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There was a dead silence in the Kodak Theater, and the on-screen story made every audience member feel pain in their bones.

Even if they are familiar with this story, even the readers of the original book have no ability to resist, and their hearts are overwhelmed by this grief and indignation. Those images are no more bloody and violent than an R-rated horror film, but they have the thrilling power that any horror film covets, and every line, every picture, makes the heart tremble.

Like the end of the world, there is no escape, no escape, no escape, only destruction.

It seems that at this time, people suddenly remembered who the director was, and remembered Ye Wei's other name, Yunik Kuller. This person is not just funny, sunny, inspirational, and heartwarming...... This man also shoots grief, darkness, destruction, and discouragement.

Watching his movies, maybe there is an eternal shadow in the depths of my heart.

From time to time, I think of it, burning and sore, a palpitation.

It's human.

The film has been screened until now, the more the audience who understands the movie, the more surprised the audience is, it can be said that it is almost perfectly filmed at present, whether it is adaptation, director, performance, etc., it shows a free march and amazing explosiveness, forming an excellent construction and destruction, but the most amazing thing is that Ye Wei is really bold!

Genius, if you're going to break the audience's heart, then you did, with your cold-blooded camera. You damn bastard!And then?

What will be the end of Mr. Harvey? After years of running away and committing repeated crimes, he accidentally fell off a cliff and died?

What about the Shamon family?Where's Ray?What about Susie!?

What is this movie going to do, and why is it making such a tragedy? Just to torture people with a conscience?

Many media people and many fans full of grief and anger know that this is the "Lovely Bones" problem", and it is not a typical tragedy. The original work can be filmed in a three-act linear structure in classical mode, which is also the appearance on the screen, the first act is not easy to shoot, but it is not difficult for the top choreographer, Ye Wei's choreographer is impeccable, what about after that?

If the screen doesn't heal the broken audience's heart, even if there is even a little bit of drama wrongness, there will be only one other result, and the full house of grief and indignation will turn into dissatisfaction: "What the hell? What's the point of this story? Teasing us?"

Then this director will be in big trouble, this movie will be in big trouble, and Ye Wei will be in big trouble!

Peter Jackson and Fran Wales are a bit of a hilarious, they don't handle the hole scene like this when they shoot it, parallel montages need to be used, but they also use metaphors, while portraying how damn Mr. Harvey is, try to convey the story message of Susie's murder as gently as possible. Ye Weino, he used the most cruel way that the PG-13 level could use, he was simply a son of a bitch, and he even dared to use the last two lines, how could he heal back? In a limited time? Under the rhythm that needs to be buffered, there are only 90 minutes left!

Ye Wei disdained their rock music with the idea of a montage of grandma clowns, nor did he disdain Susie's happy moments in heaven, so what could it be? It was so dark that it was unmanageable? He was digging a trap for himself! How big the grief and anger that erupted in the first act was how difficult it was to calm down later.

It's like playing a maze game, Ye Wei is now single-handedly pushing himself into the most complex maze, facing an endless series of difficult creative choices. Rational ordering, effective story coherence, unified and persuasive emotion, echoing themes...... For him to do this, he must take every path right, and he must not make a single mistake.

It's a movie that's either perfect or finished.

Spielberg wanted to shoot it, but he didn't take it because he knew that he wasn't the perfect match for the story. This story can't be filmed with ordinary film rules, and there is no template for commercial or artistic positioning, so it can only be created with matching talent.

Seeing now, the moist eyes told him that the kid had done a really good job and really lived up to the trust of others. Keep it up to the end and make it a classic.

The grief of the theater could not stop the screen from continuing, and after a moment of darkness, the red Mazda stopped in front of a house in the community under the dark night sky, and Jack ran up to the porch of the house, rang the doorbell, and the bell rang in the ears of the audience.

When the camera reverses, Jack at the door enters the mirror head-on, and there is a sound of the door opening, he immediately said urgently: "Hello, Luana, are Susie and Ray together?" Over-the-shoulder camera, the door was opened by a beautiful middle-aged Asian woman, she replied suspiciously: "Ray and his father went to the University of Pennsylvania to give a speech this afternoon, and he will come back later." ”

Jack looked disappointed.

The parallel montage did not end, the panoramic shot of the flat shot, the strange fire in the deserted cornfield in the dark night lit up a ridge, and the sound effect of wood breaking and cave collapse sounded, which made the audience feel sad that the murder scene was buried.

In the middle of the side, Mr. Harvey walks among the ridges with a hemp cloth bag on his back, and in the close-up view, there is no blood stain on the bulging cloth bag, but the plastic paper sticking out of the mouth of the bag indicates what is laid in the bag, and in the frontal close-up, Mr. Harvey looks straight ahead, as if breaking the fourth wall and looking directly at the audience.

As he walked, he took a deep breath because of the effort, as if he smelled something, and the middle-aged face of the eight-character beard showed a smile, not gloomy, looking gentle, like enjoyment, like aftertaste, like innocent, as if he was proud of being able to commit a crime with impunity this time.

It's not so much Mr. Harvey, it's as this film that is constantly challenging and violating the audience's bottom line.

Abigail was talking on a black dial phone by the TV cabinet in Shamon's living room, and she said worriedly: "Her name is Susie Shamon, 14 years old, brown and blonde hair, gray and blue eyes, ......" There was an apparently police voice on the other end: "How long has she been missing?" Abigail said urgently: "She hasn't come back from school today." The policeman fell silent for a moment, and then said, "Ma'am, have you looked around?"

