"Aren't you talking nonsense? What's all the fuss about. As soon as Lei Xiaotian restrained the excited Qiu Lang, he almost wrote the word disgust directly on his face.

Ye Chen shook his head and interjected: "Actually, it's not exactly the same, Qiu Lang, if you look closely, you can find that Du Musheng's strength is still worse than his sister." ”

"Hey, when you say that, it seems to be a little different. Qiu Lang looked at it carefully, and then he saw the meaning of Ye Chen's words. Although Du Musheng's movements and effects are almost the same when he casts his magical powers, the difference is that the growth rate of the stakes and vines under Du Musheng's magical powers is obviously slower than Du Shi Niang's, and from the appearance, it seems to be a little less meaningful.

"Ye Chen, before you go on stage, tell Zhuyin that he knows what to do, what does it mean? Do you still have any secret weapons hidden?" After watching Du Musheng's excitement, Qiu Lang began to care about Meng Zhuyin's situation again, wondering how Meng Zhuyin would deal with this exuberant escalation.

The corners of Ye Chen's mouth hooked up a smile, and he didn't answer directly, but simply said: "You'll know if you look at it." ”

At this moment, Meng Zhuyin was still playing his music with his eyes closed, seemingly unaware of the crazy plants around him, but this was not the case. In fact, the sound of the luthier playing naturally bounces back when it hits something else, allowing the luthier to see what is happening around him without having to open his eyes. And the reason why Meng Zhuyin is calm at the moment is that he wants to first try to see if the qin music he played at this time can resolve Du Musheng's offensive.

chose to play "Xiaoxiang Water Cloud" taught by Ye Chen at the beginning, which is enough to see how much Meng Zhuyin attaches importance to this duel, but the result after playing the first paragraph of "Xiaoxiang Water Cloud" is unsatisfactory. Perhaps because of the attribute of "water" in the qin music of "Xiaoxiang Water Cloud", Du Musheng's vitality was not restrained when he was affected by the sound of the qin, but instead showed a sense of enjoyment, which made Meng Zhuyin immediately give up his plan to continue playing this piece.

Meng Zhuyin directly rolled on the strings with his right hand, interrupting the playing of "Xiaoxiang Water Cloud", and when everyone was still wondering why he stopped playing, the big finger of his left hand held the string again, and his right hand gently picked it up, and suddenly tilted out another melody, which was completely different from the music just now.

"Zhuyin chose very decisively, and it seems that its mentality has indeed not been affected. Ye Chen smiled with satisfaction, and only after everyone's curious inquiries did he say the information about the qin music that Meng Zhuyin is playing now, which is another famous guqin song that Ye Chen taught to Meng Zhuyin - "Yangchun White Snow"

As Meng Zhuyin said to Ye Chen, his mastery of "Yangchun White Snow" has reached a basic level of proficiency, and he successfully entered the first section of the whole song of "Yangchun White Snow" in a few notes, called Qi Zhuan Hongjun.

The reason why Ye Chen ordered him to play "Yangchun White Snow" directly when necessary before Meng Zhuyin came on stage was precisely because this piece was a great way to deal with the vitality in the law of wood, as long as the level of the pianist was sufficient, it could even be said that it could directly achieve the effect of suppression.

If the core artistic conception of the whole song of "Xiaoxiang Water Cloud" is in water, then the core artistic conception of "Yangchun White Snow" is in wood.

The first section of "Spring and White Snow" reflects the scene where the weather is falling, the ground is begging, the fibers are moving, and all the trees are sprouting, which is very similar to the vitality in the law of wood.

In fact, Meng Zhuyin only understood why he wanted to abandon "Xiaoxiang Water Cloud" and not play it, but he didn't know why he wanted to choose the same soft "Yangchun White Snow", but Meng Zhuyin believed that there must be a reason why Ye Chen pointed out so much, so he continued to play it with curiosity.

"Meng Zhuyin, don't struggle, it's useless to change the tune! I said a long time ago, what kind of music, what kind of rhythm, it's just flashy things! I think your Meng family deserves to be destroyed in the hands of you, the pianist!"

Seeing that his wooden prison was in good form, and he would soon completely enclose Meng Zhuyin in it, Du Musheng was naturally in a good mood, and he was confident that as long as his wooden prison was formed, Meng Zhuyin would never have a chance to turn the tables at all.

