The high/high tide of Jihad is undoubtedly the last, when Jones Sr. was shot in the stomach by the Nazis, and then Jones Jr. was forced to solve three questions to retrieve the Holy Grail and save his father.

The film also comes here, starting with "the breath of God, through which only the confessed can pass".

Jones kept repeating the phrase as he peeled back the cobwebs and walked deeper into the passage, passing the headless corpses of Nazi soldiers, leaving the audience even more heart-wrenching as he followed.

The injured old Jones was also repeating this clue repeatedly, and suddenly a knife flashed. A father and son grasped the meaning of the clue at the same time, and Indiana knelt down at the last moment, rubble flying above his head.

The flying blades almost cut through the screen and flew into the faces of the audience, and the scene was amazed.

The original film here is just a disc saw, which cut over the top of Indiana's head the moment he knelt down, but Yingshuai didn't arrange the same props here, as the high/tide of an adventure film, it was a bit bland to deal with it, so he simply arranged a knife formation.

And with a little 3D shooting techniques, although he did not come up with naked-eye 3D technology, but made full use of the depth of the lens and people's optical illusion, so that the blade array has a strong three-dimensional feeling, although it is not a 3D movie, but in this era that has not experienced the baptism of blockbusters, it has played a shocking effect.

The audience opened their mouths wide and didn't close them for a long time, this Nima was too real, Michael even subconsciously touched his neck, but fortunately his head was still there.

In fact, it is not surprising at all that Lumière just filmed a mediocre clip of a train entering the station, and the first time it was shown in the theater, the audience was actually scared to get up and run away, thinking that the train was really going to crash over, which is just rare and strange.

The same is true today, without the baptism of 3D blockbusters in the original time and space, the audience is still very simple at the moment, and they are suppressed by a simple visual deception of Yingshuai.

However, the audience has not had time to reminisce, and Dr. Jones, played by Smith on the screen, has come to the second level.

"The Word of God, only those who follow in the footsteps of God of God can pass", the audience was also attracted by this puzzle and began to think.

The clever viewer guessed almost like the old Jones in the film that they were to step on the stones with the letters carved on the ground in alphabetical order of Jehovah's name.

"It's J!" the anxious audience couldn't help but make a decision for Jones.

Jones stepped on it as well, but the stone shattered immediately, but fortunately he was quick enough to climb the edge and not fall. The camera also pans down to the trap below, which is a spectacular abyss.

The audience was horrified to find that the seemingly flat ground above, but the abyss below, was actually an abyss, and the hero gave this abyss a long shot, of course, it was simulated with CG technology, compared to the flashing artificially built by the original film, the scene was countless times more spectacular.

Of course, there are still stone pillars underneath the letters marked with God's name, so how could Jones step on the air?

While the audience was scratching their heads, old Jones shouted with difficulty: "The first letter of Jehovah's name is I not J in Latin!"

Your sister really can't explore the danger without culture, the audience couldn't help but breathe a sigh of relief, Jones really passed the second level successfully, although he almost stepped on the letter on the side without a heart.

But he was blocked by an even more precipitous abyss, which was dozens of feet wide and cut off both sides, and the middle was empty.

"Only the one who jumps over the lion's head can prove the worth", this is the clue of the third level.

"God this can't be, do you want Jones to fly over with a whip?" Michael, completely immersed in the film, begins to worry about the main character.

Behind Jones came the voice of his father's friend, "Indy, you have to hurry, your father can't hold on!"

Indiana finally relied on his courage and faith to step on the completely clear suspension bridge and pass the third level and get the Holy Grail.

Witnessed by the audience, he miraculously saves his father, and when Michael thinks this is a happy ending where good triumphs over evil, and the protagonist goes through all odds to get the treasure and leave smoothly, the movie changes again.

As Scarlett crossed the forbidden area with the Holy Grail, the temple began to shake, as the Holy Grail could not be taken out of the temple.

The earth split in half, forming an abyss, and the Holy Grail fell into it, but fortunately it got stuck in a stone.

Scarlett desperately jumped into the abyss to retrieve the Holy Grail, but thankfully Jones grabbed her and she didn't fall.

She tried to reach for the grail, her fingers reaching for it, but she was barely able to pick it up, and she was still trying.

It seems that it is still the old-fashioned ending, Scarlett gets the cup, Jones saves her again, and finally the female Nazi repents, and the doctor returns with a beautiful woman, and both people and money. Michael, thinking he had guessed, laughed and muttered to himself.

In fact, Scarlett in the film is much kinder than the original film, and in order to keep her screen image from disgusting the audience, Yingshuai modified some of the original film settings, such as she let go of Jones and his son in the castle, so it is not surprising that Michael has such an idea.

In the film, Jones couldn't hold Scarlett anymore and persuaded her to give up and leave the Holy Grail alone, but the Holy Grail was her long-standing dream, and she refused to let go and was still trying to get it.

Jones couldn't hold on any longer, the sweat on her hands kept pouring out, and finally she couldn't catch Scarlett, she fell into the abyss, leaving only a pretty face that kept getting smaller and smaller on the screen, and a pair of deep eyes full of remorse.

Michael looked at the beauty who disappeared into the abyss, and couldn't help but feel a sense of regret in his heart.

However, at this time, Jones on the screen is stuck in the same difficult choice as Scarlett, and he is also trying to reach the Holy Grail, because it is really only a little bit away, and he can pick up the Holy Grail one centimeter further.

"Indy, give up!" said old Jones suddenly.

Although Garrison Ford's face is not wrinkled, what the audience sees is not old age, but the rich and wonderful story of a mature man's life, a kind of wisdom tempered by the years.

Indiana glanced back at his father, he realized, withdrew his hand reaching for the Holy Grail, grasped his father's hand firmly, and returned to safety.

In addition to the intense and climactic adventures, the theme of fatherly love is always present throughout the Holy War, which is sublimated by the final Indiana abandonment.

His final abandonment, the audience felt that the aftertaste was endless, but it was a realization, and the screening room fell into silence, perhaps because of the life philosophy of "regression is forward", or perhaps because of the great love of father's love.

This is the most attractive thing about classic films, and after laughing and stimulating, it will bring people a faint understanding.

"I learned that entrepreneurship is not the only way out in life, and giving up is sometimes a kind of courage. Michael clenched his fists and made his own decision.