"Tang Chen, why are you smiling so happily?"

Zhou Xuanying saw Tang Chen coming out of Jubaozhai, so he kept laughing, laughing like a two-hundred-pound child, and a happy energy came out of his whole body, making Zhou Xuanying also inexplicably want to laugh, patted Tang Chen, and asked with a smile.

Tang Chen picked up the two paintings in his hand and said with a smile: "This Boss Liu is so cute, I don't even want to pick up his leaks......"

"What are you picking up?" Zhou Xuanying didn't quite understand what Tang Chen meant.

"Picking up leaks, in fact, came from the north, is a jargon in the antique world. The image is embodied in the 'pick-up', because the antique industry generally believes that picking up leaks is an unavoidable behavior, so the northern dialect uses a 'pick-up' to imply its rarity, which is very witty. To put it simply, spilling is the purchase of valuable antiques at a very cheap price, and the seller is often unaware. ”

Zhou Xuanying Bingxue was smart, and when she heard the strings, she knew the elegant meaning: "So you picked up the leak again?"

But in the eyes of ordinary people, it doesn't seem to be worth mentioning. Tang Chen said with a smile, "To be precise, it should be a magic weapon, a magic weapon that can attract wealth and treasures." ”

"Then Boss Liu is willing to sell it to you?!" Zhou Xuanying has been the president for a few months, and her ability to recognize people has been exercised, with her first impression and a few words, she can see that Boss Liu is a master who has not taken advantage of enough and suffered a loss, how could he let Tang Chen pick up such a big bargain?

Tang Chen sighed and said, "Li Lingzhi is dizzy! If he had learned his lesson, he wouldn't have let me buy these two paintings easily, at least he would have to bleed heavily." It's a pity that he wanted to make that rich man's money, and he forgot about me a long time ago. People like him don't remember to eat. ”

"Tang Chen, did you say that Gao Haikang would buy that painting?" Zhou Xuanying asked in a low voice as he walked.

"I don't know, but in my opinion, it's probably not real either. Tang Chen sighed.

Zhou Xuanying pouted and said, "Then he deserves it, who made him so annoying?"

Tang Chen can understand Gao Haikang, he at least has the courage to chase love, and it also makes him cherish this lost relationship even more. After many men chase girls, they begin to slowly lose their sense of crisis. However, the truth is that if you don't love her and cherish her, there will be someone who loves her and cherishes her more than you.

The so-called "My Fair Lady, Good Gentleman", even if a girl with a slightly better appearance, has many potential suitors. After all, there are more men and fewer women in China now, and if you don't cherish it, others will be unwelcome. Gao Haikang's existence, Tang Chen thinks that it makes him more crisis-conscious, and he will not think that Zhou Xuanying is his wife.

Thinking of this, Tang Chen naturally took Zhou Xuanying's hand and looked at her gently: "I'm not afraid of him, I'm afraid that I will treat you badly." ”

At this time, the people in the antique street were bustling, and Zhou Xuanying suddenly heard Tang Chen's emotional words, and her ears turned red: "What are you doing...... So many people here ......"

Tang Chen didn't care about the eyes around him, he just took Zhou Xuanying's hand dotingly, and stopped talking.

The two of them walked slowly, enjoying the scenery of the antique street. I have to say that the decoration of this antique street is antique, a row of low antique buildings, as if in an ancient market, there is an illusion of time and space inversion. "Hey, is this an ancient bronze mirror?"

Zhou Xuanying seemed to see something, and pointed to something in a shop and said. Tang Chen smiled: "That's right, but I don't know about antiques, so I can't tell if it's an antique......"

"Young man, do you want to learn to appreciate antiques?"

At this time, a slightly old voice sounded behind him, Tang Chen looked back and said in surprise: "Are you Master Meng just now?" How could Tang Chen have imagined that he would come out of Jubaozhai so quickly, his tone was full of surprise.

Master Meng looked at Tang Chen with interest and said, "Young man, your vision is very good!"

Tang Chen was stunned: "How can you see it?"

"The painting of Gao Cen just now is indeed a bit problematic. Master Meng sighed and said, "To be exact, only half of it should be true." ”

"Half true? Either true or false, how can it be half true?" Zhou Xuanying asked puzzled.

Master Meng sighed and said: "I just said, 'Suzhou Film, Jingshi Xiang, Jiangxi Mounting, Yangzhou Gang, Kaifeng Goods, Changsha Installation, Back Door Manufacturing, A Stick of Incense' These are all fake and real fake techniques. And the painting just now is a patchwork painting. ”

Tang Chen was stunned: "What do you mean by the stitching painting?"

"For a long time, the restorers of ancient paintings have been known as 'painting Langzhong', and the restorers save these damaged ancient paintings like traditional Chinese medicine to save the dying patient, and at the beginning of the restoration, they 'look and hear' the works, identify the completion time, analyze the problems, infer the root causes, and select the restoration methods. In addition, in the operation of painting and calligraphy restoration, in addition to finding different restoration materials according to the age of the paintings, including rice paper, silk with different weaving techniques, and mineral pigments extracted from ores using ancient production techniques, etc., the restorers themselves are also required to have skilled handicraft skills and painting skills. Therefore, we framers have a natural advantage if we want to counterfeit. Master Meng sighed, lowered his voice, and said lightly.

Tang Chen also heard the words: "Master Meng, do you mean that the painting just now was spliced together?"

"Yes, if I'm not mistaken, the painting should have been mutilated or artificially split in two. And someone with ulterior motives restored the painting just now, but he didn't repair it into one painting, but into two paintings!" Master Meng sneered, "This person's skills are very superb, and I was blinded just now." But after Mr. Gao gave the money, he left happily, and I came to my senses. The black ink stain in the woods is not ink, but charcoal black after the fire. This person was afraid that this place would become a flaw, so he deliberately made it look like a ball of ink, and there were traces of the original painting. To be honest, I'm amazed, this should be the 'Kyoto mounting' method!"

"What is 'Jing Pai'?" Tang Chen asked puzzled.

Master Meng said: "In order to adapt to the aesthetic requirements of different regions and different classes, since the Ming and Qing dynasties, there have been mounting schools that meet the needs of different regions, such as Su mounting, Beijing mounting, Shanghai mounting, 'Su Yangjing' mounting, Hunan mounting, and Lingnan mounting. Beijing mounting was created in Beijing, according to the early Qing Dynasty, the level of Chinese painting and calligraphy framing in Suzhou is the most, especially Qin Changnian, Xu Mingyang, Zhang Ziyuan, Dai Huichang and others, is even more famous. During the Qianlong period, the Qing court had a number of statues of the emperors of the past dynasties, which were in urgent need of mounting, and the Jiangsu governor recruited the master of mounting, and the governor of Jiangsu escorted Qin Changnian and other four people to Beijing to undertake this matter. According to the northern climate, environment and people's aesthetic tastes, Qin and others carefully created a unique style of Beijing mounting, which was well received by many parties. According to the northern climate, environment and people's aesthetic tastes, Qin Changnian and others carefully created a unique style of Beijing mounting, which was well received by many parties, and Qin Changnian and others became the founders of "Beijing mounting". The mounting pieces of Beijing are thick, heavy, flat and straight, the colors are bright and brilliant, and the style is chic and generous. Shu roll between, when as a ring. I didn't expect that there would still be such a powerful framing technique in Beijing, but it's a pity that I have entered the crooked way......"

(End of chapter)