Chapter 333: Waiting

Knowing that Zhou Ruolan already knew that she was doing something outside, Liu Tianyu hurriedly remedied it as soon as possible.

took out the phone and called Zhou Ruolan, listening to Zhou Ruolan's tone, Liu Tianyu chuckled in his heart.

Sure enough.

For Liu Tianyu to hide from her outside, and then she even knew through outsiders that Zhou Ruolan was resentful.

Feeling that Zhou Ruolan was resentful, Liu Tianyu hurriedly persuaded him warmly, promising that he would give Zhou Ruolan a reasonable explanation after he went back.

As I said before, Zhou Ruolan had long known that Liu Tianyu had something to hide from her, but because Liu Tianyu never took the initiative to tell her, the sensible Zhou Ruolan did not embarrass Liu Tianyu.

This time Zhou Ruolan complained, mainly because Zhou Ruolan felt that what Liu Tianyu did was too dangerous.

Although judging from the video, Liu Tianyu cut off the warship with one sword, and the majesty of five horses.

But Zhou Ruolan is not a three-year-old baby who doesn't know anything, she knows too well what powerful weapons there are in this world.

Liu Tianyu slashed the warship, he was fighting against a country with the strength of one person.

Even if any country is just a small place, it is still a country.

The power of the state is far greater than that of the individual.

It is not clear how strong Liu Tianyu is, and his fixed thinking makes Zhou Ruolan worry about Liu Tianyu's safety.

Now that Liu Tianyu called, it was equivalent to reporting safety, and Zhou Ruolan's heart that had been carrying it was put down.

To appease Ruolan next week, listening to the tone of the other party's speech, Liu Tianyu knew that he had passed the test this time, and Liu Tianyu was no longer so entangled at the moment.

After hanging up the phone, Liu Tianyu did not continue to discuss with Suzuo how to make a big deal in the Wa Kingdom.

Because Zhou Ruolan told him just now that someone above would look for him, so he didn't act rashly for the time being.

Liu Tianyu is now cooperating with the above on an equal footing, and the cooperation between the two sides is relatively harmonious, so I heard that someone above is looking for it, and now the above means to let yourself stop for a while, Liu Tianyu feels that he is not bad for a day and a half, and he also roughly measured that the above is estimated to have some actions through his matter, and Liu Tianyu will temporarily stop doing things and wait for the people above to contact.

The action above is fast.

Liu Tianyu had just finished talking to Zhou Ruolan for less than five minutes when a call came from there.

However, this time it was not the previous one who contacted Liu Tianyu, this time it was a person named Shen Liang.

And listen to Shen Liang's words, in the future, he will take over the previous person and contact him.

Liu Tianyu didn't care about the above drainage and his own contact, so after a brief acquaintance between the two parties, he began to go straight to the point.

Liu Tianyu's guess was right, this time Shen Liang contacted him, and there were indeed some actions on it.

However, due to various reasons, Shen Liang did not tell Liu Tianyu carefully what actions were going to be carried out above.

Liu Tianyu didn't care about this, anyway, it wasn't his interests that were harmed by any actions made above.

And having action on it is actually a good thing for him.

Don't forget, national fortune is also a type of luck.

This thing is also a trade-off.

If the above is successful, this undoubtedly means that you have reduced the luck of others.

In this way, Liu Tianyu will naturally gain something.

Selling the Devil Fruit juice above is actually just that.

If it weren't for Liu Tianyu's fear that things would be out of his control and end up with some messy things, he would have provided more powerful props to the above.

So now the above asked Liu Tianyu to stop temporarily, and Liu Tianyu did not refuse.

The follow-up to Shen Liang last night, that is, Liu Tianyu waited for the other party's news for the time being, and then the two sides ended the call.

can't do things for the time being, and Liu Tianyu is idle.

However, because he had to wait for news from Shen Liang's side, Liu Tianyu couldn't leave yet, so Liu Tianyu thought that he would simply travel tomorrow.

Following.

Tomoko Kasumi accompanied Liu Tianyu as a tour guide, and the group of three left Hakone for Tokyo.

When you come out of the station, you may not be disappointed when you look at Kyoto, but you will see a modern street, a modern bus stop, and pedestrians dressed in modern clothes. Standing in front of the traffic light, waiting to cross the street, the moment the green light is on, the sound of birds is heard on the sidewalk, which is very crisp.

Liu Tianyu's first surprise at Kyoto was when he heard a cuckoo calling, not under a tree, and Kyoto is not a tree.

