The threat of the end is still "far away", but the threat of war is foreseeable by the elves. This is also thanks to the fact that the elves have a much longer life than other mortal races, and for humans and orcs, the threat that may exist in a hundred years is probably not so alarming for them, right?

People have no foresight, but they must have near-term worries. But if there is no way to solve the difficulties in front of us, how can we talk about the energy to "think far"? In a hundred years, the elf girl who is just enough to play on the street has grown into a slim girl. No mentally mature elf could bear the fact that his relatives around him were about to be affected by the flames of war.

War is a very contradictory thing, and although the Children of the Abyss are sure that their guards will be reborn in the baptism of war, he also does not like war. How to make these people from different nationalities and regions accept the imminent war is a difficult topic to get started.

For the demons and orcs, as long as the war is fought in front of their eyes, they will inevitably hold the weapons in their hands and fight bloodily, just because they have long been accustomed to this kind of life. If you can't hit the enemy in front of you, you can only be eliminated by the enemy in front of you. For the elves of the older generation, war is not so far away, they still remember the blood, tears and sacrifices of the year, how to make the young elves and dwarves really feel the atmosphere of war, in Andrei's opinion, it is far more reliable than to study some unsubstantiated doomsday prophecy.

If we want to make the new generation of young people in the eastern part of the continent accept the atmosphere of war, propaganda is undoubtedly the best starting point at the moment. In another world, stories about the war years with anti-war themes are a good example for the Children of the Abyss, though some things that go too far can sometimes have the opposite effect.

The topic of discussion then returned to the original part - how to make a suitable adaptation and interpretation of the epic war of 500 years ago.

"None of you in the room really like war, and that's a very good angle to tell the story. The Children of the Abyss spoke so eloquently to the head of Andrarui and the visitors of Garanord.

"How?" said Atena, curious.

The elves have lived in the forest for thousands of years, and although there have been rangers and poets who have come out of the forest to sharpen themselves in any era, they rarely join the war as the parties involved. In order to avoid hurting those who suffered from the war again and uncovering their scars, the subject matter of that war has always been a taboo for elven poets.

Now, in the face of the coming strife, most elven poems have reached a consensus in private. It's time to put that history in front of everyone, and let the younger generations who grew up in peacetime face up to the cruel truth that once existed in the forest.

"While highlighting the brutality of war, it is important to focus on the refugees whose homes have been destroyed and who are living in displacement. Classic plots that are so bleak that they can be infuriated can be shaped by highlighting specific details...... For example, the invading demons habitually eat people due to food shortages, and the fleeing civilians eat their relatives in order to survive after seeing their children starve to death and die of disease......"

Enriel couldn't help but interrupt the Children of the Abyss: "Although these things have really happened, won't this seem too intense?"

"Art is born of life, and it is better to take the cruelst part of it than to make our young army completely overwhelmed when we are actually confronted with war, right?"

"But will this make people inexplicably hostile and resistant to us?" added the snake demon Kassandra, slightly worried.

"It's okay, we're demons and demons who follow a new philosophy!" Andre didn't seem to care, "Besides, I don't mean to direct all the hatred of people to those demon invaders back then. ”

This time, even professionals like Atena couldn't understand it: "But if that's the case, if you don't focus on creating the negative image of the invader, how can the audience's emotions be vented?"

"There shouldn't be a villain in the traditional sense of the word, at least not the king of nations...... Your Highness and Your Excellency Enriel, do you two agree with me?" said Andrew, looking at Princess Roseanne to the side.

The eldest princess, who was listening quietly, nodded slightly.

"The two of you who have already proposed that the King of Nations and the Demon Dragon Lord at that time make them have the old ones that you can't understand, we might as well make some adaptations on this issue, for example, the two demon kings at that time could not completely restrain the actions of the lords under their command, the dry season of the demon world can no longer withstand the supply of the army, they must plunder enough resources as soon as possible to allow the army to survive...... It is even possible to create some two-faced Abyss Lords, who create a reason for the demons to wage an all-out war against Garlandia in their armies, and secretly hatch a major conspiracy. Andre slowly opened up everyone's thoughts.

Most of these people who are passionate about art are unable to understand the intrigues without their teachers, and others, such as the eldest princess and the old priest, who have seen the darkness of human nature, are inconvenient to take the initiative to bring them up, even if they are accustomed to and even know everything about them, and they always have to maintain their usual image and reputation in front of their own people. Andrei, on the other hand, has not shied away from his understanding of intrigue and intrigue and suspicion from the very beginning, and these words are said by him, which makes people feel that there is no sense of disobedience.

