Huang Feihong was originally a men's play, except for a flashing trick filmed a few days ago, there was no shadow of a woman, almost making people forget that there is a heroine in this play.

Aunt Thirteen wandered around the crew for two days, playing the role of the handsome little maid well, serving tea and water and opening a small stove for the handsome, and cooking soup every day. It turned out that the identity set by the system for her was really a woman born in Lingnan, although she was a doctor in Liuyang, but her cooking skills were extraordinary.

made Wu Jin beg for soup in Yingshuai's house all day long, and shouted at Aunt Thirteen "Master, Master", because he called Yingshuai Master, and the thirteenth aunt pursed his lips and snickered.

However, in this way, the relationship between Aunt Thirteen and the people in the crew has also become close, and the atmosphere is slowly in line with the relationship between the characters in the play.

This is also the purpose of Yingshuai, Aunt Thirteen doesn't have much experience in acting, these days in addition to letting her ponder on the sidelines, but also letting her run in with other actors by the way.

Seeing that his goal has been achieved, Yingshuai decided to start filming the teahouse scene today, that is, the scene where the thirteenth aunt appeared and met Huang Feihong for the first time in the film.

This scene is actually not simple, to reproduce the inside and outside of the century-old teahouse, it took three full days for the drama to arrange the scene, and there were three or four hundred group performers alone, and there were more than forty people with lines.

Yingshuai prefers to be fully prepared in the early stage, the costumes of each group performance are checked, and the props are finally passed again, and then the shooting is announced.

The market under the teahouse began to move, the missionary team of foreigners played Western musical instruments and walked by, and the luthier in the teahouse took out the skills of housekeeping to try to suppress the music outside, and at the same time, the team of the White Lotus Sect was also mixed in, and the scene became a pot of porridge.

But the director must control the overall picture to be chaotic and not cluttered, so that the audience will not get bored.

This scene shows the Lingnan style under the conflict between Chinese and Western cultures, although there is no wild boar skin rebellion in this world, and there is no invasion of the Eight-Nation Alliance, but in the same way, after hundreds of years in the Ming Dynasty, there has been a period of cultural weakness, and it is in the bridgehead of Western culture shock.

Yingshuai also admires the old monster Xu in the original time and space, and this scene shows the cultural conflict of the Republic of China vividly through the seemingly chaotic teahouse, which is worthy of the pinnacle of the master.

He has the original book as a reference, and the shooting is much less difficult, but he is determined to command behind the camera.

At this time, Huang Feihong took a group photo with the old actor who played the father of the thirteenth aunt, and suddenly noticed that a fire rushed out of the camera, he moved his body and kicked the old actor away, but the fire scorched the bird on the table.

There was a big mess in the teahouse, and Aunt Thirteen, who was taking photos, lifted the curtain behind the camera and appeared in front of everyone.

Suddenly, the entire teahouse was quiet for a moment, and there seemed to be only one pretty face left between heaven and earth, and the pretty figure like a hibiscus out of the water couldn't help but sway for a while.

"The characters return to their places and find the protagonist's aura, is it extracted?" suddenly the voice of the system sounded in Yingshuai's ears.

"The protagonist's aura, what's it?" asked Yingshuai suspiciously.

"The character drawn by the system, when she returns to her original identity, will stimulate the protagonist's aura in her body, and as for the use, the main thing is to increase her charm and increase the character's luck by 300%. The system replied.

Although Yingshuai couldn't understand the role of the protagonist's aura, it was a good thing to listen to it, so he replied: "Extraction!"

Suddenly, a light flashed out of Aunt Thirteen's body, and her whole person seemed to be bathed in a divine aura.

"Did you see anything special?" asked Ying Shuai to Wan An, who was in charge of the camera.

I just feel that Guan Shaojun suddenly became more beautiful in the camera. Wan An carefully controlled the camera and replied casually.

"Didn't you notice she was glowing?" asked the marshal with a pretended lightheartedness.

"Ying Shao, you've read too many fantasy novels. Wan Anxin replied absently, suddenly thinking that it was the boss next to him, and stuck out his tongue in fright.

He didn't know that Yingshuai was relieved, it seemed that only he could see this kind of magical change, and he was not afraid that anyone would be suspicious.

It's strange to say, since the aura of the protagonist on Aunt Thirteen has been stimulated, her jerky acting skills have become smooth, making people feel that she is Aunt Thirteen, and Aunt Thirteen is her.

It turns out that Yingshuai is positioned for the role of Aunt Thirteen, and the vase in the man's play is used as a softener to adjust a masculine style film, as long as he is simply responsible for beauty.

But now I am unconsciously attracted by Aunt Thirteen's performance, no, it can't be said to be a performance, it is completely natural and natural, she perfectly combines the traditional beauty of Ming women and the intellectual beauty after accepting Western culture.

The filming scene fell into a short embarrassment, and Huang Feihong's aura as the protagonist was perfectly suppressed by Aunt Thirteen, who was the center of everyone in the teahouse at this time.

"Click!" the hero decisively shouted to stop, and then kept the protagonist's momentum suppressed, how to shoot later.

When Yuan Time and Space was filming "Big SH1937", the knife Yang Fan he played was originally a supporting role, but he didn't expect to force the aura of the protagonist Xu Xiaojian down.

Originally, Zhang Qu was going to hold a small sword, but after this film, the protagonist of the film was replaced by Dong Zhihua after Zhang Qu, and the aura was born.

Dong Zhihua also reacted, he was also embarrassed, he was originally a good cold and handsome guy, but he was actually suppressed by a woman, can he not blush as a big man.

Yingshuai knew that this was the protagonist's aura on Aunt Thirteen, so he called Aunt Thirteen over.

"Shaojun, you have to be a little more restrained when you perform, Lao Dong is the protagonist, he is the center. ”

"Ying Shao, I didn't steal the show!" Aunt Thirteen flashed her big eyes and looked pitiful.

"I didn't say that you steal the show," Ying Shuai was also helpless, and it was troublesome for the actor to play too well, he thought about it and said, "You will treat Huang Feihong in the play as me." ”

The thirteenth aunt lowered her head and thought about it, and nodded at Yingshuai.

Yingshuai announced the restart, the scene was really a little different, and there was a different kind of light in the eyes of the thirteenth aunt, which made Dong Zhihua's heart flutter.

Yingshuai nodded with satisfaction, the thirteenth aunt really understood what she meant, in the eyes of the Ming women a hundred years ago, their own man was their own day, he asked the thirteenth aunt to treat the old Dong in the play as herself, and the thirteenth aunt naturally perfectly showed the mentality of the Ming woman's three obedience and four virtues.

Wait, Lao Dong, you won't get into the play, right?

Ying Shuai looked at Dong Zhihua's expression at Aunt Thirteen, but he began to have a headache.