The people of Kyoto would have imagined that the green light would be accompanied by the sound of birdsong. There is more than one traffic light, walk from Nishi Honganji Temple to Nijo Castle, cross the street, and listen to the birdsong along the way. There are two kinds, one is not recognized: chirping, chirping, chirping, like a little bird drinking and pecking, and when it looks up, it cries happily. Another call is very familiar, it is a cuckoo, cuckoo, cuckoo, so that Liu Tianyu has the feeling of returning to spring and standing on the field.

Compared to the slightly crowded Kyoto Station front, the south-south avenue in the west of the city is wide and empty, and the alleys in the east and west are quiet and deep, with low wooden lattice doors and paper windows, gradually revealing the style of Kyoto as an ancient capital. Xiangchun Zhizi obediently followed Liu Tianyu's side, and did not speak, only occasionally smiled softly.

The beauty of Japanese gardens, Liu Tianyu began to appreciate from a tile.

Kyoto's gardens are scattered in different directions. Temples and residences of historical figures are famous for the beauty of their garden landscapes. Judging from the map, Nishi Honganji Temple is the closest, so Liu Tianyu designated Nishi Honganji Temple as the first place to visit, and a little further north is Nijo Castle. Xiangchun Zhizi naturally grabbed Liu Tianyu's arm, Liu Tianyu went with her, anyway, there would be no guilt in his heart.

The Japanese-style temple gave Liu Tianyu a very plain feeling at first sight, with gray roofs, dark almost blackened column supports or wooden inlays, light yellow or white walls, and washed old wooden lattice windows, all of which were simple, but simple and clean, as if the rain had washed countless times, and the dust was clean.

At second glance, there is a regular arrangement in this plain color, which is expressed through lines. The lines of the ridges of the house and the lines of the window lattices are sparse and sophisticated, and I can't say where it is in particular, but when I look up, there is a sense of harmonious rhythm.

The old tree and the black crow are the third impression.

The antiquity of the temple can be judged not only by the frescoes that have fallen off, but also by the old trees in the courtyard as silent witnesses. On the old trees of Nishi Honganji Temple, there are crows with dark coats, and although the crows' cries are not pleasant, they match the empty garden. It was as if the crow flew through the air, and the cry of the crow extended the silence of the empty courtyard into the sky.

There is no winding path leading to the secluded place here, and the Zen room is deep in flowers and trees. In addition to the old trees, some Japanese pines are sparsely planted here, and the vigorous green is never as deep as the flowers and trees. Only a pink crape myrtle tree is in bloom, like a little flower girl standing in front of the old monk.

It seems that Japanese temples are really places to be cultivated. Even the color is single, unlike the temples in Thailand and China that first use a large area of heavy color to give you a visual impact, and even the Buddha statue is gilded all over, while the Buddha statue here is not sitting high in a conspicuous place, but hidden in the shrine.

Looking through the door, it was dim and indistinct.

This reminded Liu Tianyu of the mystery of Tibetan Buddhism that he had seen before, where the believers also sat on the ground, silent and silent, and the Hindu families in Bali, who worshiped the idol and added a door, which was opened on a special day of the year.

Maybe this is the rest assured of the gods and Buddhas, and the people who worship every day are just incarnations.

In fact, regarding Nishi Honganji Temple, Liu Tianyu had no intention of sitting down and listening to the abbot monk in black and white shirts speaking to the congregation about the scriptures that he couldn't understand, and he couldn't understand a word.

What Liu Tianyu realized here is not a Buddhist ritual or a morality, what he likes is the beauty of the garden here, which begins with the trickle of water in front of the house.

Liu Tianyu looked for the sound of water and walked to a place where the water flowed. It's not a natural stream, it's a stream of water from nowhere, flowing down and dripping from a height. There are blue and gray tiles on the side of the dripping ground, so the sound of raindrops is created, which is really a genius, Xiang Chun Zhizi Qingmei held Liu Tianyu's hand, ten fingers interlocked, and the plain hands were white and soft, as if there were no bones.

The ticking sound, trickling, makes people quiet and leisurely. There is the simplicity of Han Yuefu, the artistic conception of Tang poetry, and the bottom rhyme of Song poetry. And the jump of the water flow to the tile, as well as the liveliness of the minor tune during the Northern and Southern Dynasties. No wonder the Japanese are very green and white Matsuo Basho haiku, ancient ponds, the sound of frogs jumping into the water.

The sound of water seems to break the tranquility, and after returning to silence, this sound of water increases the sense of tranquility. It seems unreasonable, but when you think about it, it's very tasteful, isn't this what people say about the Zen beauty of Japanese gardens? There are no ancient ponds here, and in front of the garden of Nishi Honganji, there are only old trees and crows, and there are green tiles, and the sound of rain falling from the stream.