Watching the stakes grow little by little, until the wooden dungeon was finally completely closed, Du Musheng finally laughed heartily and said: "You can play it, and then wait to be entangled by my vines little by little and hanged!" Hahahahaha......ha

Du Musheng's rampant words Meng Zhuyin naturally heard it clearly, but he didn't care, and directly started the second section of Yang Hui Earth after playing the Qi Zhuan Hongjun.

"The sun and the earth are rejuvenated, the business is kind, and everything is new. ”

In the wooden prison, Meng Zhuyin was surprised to find that his "Spring and White Snow" was played more smoothly than usual. In Meng Zhuyin's view, because the continuity between each section of "Yangchun White Snow" is very strong, the concentration of the power of the soul is higher, and the difficulty of playing is far greater than that of "Xiaoxiang Water Cloud", so Meng Zhuyin will be extra cautious every time he plays the changes between paragraphs. As a result, he didn't expect that this time Meng Zhuyin just played it easily, and directly transferred from Qi to Hongjun into Yanghui Land.

After having such an experience, Meng Zhuyin began to understand a little why Ye Chen would let him play this piece directly, although the core artistic conception of "Yangchun White Snow" could not restrain vitality, but it could go hand in hand with it, and began to transform the power of vitality. Meng Zhuyin can already imagine what kind of scene it will be if this piece continues to be talked about.

Suppressing his excitement, Meng Zhuyin adjusted his mentality and directly played the section of Yang back to the earth in one breath, and then began to enter the third section of "Yangchun White Snow", which is also the first climax point of the whole song - Sanyang Kaitai.

"Three yangs come and go, and three yangs are rejuvenated. Qiankun Jiaotai, send all things to the land, and grow Lai Donghuang. ”

When the first piano note sounded in Sanyang Kaitai's piano song, Du Musheng, who was originally triumphant, suddenly turned pale, and his whole person's movements froze in place, looking at Meng Zhuyin, who was still playing the piano intently, dumbfounded.

"How...... How can this be, why can't my vines move!"

When Du Musheng was talking to himself in disbelief, the curious warriors in the audience understood the reason for his performance. When everyone turned their eyes to the wooden prison where Meng Zhuyin was, they found that it was not that the vines wrapped around the wooden prison could not move, but that these vines did not continue to attack Meng Zhuyin, and began to shrink towards the ground in a completely opposite direction, and drilled back to the place where they originally grew.

Seeing such a scene, many people's expressions began to become as stunned as Du Musheng, and they couldn't imagine how Meng Zhuyin could dissolve this terrifying supernatural power simply by concentrating on playing the piano.

When the tune of Sanyang Kaitai gradually increased, fine beads of sweat began to appear on Meng Zhuyin's forehead, and under such a piano sound, the wooden stakes that surrounded the wooden prison began to dry up and decay little by little at a speed visible to the naked eye, not at all like a little vitality, and then directly fell apart in front of everyone.

The originally cheerful and sunny tune, coupled with such a scene, suddenly made a group of warriors begin to gasp, and they have a completely new understanding of the magic of the rhythm.

Feeling that the vitality that belonged to the law of wood around him had dissipated cleanly, Meng Zhuyin stopped playing after playing the last note of Sanyang Kaitai, silently picked up the guqin, and looked at Du Musheng who was still stunned without saying a word, with a smile on his face.

"You...... How can you do this! How can you make me lose control of my vitality!" When he saw Meng Zhuyin's smile, Du Musheng's face was full of horror, as if he had seen some devil, and even his body couldn't help but start trembling.

Meng Zhuyin shook his head with a smile, and said with an innocent face: "I'm just playing my flashy piano music, and I haven't done anything else, shouldn't you know this very well?"

"But...... But ......" Du Musheng couldn't say why for a while, he only knew that his control over vitality was indeed gone, and there was obviously this abundant vitality in the ring, but he couldn't mobilize it at all, this feeling made him feel terrified from the inside, he was afraid, afraid that once he lost such an ability, he would be beaten back to his original form directly in the clan.

Seeing Du Musheng's panicked appearance, Meng Zhuyin felt relieved from the bottom of his heart, and then said: "Sometimes, even if you are not born with each other, you can still drop one thing and one thing, this place is only so big, your vitality is just robbed by my vitality." ”

(End of chapter)