her, almost touching her forehead, the closer she got closer, the softer her expression became, he opened his lips slightly, kissed her lips, and kissed her lightly.

Liz's eyes are slightly closed, and her face is full of the beautiful style of a girl in love for the first time.

※※

Many years later, when the scene known as "Wall Knock" became popular all over the world, the media and the public mentioned the wall knock in film and television again and again, and they would inevitably mention Ye Wei's classic wall knock on Elizabeth Olsen in the American movie "Lovely Bones" as early as 2006. This is also the first love and first kiss of the two on the screen. It's equivalent to wasting a bunch of good shots, and now that's it, the two of them have completely wasted this rehearsal.

In the future, the audience will see the image on the screen roughly like this: 1 A panoramic shot, Susie walks in a hurry with a school bag on her back, and the voiceover voice says "You are beautiful, Susie Shamon". 2 In a medium and close-up shot, she stopped and looked around in confusion, and the voiceover said again, "I'm here." She looked up.

3 A large panoramic view of Susie's back is looking up at the camera, and she looks up to see Ray on the stage stand above the frame;4 A close-up shot of Ray sits down on the stand and looks down slightly, and says "Hi" at the same time;5 A mid-to-close-up top view of Susie looking up, she smiles and asks Ray what he is doing on it.

6 A diagonal angle panorama shot in the sky, Ray reaches out and invites her to come up. 7 A frontal close-up of the ground, Susie hesitates, then walks over. 8 A large panorama of Susie's side, she is going to climb up the stand, Ray is going to pull her up.

These eight shots were filmed on the set like this: the crew first shot all the ground shots of this big scene, including Ruth's scene, etc., and then shot all the rocker shots, including Susie and Ray lying on the stand chatting. The sequence of completion of this set of lenses is: No. 2, No. 7, No. 3, No. 1, No. 8, No. 4, No. 6, No. 5.

That's why you need a scene note, and that's why actors who love acting will yearn for and walk on stage, and it's better to feel more enjoyable when you really shoot and act than when you rehearse, the key is coherence.

It had been hours until noon after filming the big scene, and the set continued to move around the school to shoot the montage footage.

Before lunch, Ye Wei, Liz and others went to the teaching building to meet the enthusiastic students, all of whom were the same age, but the students were in an excited uproar.

All day long, Ye Wei deliberately pressed the kiss scene and didn't want to shoot, but what was to be shot on the shooting table every day was always filmed, and this kiss was indispensable.

At the round table that day, Jackson said an idea, keep this kiss as a regret first, and wait until the scene where Susie descends from heaven to possess Ruth and reunite with Ray in the future, which can be used to make up for regrets, and after merging the scenes, you can choose to love and let go.

He couldn't agree with this, this kiss was the finishing touch of Susie's beautiful youth, completely pure, sincere, and beautiful.

The book reads: "Ray kissed me next to the locker that week. He wanted to kiss me on the stage stand, but he didn't, and the only kiss we had was accidental, as beautiful as the rainbow aura emitted by a gas gun. ”

This paragraph is so well written!

It was an unexpected kiss that didn't make it clear. What kind of accident? was it caused by being bumped into by other students? caused by the two of them inadvertently turning their heads? Or was it caused by Ray suddenly falling and rushing over? He liked to fall! This kind of old-fashioned and unexpected kiss has a sense of fate, and it is also a testimony to the clumsiness of their youth. Susie recalls that the kiss was so beautiful that it could be compared to the beauty of a gas gun that had no beauty at all, and it made everything beautiful.

When Mr. Harvey kisses Susie with his foul mouth open, the audience will be hurt to the bone marrow, the arrangement of fate will be torn apart, and the dreams of youth will be shattered, which is too miserable.

So Ray and Susie must kiss, and there must be an element of accident. When the two finished speaking, Ray turned to leave, but his feet slipped, and he stumbled forward, almost pressing on Susie, the two stared, there were no lines, Ray kissed Susie, the kind of light kiss that was on the lips.

At this time, it was already afternoon, and the crew was filming by the locker in the corridor of this teaching building.

There are no student tricks, there are not many people on the set, only the necessary film crew and two actors, the director requires the scene to be cleared, and all idle people are not allowed to watch this scene. Even Gia was blown away, she said: "I have the ability to let me not see it in the theater in the future." ”

Despite this, there are still more than a dozen people working on photography, lighting, recording, etc., and after filming other shots of this scene, it is finally time for the kissing scene of the two, and the close-up scene in the side is slowly pushed closer, with a gentle and romantic sense of proximity, Susie on the left, and Ray on the right.

The two actors were preparing on the side. Ye Wei was chewing gum, Liz was also chewing gum, looking at each other, needless to say, they all knew each other's thoughts, and they fought for a pass!

"Broken leg!" Liz cheered herself.

"I gave you a Chinese name. Ye Wei said suddenly.

"What?" Liz looked at him quizzically.

Ye Wei took out the signature pen in his pocket and wrote two words "Lizi" on the script, explaining to her: "The Chinese pronunciation of these two words is LIZ, which means 'the style of jasmine', but the Chinese translation of lily is 'Lili', so it can also be said to be 'the style of lilies'." ”

Liz frowned, a little understanding, and nodded without saying anything.

When everything was ready, Maurer operated the camera, Lynn played the clipboard, and Anderson whispered, "ACTION." In front of everyone's eyes, the machine was next to it, there was a soft light, and there was a microphone hanging in the sky, and the two of them started the show.

On the left side of the frame in the shot, Liz was clinging to the locker, and Ye Wei, who fell on the right, pressed the locker with his right hand, and pressed his palm on her shoulder, making a sound, he was a head taller than her, and suddenly looked down at her condescendingly.

Liz's eyes dodged at first, and as his face slowly closed, she gradually stared at him, her cheeks reddening.

Ye Wei looked at her, almost touching her forehead, the closer she got closer, the softer her expression became, he opened his lips slightly, kissed her lips, and kissed her lightly.

Liz's eyes are slightly closed, and her face is full of the beautiful style of a girl in love for the first time.

※※

Many years later, when the scene known as "Wall Knock" became popular all over the world, the media and the public mentioned the wall knock in film and television again and again, and they would inevitably mention Ye Wei's classic wall knock on Elizabeth Olsen in the American movie "Lovely Bones" as early as 2006. This is also the first love and first kiss of the two on the screen.