"And those sinister villains who tell the truth are the ultimate villains?" said the innocent Elvia, confident that she had caught up with the pace of the Children of the Abyss.

"They've always been the villains of the story, but in the end there's only one villain -- and that's the war itself! The war makes people angry! The war makes people crazy! This big drama should also come to an end with the end of the war, not the little characters who jump around like bedbugs. Andre's success hit the young people present, and compared to these simple and friendly young people, the Children of the Abyss did not look like their peers at all, even if his actual biological age was undoubtedly absolutely at the bottom.

"Designing the King of Nations and the Dragon Lord as controversial characters rather than pure villains would also enhance the charm of these villains, and perhaps it would also help people attribute all the mistakes to the war itself?

"It's not just the controversial villains, the transformation of the little people who are forced to serve the demon invasion under the crush of the war can also be attributed to the war itself, their original image can be designed as weak but simple people, the war makes them degenerate and crazy!"

Elven traditions keep their stories true to the facts, but everyone understands that the "Green Snake" is not a story that really exists in this world. Although they have not yet fully adapted to André's various fictional techniques, this way of writing has slowly opened up their imprisoned thinking.

"Not only villains, small characters, but even positive characters can still use similar artistic means to create. "Abyss Zizi continues his brainwashing work.

The two amazing protagonists, the snake demon sisters, are not the traditional great, bright positive characters, but it is precisely because of the good and evil methods that make these two fictional characters seem vivid and deeply rooted in the hearts of the people.

"Doesn't that seem appropriate?" The conservative poets in the room still couldn't fully accept André's arguments, in their minds, the characters in the coalition were all firm companions on their side, they were real heroes, especially those who sacrificed for peace, and they were undesecrated.

Andrei understands that some people can't accept the multi-means portrayal of positive characters, just because they haven't changed their minds. After a little thought, the Children of the Abyss began to continue to guide: "It doesn't have to be a real hero, it can be a fictional character that has adapted and reworked some heroic deeds, and of course the name and race can also be fictional...... When the two rangers were deep behind the invaders, they discovered the important strategic intentions of the demon army by chance, which was the key news that was enough to turn the tide of the entire battle. They wanted to bring this key to victory to the leaders of the coalition forces, but they were discovered by the enemy as they retreated, and they were besieged and could not escape. In order to win the war, they can only try their best to hide their own location, in order to find the slightest flaw in the enemy's encirclement, and finally pass on the news. ”

Everyone felt that this story seemed very attractive, and they had to admire the talent of the children of the abyss on top of it.

"But what is the intrinsic connection between this and the portrayal of two key characters into controversial characters?" another simple poet asked.

In such a predicament, they are bound to suffer many hardships that no mortal can bear...... For example, in order to hide their place, they have no access to food for days and nights, and they are forced to do so, and the stronger one can only abandon his bottom line as a 'human' and eat his living companions......" Andrei's eyes lit up as he spoke, but he was interrupted again.

"Your Highness!?Can you stop mentioning cannibalism?" Elvia looked a little angry. If it goes on like this, a good epic drama will become a "cannibalistic story collection"!!

What scared her even more, Andre's expression was particularly engaged when discussing these episodes, which reminded the young poet of the stories about the demon king that she had heard many times when she was a child...... All of them love to eat people!!

Thinking of this, Elvia couldn't help but shudder when she looked at Andre with a smile on his face.

The Child of the Abyss smiled slightly awkwardly, and by accident, his heavy mouth soul, presumably from a researcher, seemed to have awakened. Looking at the suspicious expressions on the faces of the elves around him, André didn't realize that people had already established another of his interests due to misunderstanding.

André is trying to forcibly clear his name: "It doesn't have to be cannibalism or something! You can also portray them as a couple, siblings, or even father and son." One of them was seriously injured in the process of evading, and the other was unable to treat him, and in order to win the war, he had to abandon the most important person in his life to the enemy's encirclement, and look for a chance to escape alone!

Atena took the lead in applauding the Children of the Abyss, who quickly changed their minds and once again constructed a profound story framework, which made her realize once again that the birth of the Green Snake was not the product of some coincidence, and the young highness in front of everyone was such a "demon" who had a clear mind and a deep understanding of the complexity of human nature, and was even known as "playing with the audience in applause"!

Warm applause rang out in the conference room, and there was another fictional hero in everyone's hearts. However, at the same time, the clouds of war have been quietly converging in the direction of Andrarui. Thank you for the support of Cell VGG and Baby Bao......