Chapter 60: The Forge

Zhang Liang also lived in this remote town.

He chose a small restaurant, the restaurant itself is not big, the business is not too good, the town is too remote, and there are not too many people coming to this town.

Zhang Liang lives in this small restaurant, and goes to the mountains every day to hunt some prey, in exchange for food money and money for staying in the hotel.

The rest of my free time is spent every day experiencing the "Tao Jing" recorded on a small tree, the mysterious "Tao Jing" is recorded on one of the leaves of the small tree, that leaf is different from other leaves of the small tree, and it is brilliant and dazzling.

Zhang Liang always has a different understanding every time he observes the "Tao Jing", Zhang Liang only has the first volume of the "Tao Jing", and only the general outline of the Jin, but this part is already extremely magical, Zhang Liang always has a new experience.

Every time I watch the Tao Sutra, I almost always listen to a great person preach the scriptures.

The sky is colorful, the earth is springing, the lotus flowers are blooming, and the roots of the Yao grass are sprouting.

The gods are all over the sky, the dragon flies and the phoenix dances, the longevity turtle Turui, the auspicious Lin Naqi, the purple gas comes from the east, the golden light reaches the west, the five-color divine light shines, and the colorful rainbow crosses the sky.

If it weren't for the magical little tree, Zhang Liang's current realm would not be able to directly watch the "Tao Jing", and the little tree seemed to have raised Zhang Liang's comprehension to an extremely high realm, forcibly pulling Zhang Liang to a higher realm.

The accident in the Demon Emperor's cemetery made Zhang Liang directly step into the other side, but it also left a lot of human problems.

These days, Zhang Liang has been constantly polishing his Dao foundation, slowly making it mellow, and constantly repairing the flaws and defects left behind by his reckless clearance before.

The previous recklessness left too many mistakes and omissions, Zhang Liang's experience of the "Tao Jing" was far from enough before, there were many shortcomings and deficiencies, and now they are slowly making up for it.

A mysterious and mysterious feeling came to his heart, he felt that his heart was ethereal, after the mystical method was corrected, more red silk overflowed in the sea of bitterness, flowing to the limbs and hundreds of remains, making his whole body comfortable, flesh and viscera and bones were being moisturized, at this moment, he seemed to have inexhaustible strength.

At the same time, in the sky above the bright red sea of bitterness, some strange changes have occurred, and all kinds of different phases have appeared, Shenhua is dotted, first like stars, then like chaos, exhaling and dissolving, out of nothingness, foggy, Dao Shenxia is shining, changing tens of millions, and there is no fixed trend.

The sky above the red ocean is ever-changing, one moment the stars are all over the sky, the sky is silent for a while, growth and decay, prosperity and destruction, and the cycle is constantly alternating.

Black spatial cracks kept flickering around Zhang Liang, which was almost incredible, you must know that Zhang Liang had not yet reached the point where he could directly break through the space.

This is the characteristic of Zhang Liang's own body, as Zhang Liang corrects his own shortcomings and shortcomings, this transcendence is gradually revealed, and Zhang Liang feels as if he can directly tear up the space.

With a random stroke of his right hand, a crack was made in the air, like a distorting black lightning.

"This ......"

Zhang Liang was a little surprised, he just followed his instincts, he didn't expect this to happen.

That seemingly delicate right hand actually cut a crack in the air, powerful and incredible, this is a powerful ability.

Zhang Liang didn't dig too deep, his physique was too weird, he never seemed to appear in this world, and it was not surprising that this situation occurred.

It's just that Zhang Liang has some guesses in his heart, but now is not the time to test, and now he is still making up for the shortcomings of several realms.

And his current focus is on the instrument, you must know that the current Zhang Liang has reached the other side of the realm, but there is no instrument that he has forged himself.

Usually monks in the realm of the other side usually have four pieces of their own casting, this vessel is different from others, is made of the divine pattern and divine materials in the sea of suffering, can grow together with the monk, is the monk's natal thing, related to the monk's future achievements.

Most monks don't choose this one, it's too difficult, and they don't have a chance.

In the entire Eastern Wilderness, only a few ancient scriptures record this profound secret method of tempering one "instrument" in the four realms, and ordinary monks have no chance to touch it.

However, even if they were the Holy Land and the Ancient Families who had mastered these ancient scriptures, few of their disciples dared to take such a risk, because opportunities and risks have always coexisted, and if they want to get more, the price they pay may also be unbearable.

To temper a "tool" with the four realms, throughout the ages, the vast majority of people have been a "tool" without success, and the years have been wasted.

Without his own "weapon", he can't control things, and he is not much different from a wasted person, so few disciples of the Holy Land and the Ancient Family have made such a choice.

And Zhang Liang also wants to only cast one device, if you want to achieve something, otherwise you have to pay, this is an unbreakable truth, there is no shortcut on the road to success.

According to the "Tao Sutra", one kind of "instrument" can be sacrificed and cultivated, and the powerful "instrument" is not the result of the unity of the four realms.

In other words, if you want to obtain the strongest weapons, the bitter sea, the spring of life, the divine bridge, and the other side, only one "instrument" is sacrificed, not four.

This is the so-called "late bloomer", once successful, you can break ten thousand laws, and I will kill a hundred flowers after the flowers bloom.

Now Zhang Liang has no choice, he is already at the peak on the other side, almost about to break through, he can only choose to cast a single vessel, not four.

There are only a few kinds of most powerful weapons in this world, and bells, tripods, and towers are the most powerful tools.

The beginningless bell of the Emperor of the Beginning dominates the world, and the immortal tripod of the emperor has been passed down through the ages, and the mysterious and unpredictable barren tower has even killed the legendary immortals.

The most powerful weapon in the world is unsurpassed.

Zhang Liang wanted to cast the bell, the bell has a special meaning in ancient China, there are countless idioms about the bell circulating, the dictionary about the bell is explained as bell: ancient musical instrument, ding: ancient cooking utensils.

In ancient times, it was used to strike the bell and eat to describe the luxurious pomp and circumstance of the aristocracy.

The two bells are confused, and they can't figure out the capacity of the strings and the bell. The metaphor does not confer ordinary truth of right and wrong.

The house of Zhongding is the home of the rich and noble, the Zhongding mountain forest is a metaphor for wealth and seclusion, and the old Mailong Zhong describes the old age and inconvenience.

The bell had an extraordinary status in ancient times, symbolizing nobility and representing status.

Zhang Liang chose Zhong, and he hoped that he could dominate the world.

It's a pity that it's still far away, after lunch, Zhang Liang went directly into the deep mountains, and he began to try to control the "Divine Pattern", because this is very critical and important for the later cultivation, and he wants to cast his own weapon.

Each "divine pattern" is like a divine chain, wrapped in the red sea of bitterness, which is a primitive form formed by the condensation of life essence.

Monks can sacrifice the "Divine Pattern" into various shapes, such as throwing knives, daggers, etc., which can be released outside the body to kill enemies, which is more effective than the "Divine Pattern".

Some people will spend a lot of time and thought to sacrifice the original "divine pattern" into flying swords, small shields, halberds, etc., which are easier to control and will be much more powerful against the enemy.

There are also a few people who are not afraid of complexity and mystery, and repeatedly temper the "divine pattern" to cast it into "ding" and "bell" or "tower", etc., which can exert all kinds of mysterious powers.

Legend has it that the "vessel" made by a very small number of monks with "divine patterns" may undergo unexpected changes in the later stage, and the "trajectory of the Tao" is interwoven within the "vessel", which has unpredictable power.

Of course, this probability is very low, and only those who are gifted and extremely powerful monks may have such an opportunity.