Lin Xu used his feet hard, his body jumped up from the ground, and after landing on the ground, he arched his legs forward and kicked back in a lunge posture, and the long sword in his hand stabbed obliquely to the front and bottom of his body, completing the last move of the second paragraph of "Group B Swordsmanship Illustration". Pen "Fun" Pavilion www.biquge.info

This move is called the jumping lunge stab, but it is very similar to the name of the first move of the first stage, with only one word difference. In fact, the first half of these two moves are basically the same as the movement of jumping off the ground, and the direction of the sword movement is also the same stab. The difference is only that the movements after landing are different, one is a lunge and the other is a resting step.

And in this set of swordsmanship, there are not only such moves that have similar names and similar movements, but also several moves that are actually repeated with the same name and movements. For example, the last move in the starting style, "raise your knees and hold the sword", will also appear in the third paragraph later. And the move "Turning Cloud Sword" that appears in the third paragraph is also repeated in the seventh paragraph later. There are one or two moves in the same situation. And the moves with similar names and movements also have several moves.

There will be such a situation, one is for the sake of the integrity and coherence of the routine, sometimes the same moves that appeared before will be used as a connection between the connection and transformation of the moves; the second is that this set of swordsmanship is somewhat lacking in innovation, because there are too many moves, sometimes I can't think of new moves to connect, so I have to use the same repeated moves; third, the disadvantages of this kind of routine martial arts, where the martial arts of the routine, there will always be a few repetitive moves as a connection.

Just like the set of "Sanlu Huaquan" he practiced before, in order to pursue the coherence and integrity of the routine, there are also repetitive moves. But that set is okay, there are only two tricks repeated, one is "Erlang Danshan and a whip", and the other is "Phoenix spreads its wings and intermittently".

Sanlu Huaquan will have this move, also because there are too many moves, and like the twelve-way elastic leg and the thirty-two-way Taizu long fist he practiced before, because there are fewer moves, there is no such situation. The practice of the twelve-way bounce leg is more like a loose move of one move, and each move is basically independent. How to use it in combination with the enemy depends on how the individual uses it, and there is no mandatory coherent routine. From this point of view, it is somewhat similar to Sanda.

Of course, routine martial arts do not necessarily mean that they are not powerful, and it depends on how individuals use them. It's one thing to practice, it's another thing to actually face the enemy. The most important thing in actual combat is to be able to learn and apply it and judge which trick to use when and when. You can't practice the routine, you can't practice the stiffness, you can only follow the routine, and you always want to fight according to the practice routine against the enemy, that is, no matter how powerful the martial arts are, you can't use it much.

Routine martial arts are not only developed for performance and spectacle, but also have practicality. The first practical is to facilitate practice, like sanda, which is always practiced one by one independent moves and repeatedly, which is very boring, and compiling a series of movements to develop into a complete routine increases the fun of practice. The second function is the coherent practice of these movements, which can exercise different parts of the body and play a role in overall strengthening.

If the routine martial arts want to exert its true power in actual combat, the most important thing is the four words "live and learn". It is necessary to distinguish that practice and actual combat are completely different, practice is one thing, and fighting is another, as the so-called "practice has a practice method, and a fighting method has a fighting method". A true master teaches his disciples not only to teach the Fa, but also to teach the way to play, and to point out this layer.

Lin Xu's martial arts are all self-taught, but he does not have the inherent trap formed by long-term practice of routine martial arts. And he has always been very clear about training and fighting. In fact, in many martial arts novels, this point has been repeatedly expounded and emphasized. He can distinguish so clearly, and he is also influenced by the novel. He has always kept in mind the words "learning and applying".

Therefore, the Sanlu Huaquan and Taizu Changquan, which are also routine martial arts, can also be used very well in his hands. Of course, the most important thing is that he has an internal force as a foundation, and has enough strength to exert the true power of these two fists. Otherwise, he only has the strength of ordinary people, and the power he can exert is only a little more powerful than ordinary people. Therefore, strength is the most fundamental foundation, the internal strength is the internal force, and the external strength is the pile exercise force. The means that can enhance one's own strength are the most core exercises in any martial arts and any sect.

"Group B Swordsmanship Illustration", as a routine martial art, naturally also has its power. However, there are inevitably a little more repetitions and similarities in this swordsmanship, and if you remove these repetitions and similarities, plus the relatively simple, basically useless starting and closing styles, etc., the remaining basic only half is left.

From this point of view, judging by Lin Xu's current eyesight, it can be seen that the real power of this sword technique in actual combat is really not great, and it can only be practiced as the basis of a sword technique, and learn some basic skills of using the sword and the technique of moving the sword.

In fact, this can be basically judged from the name of this sword technique and the name of its moves. The way it is named is completely modern and straightforward, and from the name of the move, you can basically see what the action of this move is about. For example, in the case of the trick of "jumping lunge and stabbing", you can understand it by looking at the name. You don't need to look at the accompanying pictures, basically when you hear the name, you can roughly draw it out.

In fact, the preface at the beginning of the book fully explains that this is a martial arts routine that was only compiled in the seventies. There are not only swordsmanship, but also fist skills, knife skills, spear skills and stick skills, which is a complete set of "Group B martial arts routines". However, what his father Lin Lang had collected was only this swordsmanship and another swordsmanship.

From the 70s to now, it has only been more than 20 years. This new compilation of martial arts, coupled with the fact that it is published publicly, and the explanation in the preface also focuses on "strengthening the body and strengthening the physique", and also talks about class struggle, revolutionary spirit, and so on. With these factors as the foundation, there is basically no need to expect how powerful this kind of routine martial arts is.

This is not like the elastic legs, Taizu Changquan and Sanlu Huaquan that he practiced before, although it can be regarded as a basic class, and the power is not particularly great, but it has been handed down since ancient times, and after the experience of time, it still has a lot of practicality in actual combat, and there are not too many virtual jobs and tricks. And this "Group B Swordsmanship Illustration" is different from another "Group B Swordsmanship Illustration", most of the tricks are fought, but there is not much practicality. The focus is also on physical fitness, ornamentation, and performance, and does not emphasize the practicality of real combat.

However, in the "Three Roads Huaquan", he felt that it was mixed with some water. Because in addition to the ancient names of the more elaborate names of "Crossing the Tiger Xiyue" and "The Poisonous Dragon Coming Out of the Hole with a Smoke", each move also has a straightforward modern name, such as "Crossing the Tiger Xiyue" and "Void Step Ring Bright Palm".

He felt that the set of three-way Chinese boxing that was publicly published and distributed might have been recompiled, and many of the truly powerful moves were not published, but were also mixed with some performative tricks. But fortunately, there are not many, there are still many that can be used in actual combat, and the overall power is not weak. (To be continued.) )