Abigail was a little louder: "My husband is looking for it, Susie won't come back so late, it must be... Something happened. The policeman said unmoved: "Madam, we can't file a case here, if you can't find her after 24 hours, call again." Abigailton was furious and anxious, "24 hours?" the officer said, "Yes, it's our waiting time, good luck to you." Before Abigail could say anything, the phone was hung up.

She's angry, and so are the off-screen audiences, bullshit 70s!

At that time, there was no mechanism to deal with missing children in the United States, and there was a "waiting time" for police stations to handle missing persons, until May 25, 1979, when the 6-year-old New York boy who disappeared on his way to school is still missing.

The scene turns, under the night sky, Jack is anxious to run on the streets of the town looking for his daughter, he shows passers-by a photo of the three sisters and brothers in his wallet, Susie is holding Buckley, Lyncy is leaning on her, and all three of them are smiling naturally.

"Hello, have you seen this girl? Her name is Susie, my eldest daughter. ”

Jack anxiously asked a group of four young men passing by, but when they looked at it, they shook their heads again. Jack didn't have time to say thank you and immediately ran away, he looked at the streets around him, and shouted anxiously, "Susie!?"

Suddenly, a part of the audience, who looked like Mu Ran who had not yet left the cave, was finally shattered and burst into tears......

The image on the screen suddenly gave the audience a glimmer of self-delusion, it was Susie!

In the cornfield, Susie ran away in fear and gasped, still wearing a royal blue hooded jacket and yellow bell bottoms, and a bell hat. At this time, she ran back to the school's football field, and the scene of the empty surroundings was as dead as a ghost, and the scene that made people's eyes widen and tense their hearts appeared, and Susie ran past a street lamp, not only did not reflect, but began to fade.

The camera is in the school parking lot, Ruth is leaving alone, she is in a black coat, holding a brown cross-body leather bag, and the school building is still lit up in the background. This eccentric student seems to have been punished by the teacher for being held in the classroom until now. Ruth suddenly looked to the left in confusion, as if she saw something.

Panicked gasps came from far and near, and a figure rushed from the far end of the parking lot in the depths of the scene, and Ruth murmured in surprise, "Susie?"

Regardless of whether they know the background of the story or not, the audience naturally understands that Ruth is a psychic, and she sees Susie's ghost.

Susie rushed by, and Ruth shouted again: "Susie!" Susie on the right stopped, looked back at her friend, and wanted to say something but could only choke up: "Ruth......"

This sound made the already broken audience's hearts fall into the abyss even more, Susie was not crying for help, she was crying, but what did she say? she knew, she knew what was going on...... Suffering from this kind of thing, she can no longer be "Susan".

Double side mid-shot, with Ruth on the left and Susie on the right. In this shot, which is shot from the same angle as the previous double side shot on the side of the stage in the school auditorium, their positions are reversed, and their lives are different, one is about a new beginning, the other is over.

The two girls looked at each other, Ruth's expression was questioning and concerning, what's the matter? And Susie's expression was extremely complicated, painful, confused, panicked and afraid, she seemed to have ten thousand words to say, but she couldn't say a single one. Susie slowly raised her hand to touch Ruth's cheek......

In the frontal close-up, Susie's expression is visibly changing, from stagnant silence, her eyebrows are slightly raised, and her eyes are filled with hidden tears. Every audience can see her attachment, she doesn't want to die, she doesn't want this to happen, she doesn't want to be herself.

She opened her mouth as if she was about to cry and speak, but she couldn't make any sound, and her face began to fade away with the wind.

Ruth's frontal close-up, her left cheek is on Susie's right hand, her face is no longer confused, as if she understands the current situation, or is it a dream?

She couldn't stop what she wanted to stop, she couldn't keep what she wanted to keep, she could only watch, like now, watching Susie disappear.

In just three or four seconds, the audience watched as the slender hand on Ruth's face completely disappeared.

In the middle of the side, only Ruth is alone looking at the left, and there is nothing on the right. The camera is rising, rising into the dark night sky.

More viewers had tears in their eyes, and everything on the screen was like a giant sledgehammer with thorns, striking their hearts one by one, maybe not broken in the first time, but in the second, third, fourth...... There is no relaxation, no room for any respite, no optimism, just constant thrashing!

In this way, all their good hopes were brutally destroyed until despair.

On the screen, Jack walked into the house in a daze, and Abigail stood in front of him at a loss. In another girl's bedroom, Linxi was lying on the bed covered with a quilt, looking up at the ceiling with her eyes open and expressionless. In the children's bedroom, Barkley slept soundly, and snoozed on the side of his little bed on the holiday.

In the piano lamentation, like the sound of rain on the eaves after a rainstorm, a white light covering the screen dissipates and then the opening scene is followed by Susie in front of a dilapidated house in a small circular snowfield surrounded by a dark forest.

The hearts of the audience are dead, and the good people go to heaven after they die, but this is Susie's paradise?

There is no paradise there.

[Thank you for your continued support, this time from the 515 Fan Festival of the Writer's Hall of Glory and the General Election of Works, I hope you can support it.] In addition, there are some red envelope gift packages on the fan festival, get one and continue the subscription!]