Higashiyama is a tourist attraction all the way from Ginkaku-ji Temple to Kiyomizu-dera Temple. If the landscape in the west is like the solemn, solemn and simple peaks in the north, the scenery in the east is like the south of the red beauty, adding to the softness.

Liu Tianyu stood in front of Zhi'en Temple, the sun was bright, and it seemed to be an era away from the coldness of Nijo Castle. Ascending the stone steps, there are two tourists sitting under the doorpost in front of the mountain gate, standing in the shadow of the porch, the wind blowing, cold, carrying the fragrance of leaves.

Unfortunately, the main hall of Zhienin seems to be under repair, and it is not bad to walk around the courtyard.

There is a red pavilion on the left hand of the uphill slope, this red is mixed with orange tones, which is more beautiful than the red, and it is especially set off with white. It is surprising that such a girly pavilion suddenly appeared in the courtyard dominated by cold Japanese colors.

There are many sects of Buddhism, but Chionin belongs to the Pure Land sect, which believes that life is inherently bitter and hopes for the world of rebirth. It is the largest temple in Kyoto and has a giant bell that can only be struck by a dozen people.

Liu Tianyu originally came to see the garden, so he didn't regret not hearing Zhong Ming.

As for this red pavilion, it made Liu Tianyu puzzled.

Chinese temples like to paint the outer walls of not too bright yellow, but in Japan, black, gray, cool green, and light gold are the main colors, which also reflects the quiet nature of the monks.

Liu Tianyu, Kasumi Tomoko and Susa came out of Zhi'en Temple, and it was already dusk.

Seeing the tourists walking in the direction of the mountain, Liu Tianyu and the others also followed.

In front of it, there is the back of a woman in a kimono, which reminds people of the beauty of the flower moon.

Seeing the kimono makes Liu Tianyu feel like he is in a foreign country, isn't it, seeing the Odai girl on the streets of Saigon, seeing the sarong man in the car in Indonesia, and seeing the young man in the robe standing in front of the almsgiving man in Chiang Mai in the early morning.

As he walked, Liu Tianyu heard the sound of a guitar in his ears, and walked past it, a park with a shallow pond next to the mountain, and street performers performed in front of the pool. There are artists in all countries, and Liu Tianyu's impression of Japanese artists comes from the Internet, especially the artists who travel all over the world in a certain sound.

After listening to the music for a while, I rewarded a red soft girl coin at random, and Liu Tianyu, Xiangchun Tomoko and Susa came to Kiyomizu Temple.

There are no white ladies in Kiyomizu Temple, and there are several black crows standing on the edge of the beautiful tower. Their dense figures set off the Kiyomizu Temple in the twilight even more solemn. At the beginning of the smoke and rain, dusk came earlier than the sunny day, although the sky was still bright, and the faint yellow light of the lamps was already reflected behind the paper window.

The Buddha statue in the dark hall of the Mahavira sits in a deeper darkness, and the eyes under the lamp are not very clear.

When Liu Tianyu walked slowly, he saw a pair of young men and women wearing kimonos praying in front of the Buddha statue, the girl wearing a white kimono with a water-red belt, and the boy wearing a black kimono.

This is the charm of Kyoto, and it is hard to imagine that even in the ancient capital of China today, even in the classical garden, people in ancient costumes can appear so harmoniously, people will think that it is cosplay, and they will not think of real people.

And the girls in Kyoto wear kimonos or yukatas, in the eyes of Liu Tianyu, a foreigner, it seems that they have always dressed up like this, and their gestures are natural, they wear kimonos on grand days since they were children, for them, the kimono is not a role, it is a ceremonial costume, and it is so good-looking, why not do it.

Liu Tianyu and the others walked to the stage suspended between the stone wall and the cliff in the backyard, and there was no glow in the sky of the West Mountain in the distance, and there were white clouds floating leisurely on the green hills. The slender waist of Kyoto Tower is clearly recognizable, and the sky is too bright, and when you look at Kyoto Castle from above, the modern style is suspended above the classical atmosphere.

Walking off the stage, the sky is already dark, listening to the murmuring sound of flowing water in the valley, and a small row of stone statues on the side of the road surrounded by red cloth, simple and lovely.

Looking up, the tower body of Kiyomizuji Temple shows a clearer silhouette in the fading light and shadow.

The light of the roadside stone lantern directs the way to the exit.

Although the scenery behind you is reluctant, people always have to move forward.

However, Liu Tianyu made up his mind that he must come again with Zhou Ruolan in the future.

The night is quiet, accompanied by beauty.

This time, the three of them did not look for any houses that had been uninhabited for a long time, but stayed in a hotel full of Japanese style.

Call a table to eat and drink, and rest after eating and drinking.

Of course, before resting, a hot bath is essential.